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Book chapter
'The worked shale and related materials' In: Strachan, David, Cook, Martin and McLaren, Dawn 'Three Forts on the Tay: Excavations at Moncreiffe, Moredun and Abernethy, Perth and Kinross 2014–17'
Excavations recovered a comprehensive assemblage of 21 items from Moredun, including a range of unfinished material, indicating elements of craft production, while in addition, an unfinished bangle fragment was previously recovered from the hilltop as a stray find.Hunter, Fraser
craft production, archaeological excavations , assemblage, Moredun excavations, and bangle fragment
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Book chapter
'The zoomorphic ring-headed pin' In: Strachan, David, Cook, Martin and McLaren, Dawn 'Three Forts on the Tay: Excavations at Moncreiffe, Moredun and Abernethy, Perth and Kinross 2014–17'
The most remarkable find from the Moredun excavations was a copper-alloy bird-headed pin (Figures 4.7, 4.8 and 4.9), unique and yet readily placed into a wider context. It is a miniature masterpiece of early Celtic art dating to the 3rd century BC. A summary of the find and its wider...Hunter, Fraser
copper-alloy bird-headed pin, chamfrain, archaeological excavations, Bronze mask , and Moredun excavations
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Book chapter
'The worked shale and related materials' In: Strachan, David, Cook, Martin and McLaren, Dawn 'Three Forts on the Tay: Excavations at Moncreiffe, Moredun and Abernethy, Perth and Kinross 2014–17'
Two items in black organic-rich stone were recovered from Moncreiffe, while a larger assemblage of 21 items was recovered from Moredun (Chapter 4.7). Both assemblages include a range of unfinished objects, indicating elements of craft production at both sites. A more detailed discussion of the sources of the raw material,...Hunter, Fraser
craft production, archaeological excavations, Montcrieffe fort, worked shale, bangle fragment, and bead
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Book chapter
“A Crown of Everlasting Glory”: The Afterlife of Maria Clementina Sobieska in Material and Visual Culture
Maria Clementina Sobieska was the last widely recognised Stuart queen, albeit in exile, and mother to the final generation of the Stuart dynasty. Examining the material and visual culture surrounding her funeral and afterlife, this chapter reinstates Clementina in Jacobite and Stuart history. It also considers the papal role in...Vullinghs, Georgia
Jacobites, visual culture, material culture, Royal funerals, Queenship, and Stuarts
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Book chapter
Selective fragmentation. Exploring the treatment of metalwork across time and space in Bronze Age Britain
During the Bronze Age (BA), thousands of metal tools, weapons and ornaments were buried across Europe in graves, settlements, single finds and hoards in the natural landscape. Many show evidence of deliberate treatment and structured and selective deposition. The concept of selective deposition (i.e. the decision to deposit objects in...Knight, Matthew G
Bronze Age, metal deposition, selective fragmentation practice, and Britain
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Book chapter
Analysis of the Fettercairn Jewel and comparative Scottish Renaissance jewellery
Renaissance jewellery pieces often demonstrate highly developed artistic and technological skills and combine precious gemstones, pearls, gold, translucent and opaque enamels to reflect an individual's wealth, social status or political loyalties.1 Although there has been significant research published on Renaissance jewellery from an art historical point of view, the amount...Troalen, Lore
Scottish history, Renaissance,, jewellery history, material culture, and analytical data
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Book chapter
Tracing royal Stewart jewels in the archives
Imagine the impact of Mary Queen of Scots walking into the room. At nearly six feet tall, and dressed into the finest jewels, fashion and fabrics available, she will have impressed. That, after all, was the intended effect: Mary used the way she appeared to command respect, denote her regal...Groundwater, Anna
Renaissance , material culture , Scottish history , jewellery history , Mary Queen of Scots , art history, objects, and Stuarts
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Book chapter
The Mystery of the Fettercairn Jewel
When the Fettercairn Jewel was discovered wrapped in paper at the back of a drawer at Fettercairn House, Aberdeenshire, in 2017. It was quickly recognised as an astounding piece of late sixteenth-century jewellery. But with little recorded provenance, and no obvious clues to its early history, it posed many questions.Wyld, Helen
Renaissance, material culture, Scottish history, art history, and jewellery history
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