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2024
Book chapter
Figures in museum display: the creation and use of a little person mannequin at National Museums Scotland
In 2019, National Museums Scotland (NMS) presented the temporary exhibition Body Beautiful: Diversity on the Cat walk. It addressed broad issues of diversity and inclusivity in the fashion industry, organized around five categories: ‘Age’, ‘Disability’, ‘LGBTQIA+’, ‘Race’ and ‘Size’. Integral to the mannequin brief was challenging perceptions of the body...McLeod, Miriam ; Ripley, Georgina
mannequin, representation, Body Beautiful: Diversity on the Catwalk, inclusivity, fashion industry, exhibition, and diversity
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2024
Book chapter
Measurement Standards and Double Standards Reassessing Charles Piazzi Smyth’s Egyptological Reputation
In 1864–5, the Astronomer Royal for Scotland, Charles Piazzi Smyth (1819–1900),3 his wife Jessie (1812–1896),4 and a small team of Egyptian archaeological workers conducted an extensive survey of the Great Pyramid of Giza. Smyth had become interested in the structure as he read John Taylor’s The Great Pyramid: Why Was... -
2024
Book chapter
'The worked shale and related materials' In: Strachan, David, Cook, Martin and McLaren, Dawn 'Three Forts on the Tay: Excavations at Moncreiffe, Moredun and Abernethy, Perth and Kinross 2014–17'
Excavations recovered a comprehensive assemblage of 21 items from Moredun, including a range of unfinished material, indicating elements of craft production, while in addition, an unfinished bangle fragment was previously recovered from the hilltop as a stray find.Hunter, Fraser
craft production, archaeological excavations , assemblage, Moredun excavations, and bangle fragment
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Book chapter
'The zoomorphic ring-headed pin' In: Strachan, David, Cook, Martin and McLaren, Dawn 'Three Forts on the Tay: Excavations at Moncreiffe, Moredun and Abernethy, Perth and Kinross 2014–17'
The most remarkable find from the Moredun excavations was a copper-alloy bird-headed pin (Figures 4.7, 4.8 and 4.9), unique and yet readily placed into a wider context. It is a miniature masterpiece of early Celtic art dating to the 3rd century BC. A summary of the find and its wider...Hunter, Fraser
copper-alloy bird-headed pin, chamfrain, archaeological excavations, Bronze mask , and Moredun excavations
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2024
Book chapter
'The worked shale and related materials' In: Strachan, David, Cook, Martin and McLaren, Dawn 'Three Forts on the Tay: Excavations at Moncreiffe, Moredun and Abernethy, Perth and Kinross 2014–17'
Two items in black organic-rich stone were recovered from Moncreiffe, while a larger assemblage of 21 items was recovered from Moredun (Chapter 4.7). Both assemblages include a range of unfinished objects, indicating elements of craft production at both sites. A more detailed discussion of the sources of the raw material,...Hunter, Fraser
craft production, archaeological excavations, Montcrieffe fort, worked shale, bangle fragment, and bead
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2023
Book chapter
“A Crown of Everlasting Glory”: The Afterlife of Maria Clementina Sobieska in Material and Visual Culture
Maria Clementina Sobieska was the last widely recognised Stuart queen, albeit in exile, and mother to the final generation of the Stuart dynasty. Examining the material and visual culture surrounding her funeral and afterlife, this chapter reinstates Clementina in Jacobite and Stuart history. It also considers the papal role in...Vullinghs, Georgia
Jacobites, visual culture, material culture, Royal funerals, Queenship, and Stuarts
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2023
Book chapter
Selective fragmentation. Exploring the treatment of metalwork across time and space in Bronze Age Britain
During the Bronze Age (BA), thousands of metal tools, weapons and ornaments were buried across Europe in graves, settlements, single finds and hoards in the natural landscape. Many show evidence of deliberate treatment and structured and selective deposition. The concept of selective deposition (i.e. the decision to deposit objects in...Knight, Matthew G
Bronze Age, metal deposition, selective fragmentation practice, and Britain
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Book chapter
Analysis of the Fettercairn Jewel and comparative Scottish Renaissance jewellery
Renaissance jewellery pieces often demonstrate highly developed artistic and technological skills and combine precious gemstones, pearls, gold, translucent and opaque enamels to reflect an individual's wealth, social status or political loyalties.1 Although there has been significant research published on Renaissance jewellery from an art historical point of view, the amount...Troalen, Lore
Scottish history, Renaissance,, jewellery history, material culture, and analytical data