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Lecture
Post-Palissian Ceramics: moving beyond the master
French lead-glazed moulded ceramics are present in many museum collections today but their dating and attribution is often uncertain. This talk will use the collections of the British Museum and National Museums Scotland as its starting point, to summarise past scholarship and to look to the future for these objects....Blakey, Claire ; King, Rachel
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2021
Book
The pasts and presence of art in South Africa: Technologies, ontologies and agents
In 2015, #RhodesMustFall generated the largest student protests in South Africa since the end of apartheid, subsequently inspiring protests and acts of decolonial iconoclasm across the globe. The performances that emerged in, through and around #RhodesMustFall make it clear how analytically fruitful Alfred Gell’s notion that art is ‘a system...Wingfield, Chris ; Giblin, John ; King, Rachel
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2016
Book chapter
Bernstein. Ein deutscher Werkstoff?
Comment fonctionnent les mécanismes d'appropriation, de décontextualisation, puis de resémentisation propres à toute circulation culturelle sur les objets ? Les quatorze contributions de cet ouvrage esquissent une histoire interculturelle des espaces germanophone, néerlandophone et nordique à partir d'objets concrets, du lego à l'ambre, de la pomme de terre aux licornes...King, Rachel
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2014
Book chapter
Collecting nature within nature – animal inclusings in Amber in Early Modern Collections, or “Miniture marvels of nature”
When the French diplomat Charles Ogier saw frogs and lizards embedded in amber for sale during his visit to Danzig in November 1635 he called them “miniature miracles of nature.” With rare exceptions, few of these objects—copiously documented in inventories of the time—have actually survived. Instead, we must depend on...King, Rachel
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2015
Book chapter
Asbestos Fingers and Flaming Lips: Metallgefäße für Tee und ihre Handhabung im 18. Jahrhundert
Ein Blatt des niederlandischen Kupferstechers Cornelis Dusart zeigt eine uppige Figur (Abb. 1): Die Frau halt eine enorme Teebuchse in der linken Hand; in der rechten wird eine Kanne mit solchem Schwung hochgeworfen, dass man beinahe vor der Szene zuruckschreckt. Trijin ist frohlich - zumindest dem Titel nach. Ihren Mann...King, Rachel
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2014
Book chapter
To counterfeit such precious stones as you desire: Amber and Amber imitations in Early Modern Europe
The counterfeiting of works of art of the 19th and 20th centuries is a topic with which the art scientific research, but also the features section, criminology, courts, and not least the collector himself intensively involved for years. From art forgers, some of which operate in large-scale networks and be...King, Rachel
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2013
Book
Baroque Furniture in the Boulle Technique – Conservation, Science, History
In May 2011 the Bayerisches Nationalmuseum was home to an ambitious interdisciplinary conference focusing on the production, conservation and contextualisation of furniture in the Boulle technique. Featuring contributions from international authorities this beautifully and richly illustrated volume relays the content of the presentations given and discussions had in the course...King, Rachel ; Hacke, Ute ; Eikelmann, Renate
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2013
Journal article
Rethinking the oldest surviving amber in the West
Discusses how the production of sculpture in amber began earlier than was previously assumedKing, Rachel
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2013
Journal article
Finding the Divine Falernian: Amber in Early Modern Italy
This paper explores both the finding of raw amber, and the creation of sculptural works in this venerated material, in Italy, from the late-16th to the 18th centuries. Using new archival and archaeological evidence, it offers new interpretation and context for a number of amber objects in the V&A’s collection.King, Rachel
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2013
Journal article
Sehr geschaetzte Werke der Manuellen Kunst’ ‘Objekte aus Bernstein im 16. und 17
IN PREUSSEN NEHMLICH im Fürstenthumb Samland am Meere seind hohe weiße Berge von reinem Sande auff diesen stehen gemeiniglich Eiche auch Fichtenbäume. In dem Sande fi ndet man eine Materia, die ist weich wie ein Teich den man formiren kan in den Ofen zu stoßen Brod zu backen. …. So...King, Rachel