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Book chapter
Equestrian tiles and the rediscovery of underglaze painting in Qajar Iran
The thirteen articles in this volume were originally given as presentations at the symposium of the same name organized in June 2018 by the Musée du Louvre and the Musée du Louvre-Lens in conjunction with the exhibition The Empire of Roses: Masterpieces of 19th Century Persian Art. The exhibition explored...Voigt, Friederike
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Book chapter
Introduction [Crucible of nations: Scotland from Viking Age to Medieval Kingdom]
Horns blaring, hounds yelping, deer panting, the drum of horse's hooves galloping - the sound of the hunt brought to life on an enormous stone slab. Above the hunt scene the endless meander in and out of interlace-decorated circles, symmetrical, rhythmic and infinite in their perfection, are understandable art.Goldberg, Martin
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Book chapter
Foreward [Crucible of nations: Scotland from Viking Age to Medieval Kingdom]
Crucible of Nations presents the findings of the latest phase of the long-standing relationship between National museums Scotland and Glenmorangie, a partnership which has changed understandings of early medieval Scotland through innovative research into the national collections.Breward, Christopher
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Book chapter
The Importance of Place
The fourth edition of European Glass Context presents 62 glass artists from 31 European countries whose works of art are craft masterpieces, site-specific or politically charged. This exhibition catalogue is a hybrid where print on paper and augmented reality converge: the artists are presented through images, texts and films about...Rothwell, Sarah
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Book chapter
Excellent judgement: bark painting in National Museums Scotland
Museums across Great Britain and Ireland hold Aboriginal and Torres Strait Islander (collectively referred to as ‘Indigenous’) cultural heritage of exceptional value which is largely unknown, rarely seen and poorly understood. Gifted, sold, exchanged and bartered by Indigenous people, and accepted, bought, collected and taken by travellers, colonists, explorers, missionaries,...Morphy, Howard ; Denner, Antje ; Blakeman, Bree
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Book chapter
For close observation: Tilework imagery in the architecture of Qajar Iran
When we walk into a gallery, we have a fairly good idea where the building begins and ends; and inside, while observing a painting, we are equally confident in distinguishing between the painting-proper and its frame and borders. Yet things are often more complicated. A building defines an exterior space...Voigt, Friederike
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Book chapter
Museum Egg Collections
Birds' eggs are true wonders of the natural world: they are strong enough to protect the embryo as it develops, yet sufficiently fragile to allow the chick to hatch. Little wonder that the enormous diversity of avian eggs – the amazing range of shapes, sizes, colours and patterns – has...McGowan, Robert Y
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Book chapter
Forward titled: The National Trust's Tapestry Collection
From the Middle Ages, tapestries with figurative or other ornament were used by royalty and aristocrats to furnish their palaces and houses. While often observed as two dimensional art, they are three dimensional structures requiring specialist skill to maintain and conserve them. Since the vast majority of tapestries are on...Wyld, Helen
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Book chapter
The Renaissance reimagined: Minton, Majolica, and Maiolica
From about 1850, the Renaissance Revival inspired the design of both architecture and the decorative arts in Britain, prompting Minton & Co. to bring the arts of the Renaissance to the Staffordshire potteries. Within the context of its ongoing use of historical examples, the firm successfully adopted and adapted Renaissance...Blakey, Claire