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Conference paper (unpublished)
The Body Beautiful: Addressing Cultural Diversity in Museum Fashion Collections
Collecting as a practice and the collections that result from this practice are crucial for museums. Collecting and collections embody power on many different levels – providing insights and basic knowledge, illustrating specific practices of our work to the widest audiences, and forming a basis for contextualizing our world. How...Ripley, Georgina
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2021
Blog post
The Roaring Twenties 2.0
The 1920s in the West is perceived as a decade of economic prosperity following the impact of the First World War and the Spanish flu. Remembered for social, artistic and cultural dynamism, the 1920s ushered in modernity via new technology and trends: from cars to cinema, fashion to music, and...Ripley, Georgina
COVID-19 , Art And Design , 1920s, and Jazz Age
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2021
Lecture
Celebrating Black Fashion
How are progressive changes within the fashion industry being documented through exhibitions and contemporary collecting? Join model and broadcaster Eunice Olumide as she shares her experience of a transforming industry with museum curator Georgina Ripley. Eunice and Georgina will also discuss Eunice’s recent book How To Get Into Fashion, focussing...Olumide , Eunice ; Ripley, Georgina ; Burkinshaw, Mal
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2020
Journal article
21st-century Buffalo Boys: Intersectional approaches to the complexities of modern masculinity
Scottish-born stylist, Ray Petri, founder of the maverick Buffalo Collective, defined the look and feel of the radical fashion magazines such as i-D, The Face and Arena. The Buffalo Boy look pioneered a more sexually ambiguous form of fashion iconography, undermining the putative immutability of normative codes of gender and...Ripley, Georgina
Buffalo collective, gender, queer Black masculinity, Black sexuality, Campbell Addy, intersectionality, and Ibrahim Kamara
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2020
Lecture
Costume Society of America Roundtable: Tackling Tokenism and Diversity in our Museum Collections
Collecting and exhibiting fashion in Western museums has traditionally centered around wealthy, able-bodied, mainstream, Eurocentric ideals. Likewise, those working with costume collections have often fit this same mold. As we know, this is not representative of the diverse communities and cultures that these museums serve. The panelists spoke about how...Sklar, Monica ; Way, Elizabeth ; Lisby, Darnell-Jamal ; Neill, Susan ; Ripley, Georgina …