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The Majestic and the Mundane the material culture of coronations
With the approaching coronation of King Charles III, Georgia Vullinghs, Assistant Curator of Modern and Contemporary History, has been looking at our collections of coronation material. From batons of ceremony and containers for holy oils, to souvenir cups, handkerchiefs, and biscuit tins, this range of material performs an important function...Vullinghs, Georgia
Coronation, Royal History , Scottish History, Politics, and Collections
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The Black Watch at National Museum of Scotland
Rosie Waine is the William Grant Foundation Research Fellow at the National Museum of Scotland. Here she writes how the Black Watch Museum & Castle collection contributed to the exhibition she has curated called Wild and Majestic: Romantic Visions of Scotland. -
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Objects in Place: the Eynhallow Sound, Orkney
Stone steps washed with waves and selkie songs glitter in the late summer gloaming. Roaring tides sweep in from all sides to batter the shore with ageless determination, steadily devouring the remnants of cairn-raisers, Picts, Norse, and crofters with equal indifference. The west wind catches a string of hanging seashells...Weinczok, David C
Orkney , Vikings, Objects In Place , Neolithic , Iron Age , and Archaeology
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Collecting Stories: How objects came into collections
Our new Collecting Stories gallery at the National Museum of Scotland looks the development of the National Collection and explores how and why we have acquired objects over two centuries and continue to do so today. John Giblin, Keeper of Global Arts, Cultures and Design, tells us more.Giblin, John
Black History Month , National Museum Of Scotland, Galleries , Colonial Histories And Legacies , and Collecting Stories
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Unwrapping stories revisiting the costume at Paxton House
Nestled on the bank of the River Tweed in the Scottish Borders, Paxton House is an eighteenth-century home and museum with exceptional collections. The Chippendale and Trotter furniture is recognised as being of international importance, and the building itself is Grade A listed. But what else lies hidden in storage?Tayor, Emily ; Murrell, Fiona Salvesen
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‘Woman’s dress of dark blue cotton, Ukraine, c.1880’: the complex reality behind a simple description
Alongside the human cost of conflict, the nihilistic destruction of centuries of historic heritage in Ukraine has provoked alarm, outrage and offers of support across the international museum sector. At the outset of hostilities, we looked to provide practical support where we could. For example, in the supply of wooden...Breward, Christopher
Dress , Russia , Ukraine, Embroidery , and Textiles
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QR codes in museums – worth the effort?
If you’ve visited the National Museum of Scotland in the last year, you probably saw a QR code in one of our exhibitions. There’s a good chance you even used one! Did you get your phone out and scan it? Or walk on by? Adam Coulson looks into changes in...Coulson, Adam
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The value of broken things: fragments from the Bronze Age
The value of an object is often framed in terms of its completeness. As individuals and as a museum, we like pristine things and try to keep them that way. If something breaks, we repair it. If it is broken beyond repair, we may replace it. And yet, sometimes it...Knight, Matthew
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Dressed to kill? A 16th century doublet in historical context
A dazzling Renaissance silk doublet is now on display in the Fashion and Style gallery at National Museums Scotland. In this blog Helen Wyld, Senior Curator of Historic Textiles, and Calum Robertson, Curator of Modern and Military History, take a deep dive into the history of the doublet, and its...Wyld, Helen ; Robertson, Calum
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An elite education: discovery of an ancient Athenian ephebic list
A stone monument with an ancient Greek inscription in the collections of National Museums Scotland was recently discovered to be a previously unknown, unpublished Athenian ephebic list. Principal Curator Margaret Maitland and the Attic Inscriptions in UK Collections project team explain the significance of this find, and what it tells...Maitland, Margaret
World Cultures, Archaeology , Ancient Greece , and Research
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Embroidered crucifixion
Thanks to a generous donation from benefactor Leslie Durst, we have acquired an exquisite seventeenth-century embroidery with a surprising history of secret Catholic devotion. This small panel embodies entwined stories of religious faith, skilled workmanship, and the mythology of a doomed Queen. Senior Curator of Historic Textiles Helen Wyld reveals...Wyld, Helen
Embroidery , Global Arts Cultures And Design , New Acquisitions , and Textiles
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Conserving the Galloway Hoard: a silver brooch goes under the microscope
The Galloway Hoard was in the ground for nearly 1,000 years. That brings all kinds of conservation challenges, as Galloway Hoard Project Artefact Conservator Mary Davis explains. Learn what it takes to preserve Viking-Age treasures, and what the conservation process tells us about the objects and people who used and...Davis, Mary
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A stitch in time: 300 years of visible mending
Does your favourite jumper have a hole in it? Seems a shame to get rid of a lovely piece of clothing because of a little tear, right? How about mending it! Senior Curator of Historic Textiles Helen Wyld talks us through some of the historic repairs in our textiles collection....Wyld, Helen
Textiles, Art And Design , Sewing , and Embroidery
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A badge of honour
