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Blog post
QR codes in museums – worth the effort?
If you’ve visited the National Museum of Scotland in the last year, you probably saw a QR code in one of our exhibitions. There’s a good chance you even used one! Did you get your phone out and scan it? Or walk on by? Adam Coulson looks into changes in...Coulson, Adam
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Journal article
A Note on Modern (Fake) Shabtis as Tourist Art
This brief communication is a discussion of several styles of shabti figures identified during the National Museums Scotland review of Egyptian material in Scottish collections. The shabtis’ combination of historical styles, nonsensical inscriptions and material composition clearly characterize them as modern productions, despite several recent publications identifying them as Roman...Potter, Daniel M
modern, tourist art, pseudo-shabti, and Shabti
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Blog post
Connecting collections through the congruence engine
Like all museums, what we have on display at any one time barely scratches the surface of the 12 million objects in our collection. We try to make these collections more accessible to as many people as possible. So we’re excited to be part of a newly launched partnership of...Taubman, Alison
Digital , Technology , Congruence Engine , Energy , Textiles, Science And Technology , and Communications
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Lecture
The making of the Typewriter Revolution: a new exhibition on typewriters at the National Museum of Scotland.
The Typewriter Revolution exhibition, which opened at the National Museum of Scotland, Edinburgh in July 2021, examines the social and technological impact of typewriters from the mid-nineteenth century to their continued use and popularity in the twenty-first century. James Inglis, whose PhD research has made up a large part of...Inglis, James
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Book chapter
Introduction [Crucible of nations: Scotland from Viking Age to Medieval Kingdom]
Horns blaring, hounds yelping, deer panting, the drum of horse's hooves galloping - the sound of the hunt brought to life on an enormous stone slab. Above the hunt scene the endless meander in and out of interlace-decorated circles, symmetrical, rhythmic and infinite in their perfection, are understandable art.Goldberg, Martin
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Book chapter
Foreward [Crucible of nations: Scotland from Viking Age to Medieval Kingdom]
Crucible of Nations presents the findings of the latest phase of the long-standing relationship between National museums Scotland and Glenmorangie, a partnership which has changed understandings of early medieval Scotland through innovative research into the national collections.Breward, Christopher
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Journal article
Iona in the Viking Age: laying a ‘zombie narrative’ to rest
The traditional story of Iona’s early medieval monastery ends in tragedy and bloodshed, with the religious community wiped out by vicious Viking raiders. Increasingly, though, the archaeological and historical evidence does not support this persistent narrative, as Adrián Maldonado, Ewan Campbell, Thomas Owen Clancy, and Katherine Forsyth report.Maldonado, Adrián ; Campbell, Ewan ; Thomas Owen, Clancy ; Forsyth, Katherine
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Book
Crucible of nations: Scotland from Viking Age to Medieval Kingdom
This third book from The Glenmorangie Company Research Project, following Early Medieval Scotland and Scotland’s Early Silver, will also appeal to readers of The Galloway Hoard. It takes a new look at National Museums Scotland collections covering the period 800-1200: the fall of the Pictish kingdoms and rise of the...Maldonado, Adrián
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Blog post
Forewarned is forearmed: inside the hidden world of the Royal Observer Corps
The Royal Observer Corps were a group of appointed civilians who manned bunkers across the country during the Cold War in case of nuclear attack. Luckily this never came to pass, and on the 30th anniversary of their stand down, Sarah Harper looks back at their important work.Harper, Sarah