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Blog post
The legacy of The Great Exhibition - 170 years on
On 1 May 1851, The Great Exhibition of the Works of Industry of All Nations opened in a huge, purpose-built Crystal Palace in Hyde Park, London. 170 years later, The Great Exhibition’s design legacies are still being felt.Blakey, Claire
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Blog post
Eyes that see in the dark: nocturnal dinosaurs
With new fossils being discovered, new information about dinosaurs comes to light all the time. Just today, a study reveals evidence of dinosaurs adapted to hunt in the dark. Stig Walsh, an author on this study, illuminates further.Breward, Christopher
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Conference paper (unpublished)
Confronting colonial histories and legacies in Egyptian and Sudanese collections at National Museums Scotland
Maitland, Margaret
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Conference paper (unpublished)
A Five-Star Model for Linked Humanities Data Usability
Middle, Sarah
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Lecture
Buying Power: Archaeologists as Dealers in Egypt and Sudan
Exhibitions and displays of Egyptian objects in museums across the world continue to inspire awe and fascination for millions of visitors. As museums tell the stories of the ancient world, they also tell their own collecting stories of how the objects came to be part of their collections. These narratives...Potter, Daniel
Dealers, Collections, Archaeology, Antiquities, Sudan, John Garstang, Edwin Ward, Charles Trick Currelly, Egypt, and William Matthew Flinders Petrie
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Conference paper (unpublished)
William Morris and La Vie Seigneuriale: New light on the revival of tapestry weaving in England
The artist and designer William Morris taught himself to weave in 1879 and went on to produce some of the most celebrated tapestries of the 19th century. But how far can Morris’s writings on the revival of Medieval craft be accepted as the ethos behind his tapestries? Previously overlooked evidence...Wyld, Helen
English tapestry, La Vie Seigneuriale , Tapestry, William Morris, Weaving, England, Medieval craft revival, European tapestry, 19th century , and Arts and crafts