The symbolic nature of jewellery has allowed wearers to signal their beliefs, alliances and values for thousands of years. For Women’s History Month, our Senior Curator Modern & Contemporary Design Sarah Rothwell explores the recent acquisition of a brooch that tells the defiant story of women’s suffrage.Rothwell, Sarah
Suffragette , Women , Women Designers, and WSPU
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Cups saucers and women's right to vote
How might our design choices inform our values? A recent addition to our collections allows us to explore a group of radical ceramics for Women’s History Month. Claire Blakey, Curator Modern Decorative Arts, talks us through a tea set made to champion women’s suffrage.Blakey, Claire
Suffragette , Women , Ceramics, and WSPU
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Trade, taste and tea bowls: uncovering Chinese ceramics in our collections
Ceramic objects are useful in day-to-day life and may also be put on display, for example in people’s homes, yet they are more than just functional or decorative. They can also tell stories of manufacturing, taste and international trade. National Museums Scotland has a large and important but little-known Chinese...Cao, Qin
World Cultures, Ceramics , and China
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Joan Faithfull’s Mull pottery
What does it mean for an object to be ‘of’ a place? Joan Fathfull’s pottery in Tormore, Mull, became a fixture for visitors to the Inner Hebrides in the mid-20th century. Ailsa Hutton, Assistant Curator of Modern and Contemporary History, discusses the recent gifting of Joan’s works by her sons,...Hutton, Ailsa
Scottish History, Contemporary Collecting , Mull , and Pottery
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Royal roundel acquiring the James V / Marie de Guise armorial roundel
An ‘attic sale’ of objects from Dunrobin Castle gave National Museums Scotland the opportunity to acquire four armorial roundels. One of these roundels depicts the combined coat of arms of Marie de Guise and James V, parents of Mary, Queen of Scots. Dr Anna Groundwater discusses this roundel’s symbolism, its...Groundwater, Anna
New Acquisitions , Scottish History, Marie De Guise , John Knox , Edinburgh , and Mary Queen Of Scots
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The Roaring Twenties 2.0
The 1920s in the West is perceived as a decade of economic prosperity following the impact of the First World War and the Spanish flu. Remembered for social, artistic and cultural dynamism, the 1920s ushered in modernity via new technology and trends: from cars to cinema, fashion to music, and...Ripley, Georgina
COVID-19 , Art And Design , 1920s, and Jazz Age
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John J Deas: Scotland's typewriter pioneer
When the first typewriters went on sale in Scotland in 1876, these American-made machines were little known novelties with few obvious customers. It took forward minded retailers to see the value in typewriters. One of the most successful was John J Deas of Dundee who pioneered the sale of typewriters...Inglis, James ; Taubman, Alison
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Artistic expressions of today: Climate change
Over the last year, we have acquired several artefacts that discuss how the impact of the pandemic and wider socio-political subjects have inspired the creation of some remarkable works of art, craft and design that reflect these times. Sarah Rothwell, Senior Curator of Modern & Contemporary Design, kicks off our...Rothwell, Sarah
Art & Design, Climate , Contemporary Collecting , COVID-19, and Climate Change
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Picts ‘n Mix: complex identities in the Viking age
The Picts are best known for pulling off one of Scottish history’s most famous disappearing acts. What, or who, accounts for them vanishing from the historical record after AD900? In the northern isles, the Pictish language seems to disappear completely. The blame often falls on the Vikings, who attacked Scotland...Maldonado, Adrián
Archaeology, Picts , Scottish History, Vikings, and Shetland
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Collecting the present
Contemporary collecting has been a hot topic for many museums for several years now. Curators have adopted several different approaches to ensuring their institutions are responsive and capturing the important issues of the time so that present and future visitors are better able to understand and learn from the experience...Breward, Chris
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Romans in your letterbox
One of our most prized Roman artefacts has received the ultimate accolade – it’s featured on a Royal Mail stamp.Hunter, Fraser
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Looting Scotland in the Viking Age
In 795 AD one of the first recorded Viking raids in Britain took place at the monastery of Iona in what is now Scotland. Dozens of raids and battles would follow, leading to the plunder of people, cattle, and, of course, portable wealth by Vikings.Maldonado, Adrián
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These are not Viking swords
Swords of the Viking Age are some of the most iconic objects of the early medieval period. The very word ‘Viking’ conjures images of warriors, at least judging by the covers of books on Viking-age history and archaeology.Maldonado, Adrián
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Exhibiting Mary: challenges and opportunities
Today’s blog by David Forsyth (Principal Curator, Modern and Contemporary Scottish History, National Museums Scotland) was part of the project’s virtual workshop on ‘Re-presenting Mary: challenges and opportunities’, held on 7 August 2020. David discusses his experience of curating the last major Mary exhibit in Scotland, which also launched the...Forsyth, David
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Materialising Mary Queen of Scots at National Museums Scotland: A Renaissance Queen
In today’s blog, Dr Anna Groundwater (Principal Curator, Renaissance and Early Modern History, National Museums Scotland) walks us virtually through the Renaissance Gallery, at the National Museums Scotland in Chambers Street, Edinburgh, and reflects on the various Maries we create from objects.Groundwater, Anna