Dismantling the master’s house: thoughts on representing empire and decolonising museums and public spaces in practice an introductionMuseums were both produced by and producers of the ideals that drove the growth of European empires. As such, many of the collections made during and since the colonial era are unique and powerful reflections of this history. Despite this potential, with few exceptions, object-focused critical histories of empire in...
Giblin, John ; Ramos, Imma
Book chapterThis article outlines historical and ongoing uses of the past and academic heritage research into those activities within eastern Africa. The use of the past will be discussed as a deep historical practice in the area that is the EAC in the 21st century, demonstrating how political elites have constructed...
BookIn 2015, #RhodesMustFall generated the largest student protests in South Africa since the end of apartheid, subsequently inspiring protests and acts of decolonial iconoclasm across the globe. The performances that emerged in, through and around #RhodesMustFall make it clear how analytically fruitful Alfred Gell’s notion that art is ‘a system...
Wingfield, Chris ; Giblin, John ; King, Rachel
We’re revisiting our stories of Empire in museums and galleries - Dr John Giblin and Dr Yahya BarryAcross the UK, galleries, museums, libraries and archives hold collections which tell many millions of stories. Some of these are better known than others, while some are yet to be properly explored.
Giblin, John ; Barry, Yahya
Blog postOur new Collecting Stories gallery at the National Museum of Scotland looks the development of the National Collection and explores how and why we have acquired objects over two centuries and continue to do so today. John Giblin, Keeper of Global Arts, Cultures and Design, tells us more.