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Book chapter
Celtic art in Roman Britain
Hunter, Fraser
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Book chapter
Powerful objects: the uses of art in the Iron Age
The real and imagined legacy of the ancient Celts has shaped modern identities across the British Isles and retains a powerful hold over the popular imagination. Furthermore, Celtic art is one of Europe’s great artistic traditions, with the skills of Celtic craftspeople standing alongside the best of the ancient and...Hunter, Fraser
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Book chapter
Celtic arts in the long term: continuity, change and connections
The real and imagined legacy of the ancient Celts has shaped modern identities across the British Isles and retains a powerful hold over the popular imagination. Furthermore, Celtic art is one of Europe’s great artistic traditions, with the skills of Celtic craftspeople standing alongside the best of the ancient and...Hunter, Fraser ; Goldberg, D Martin ; Farley, Julia ; Leins, Ian
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Book chapter
Art in context: the massive metalworking tradition of North-East Scotland
The ancient Celtic world evokes debate, discussion, romanticism and mythicism. On the one hand it represents a specialist area of archaeological interest, on the other, it has a wide general appeal. The Celtic world is accessible through archaeology, history, linguistics and art history. Of these disciplines, art history offers the...Hunter, Fraser
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Book chapter
A carnyx and a pony cap: unity and diversity in Celtic art across Europe
Le colloque et la publication de cet ouvrage ont bénéficié du soutien et du concours financier du Ministère de la Culture (DRAC Grand Est – Service régional de l’archéologie), de l’Institut national de recherches archéologiques préventives, de l’Université Charles de Prague (Faculté des lettres – programme PROGRES Q09 « History...Hunter, Fraser
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Book chapter
Southern art on the northern frontier: a remarkable Iron Age harness fitting from Doune Roman fort
In 2010 excavations within the Flavian fort of Doune (Stirling) uncovered a remarkable bronze strap junction with red glass inlay, decorated in styles of Celtic art typical of southern Britain rather than its immediate environs (Figure 1). Unfortunately, post excavation funding for this phase of the work was not forthcoming...Hunter, Fraser
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Book chapter
Coping with changing worlds: the roles of Celtic art in central Britain in the Roman period
What happened to the Brigantes when Rome took over? How were they affected by military events? Can we see sub-territories in their material culture? How did they react to the opportunities that Rome offered? Was their way of looking at the world altered? This reasonably-priced book summarises current opinion.Hunter, Fraser