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Journal article
An exhibition like no other
IN AUTUMN 1961, THE DOORS OF GOLDSMITHS’ HALL opened for an exhibition like no other. This, according to the late Graham Hughes, Art Director of the Goldsmiths’ Company and curator of the show, was to be ‘an art exhibition of a high order, intended to raise the standing of jewellery...Rothwell, Sarah
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Journal article
Northern Modernist Jewellery – a museum collecting project
In 2015 National Museums Scotland was awarded an Art Fund New Collecting Award to collect, research and disseminate jewellery designed and created in Britain and the Nordic States between 1945-1978. The project highlighted a legacy of transnational influences and traditions within Northern Europe, particularly shared cultural heritage, the influence of...Rothwell, Sarah
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Journal article
Jewellery and Covid-19
Over the last 18 months the pandemic has affected many areas of life, with society witnessing huge changes globally, and museums acquiring artefacts and works of art, design and crat that reflected and responded to the impact of covid-19. In my own organisation, the approach has focused on a range...Rothwell, Sarah
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Journal article
Collecting Covid
Rothwell, Sarah
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Journal article
Capturing decorative art - the work of Frances Priest
Within this article I hope to highlight and explore the progression of the practice of Edinburgh-based ceramic artist, Frances Priest, through works held by National Museums Scotland, and her most recent public commission for the city's Royal Edinburgh Hospital. I shall discuss her enduring passion for The Grammar of Ornament,...Rothwell, Sarah
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Journal article
Emmeline Hastings: otherworldly jewels
I remember the day I first encountered the work of Emmeline Hastings. It was in the wonderfully titled Not Too Precious exhibition of 25 international artists, who, as curator Dr Elizabeth Goring stated in the introduction to the catalogue, represented those makers who were ‘dedicated to using materials for their...Rothwell, Sarah