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Book chapter
Foreword [Scottish photography: the first thirty years]
The souvenir book of the exhibition Photography: A Victorian Sensation at National Museums Scotland June-November 2015. It highlights objects in National Museum Scotland's history of photography collections and describes the public excitement over early photography.Lidchi, Henrietta
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Book
Visual Currencies: Reflections on Native American Photography
Visual Currencies in an edited collection of essays coming out of sessions held at the Native American Art Studies Association Conference, Phoenix, 2005. The seven contributors focus on the far-reaching influences of photography on Native American communities, and the possibilities that it currently presents. The essays present issues at the...Lidchi, Henrietta ; Tsinhnahjinnie, Hulleah J.
photography artistic, Indians North America , pictorial works, and congresses
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Journal article
Black Watch alliances in Seven Years War revealed
This summer a group of historians, anthropologists and First Nation community members assembled at the Woodlands Cultural Centre in Brantford, Ontario. They met to share knowledge and discuss research into the civilisations and arts of the Great Lakes region. Part of their discussion revolved around an object from the collections...Lidchi, Henrietta ; Allan, Stuart
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Book chapter
Finding the right image
It may be difficult now to recall with what passion and persistence the question of imagery was discussed among development practitioners in the late 1980s and 1990s. The history of development is a comparatively short one; the largest and most prominent development organizations in the United Kingdom – Oxfam, Christian...Lidchi, Henrietta
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Journal article
Recrafting traditions and materializing memories: a conversation with Keri Ataumbi
This Statement of Practice starts with a description of the inlay piece recently acquired by National Museums Scotland, Edinburgh. The ring—entitled Zemguani—invokes a Kiowa mythical being. Ataumbi discusses its place within her artistic trajectory and studio practice, especially as regards the use of Native and non-Native materials in jewelry. She...Lidchi, Henrietta ; Ataumbi, Keri
trading, materials, jewelry, Native America, sovereignty, memorial, and narrative
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Journal article
'Culture and constraints: further thoughts on ethnography and exhibiting’
This article explores the context of ethnographic exhibiting, and provides a brief overview of the main impact of critical theory on the interpretation of ethnographic displays. Using a model which separates the poetics from the politics of representation, it explores how curators actively reflect these debates through analysis of an...Lidchi, Henrietta
Poetics, Audiences, Exhibitions, Politics, Ethnography, and Irony
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Journal article
Crafting music through technology and design: a conversation with Victor Gama
This Statement of Practice unfolds in three parts and reflects an ongoing conversation between curator Henrietta Lidchi at National Museums Scotland (NMS) and the Portuguese-Angolan musical instrument artist Victor Gama about the nature and form of Gama's work. The Statement explores the genesis of a commissioning project which was developed...Lidchi, Henrietta ; Gama, Victor
MUSICAL INSTRUMENTS, DIGITAL FABRICATION, COMMISSIONING, SOUND, and MUSEUM DISPLAY