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2010
Journal article
Edward Forbes (1815-1854) and the exhibition of natural order in Edinburgh
The roles, affordances and social agency of natural history museums are discussed in relation to the writings of Edward Forbes. These signal a motivation, in the mid-nineteenth-century, to naturalize the established social order through the systematic arrangement and display of natural history specimens. The perceived importance of the embodied messages...Swinney, Geoffrey N
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2010
Journal article
Robert Jameson (1774-1854) and the concept of a 'public museum'
Attention is drawn to Robert Jameson’s distinction between “the public” and “the working classes” in relation to the audience for the Natural History Museum of the College (later the University of) Edinburgh. This distinction is discussed, together with specific usage of the related term “closed”, in the context of recent...Swinney, Geoffrey N
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2018
Journal article
The Janitor and his museum: John Wilson (1775–1832) and the teaching of ‘practical zoology’ in early nineteenth-century Edinburgh
A description by William Jardine of Applegirth of the state of taxidermy in early nineteenth-century Edinburgh draws attention to the agency of the University of Edinburgh’s Janitor, John Wilson, in contributing to the University’s Natural History Museum, in the building of his own private museum collection, and in the teaching...Swinney, Geoffrey N ; McGowan, R Y
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2017
Journal article
Recycled objects: curatorial practice and the engagement of contemporary art in the interpretation of historical African figurative sculpture
Through a case study approach those acts of assembling, juxtaposing and exhibiting collections of objects, which constitute the western museum, are analysed as artistic processes which produce the museum as a form of ‘public art’. The paper takes as its fulcrum L’Ange, a contemporary artwork formed from recycled materials by...Swinney, Geoffrey N
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2010
Poster (unpublished)
Bringing Scotland’s wilderness ‘within the reach of the people’: William Eagle Clarke (1853-1938) and representations of place
William Eagle Clarke was on the staff of the Royal Scottish Museum, Edinburgh, (now incorporated into National Museums Scotland) from 1888 to 1921. This poster presents two related aspects of his construct of representations of Scotland’s landscape.McGowan, R Y ; Swinney, Geoffrey N
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2016
Journal article
George Wilson's Map of Technology: giving shape to the ‘industrial arts’ in mid-nineteenth-century Edinburgh
An intriguing symbol adorns the grave, in Edinburgh's Old Calton Burial Ground, of George Wilson (1818–1859), Britain's first Professor of Technology. Wilson himself had devised the symbol as an emblem for the Industrial Museum of Scotland of which he was Director. In his professorial role he defined and delineated the...Swinney, Geoffrey N
technological education, Industrial Museum of Scotland, National Museums Scotland, geographies of science, collections, and teaching
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2016
Journal article
Making space for models: (re)representing engineering in Scotland’s national museum, 1854–present
The model-making practices and the role of engineering models on display within a British (and since 1999 Scottish) Government-funded, ‘national’, museum are examined. The changing curatorial perceptions of models and their role over the 160-year history of the Museum are analysed, as are the spaces in which, and the processes...Staubermann, Klaus ; Swinney, Geoffrey N
workshop practice, exhibition, curation, translation of scale, public engagement, and model-making