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Journal article
History in the balance: a newly-discovered Anglo-Saxon runic inscription from Croy, Highland
A recent reassessment of the National Museums Scotland’s Viking-age collections revealed a new runic inscription from a previously overlooked scrap of copper alloy. The Croy Hoard is a mixed collection of objects deposited in the late 9th century AD, not far from what is now Inverness Airport. The Hoard was...Maldonado, Adrián
Old English rune, Viking-age collections, Anglo-Saxon runes, Early Medieval Scotland, Runic inscription, The Croy Hoard, and Bronze balance beam
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Journal article
Unwrapping the Galloway Hoard
Unwrapping the Galloway Hoard is a three-year UK Arts & Humanities Research Council (AHRC) project (2021- 2024) which aims to challenge current understanding of the process of hoarding through an interdisciplinary study of one of the best-preserved hoards found in Britain to date.Harris, Susanna ; Goldberg, Martin
textiles, leather, golf, Galloway Hoard, organic and inorganic artefacts, and silver
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Journal article
Scottish heart brooches a re-evaluation of the luckenbooth
This article presents a study of Scottish heart brooches, primarily from the 18th century, using the collections of the National Museums Scotland, Inverness Museum and Art Gallery, the Highland Folk Museum and those reported to the Treasure Trove Unit. By researching over 350 heart brooches it has been possible to...McGill, Lyndsay
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Journal article
William Littler in West Pans; His Marriage to Jane Booth
The hamlet of West Pans, 1 1/4miles east-north-east of Musselburgh on the south side of the Firth of Forth, included a rocky foreshore on which stood the saltpans from which the name is derived. However, it is not just salt production there from at least the 12th century, but the...Haggarty, George R ; Gaskell, Tony
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Journal article
Nouveaux départs ? Écrire l’histoire de l’art par ses déplacements
Depuis une dizaine d’années, on observe un glissement dans l’historiographie française des institutions culturelles et dans les études sur la vie sociale et culturelle des œuvres. Dans le cadre d’une histoire classique des collections, qui perçoit l’artefact surtout à travers la formation des collections privées et publiques, des logiques de... -
Journal article
An exhibition like no other
IN AUTUMN 1961, THE DOORS OF GOLDSMITHS’ HALL opened for an exhibition like no other. This, according to the late Graham Hughes, Art Director of the Goldsmiths’ Company and curator of the show, was to be ‘an art exhibition of a high order, intended to raise the standing of jewellery...Rothwell, Sarah
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Journal article
Matriarchal Journeys: Identity and Generational Exchange in the Travels of Lady Grisell Baillie and Margaret Calderwood of Polton, <i>c.</i> 1730–1757
In 1731 Lady Grisell Baillie began a tour through Europe to Naples with her husband, two daughters, son-in-law and eldest granddaughter. Prompted by an order abroad for her son-in-law’s health, the journey to and from Naples took in cultural sites and offered unique opportunities for shopping. In 1756 Margaret Calderwood...Taylor, Emily
Scotland, women, dress, learning, shopping, and 18th century
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Journal article
Noninvasive Characterization and Quantification of Anthraquinones in Dyed Woolen Threads by Visible Diffuse Reflectance Spectroscopy
The anthraquinone components of the roots of various species of madder (like Rubia tinctorum L. and Rubia peregrina L.) have been used for millennia as red colorants in textiles, carpets, tapestries, and other objects. To understand the selection and preparation of dyestuffs in various cultures and historical periods, these dyes...Chavanne, Clarisse ; Troalen, Lore G ; Fronty, Isabelle Bardies ; Buléon, Pascal ; Walter, Philippe
Dyes and pigments, Optical properties, Color, Extraction, and Liquid chromatography
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Journal article
A Note on Modern (Fake) Shabtis as Tourist Art
This brief communication is a discussion of several styles of shabti figures identified during the National Museums Scotland review of Egyptian material in Scottish collections. The shabtis’ combination of historical styles, nonsensical inscriptions and material composition clearly characterize them as modern productions, despite several recent publications identifying them as Roman...Potter, Daniel M
modern, tourist art, pseudo-shabti, and Shabti