Buscar
Resultados de la búsqueda
-
Journal article
Edward Forbes (1815-1854) and the exhibition of natural order in Edinburgh
The roles, affordances and social agency of natural history museums are discussed in relation to the writings of Edward Forbes. These signal a motivation, in the mid-nineteenth-century, to naturalize the established social order through the systematic arrangement and display of natural history specimens. The perceived importance of the embodied messages...Swinney, Geoffrey N
-
Journal article
Robert Jameson (1774-1854) and the concept of a 'public museum'
Attention is drawn to Robert Jameson’s distinction between “the public” and “the working classes” in relation to the audience for the Natural History Museum of the College (later the University of) Edinburgh. This distinction is discussed, together with specific usage of the related term “closed”, in the context of recent...Swinney, Geoffrey N
-
Book chapter
Wyn Wheeler
Swinney, Geoffrey N
-
Conference paper (unpublished)
Recycled Objects: Exhibiting Africa in Scotland.
Those acts of assembling, juxtaposing and exhibiting objects, which constitute the western museum, have themselves been conceptualised as artistic processes which produce the museum as a form of ‘public art’ (Hein, 2006). Such an holistic concept is fundamentally geographical: the place and placement of objects creating new aesthetic and discursive...Swinney, Geoffrey N
-
Conference paper (unpublished)
The circulation of museum objects
The paper discusses the spaces of production and use of a photographic image, depicting two African elephants and their human attendant, produced in the Royal Scottish Museum in 1907. The translation of the image and its appropriation into different material forms – as photographic print, half-tone newsprint illustration, and embellished...Swinney, Geoffrey N
-
Book chapter
The art and science of replication. Copies and copying in the multi-disciplinary museum
Few institutions are warier of copies than museums. Few fields of knowledge are more prone to denounce copies as fake than the heritage field. Few discourses are as concerned with authenticity, aura, originals and provenance as those concerning exhibiting and collecting. So why is it that these are institutions, fields...Alberti, S J M M ; Blackwell, Alice ; Davidson, Peter ; Goldberg, D Martin ; Swinney, Geoffrey N