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Conference paper (unpublished)
More than a spring clean: painting the house to welcome a king
Embedded in the roof of the Renaissance gallery at National Museum of Scotland are the painted rafters from a ceiling at Rossend Castle, Burntisland, Fife. These were probably commissioned by Sir Robert Melville of Murdochcairnie, first Lord Melville, and are thought to have been decorated in anticipation of a visit... -
Conference paper (unpublished)
Crafting Colour Worlds in Scottish Stones
During the 18th and 19th centuries, Scottish jewellers used colourful stones – including agates and Cairngorm quartz – to craft luxury goods. This talk explores how the colours of these materials played a key role in shaping the design and making of jewellery objects, and in fostering new ways of...Laurenson, Sarah
jewellers, rocks, lapidaries, Scottish jewellers , Cairngorm quartz , mountain, geology, and colourful stones
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Presentation
Hosted, chaired and delivered the 'TARTAN: Exploding the Grid’ conference with V&A Dundee
Tartan: Exploring the Grid was an international conference expanding the thinking from our now closed exhibition, Tartan. This event was kindly supported by the University of Southampton. Recognising tartan as an inspiration for design as well as a powerful cultural symbol, the conference provided an opportunity for international researchers, artists,...Maxwell, Mhairi
cultural symbol, knowledge exchange, design inspiration , and tartan
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Lecture
The Peebles Hoard: A Late Bronze Age discovery from the Scottish Borders
In June 2020, a metal detectorist found several peculiar bronze fittings near Peebles in the Scottish Borders. Subsequent excavation by the Treasure Trove Unit and National Museums Scotland revealed these to be part of a substantial Late Bronze Age hoard comprising unique bronze fittings and equipment with surviving organic material,...Freeman, Emily ; Knight, Matthew G
scabbard, metal detecting , bronze fittings , Late Brown Age, organic material, Treasure Trove, Peebles Hoard, and sword
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Book chapter
“A Crown of Everlasting Glory”: The Afterlife of Maria Clementina Sobieska in Material and Visual Culture
Maria Clementina Sobieska was the last widely recognised Stuart queen, albeit in exile, and mother to the final generation of the Stuart dynasty. Examining the material and visual culture surrounding her funeral and afterlife, this chapter reinstates Clementina in Jacobite and Stuart history. It also considers the papal role in...Vullinghs, Georgia
Jacobites, visual culture, material culture, Royal funerals, Queenship, and Stuarts
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Journal article
2. SCOTLAND
NORTH OF THE ANTONINE WALL: Tap o'Noth and Longforgan THE ANTONINE WALL: Seabegs Wood, Milnquarter, Bonnyside East, Rough Castle, Mumrills and Bo'ness SOUTH OF THE ANTONINE WALL: Castle GregHunter, Fraser
Roman Scotland, industrial activity, Military Way, hillforts, Antonine Wall, fortlet, archaeological excavations , and camps
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Book chapter
Analysis of the Fettercairn Jewel and comparative Scottish Renaissance jewellery
Renaissance jewellery pieces often demonstrate highly developed artistic and technological skills and combine precious gemstones, pearls, gold, translucent and opaque enamels to reflect an individual's wealth, social status or political loyalties.1 Although there has been significant research published on Renaissance jewellery from an art historical point of view, the amount...Troalen, Lore
Scottish history, Renaissance,, jewellery history, material culture, and analytical data