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2021
Blog post
Women identity textiles and heritage in Mozambique
A project exploring the relationship between tradition and change in the lives of women in Mozambique recently resulted in an exhibition in Maputo. Principal Investigator Sarah Worden tells us about the latest activity in this collaborative project and how focusing on the cotton printed capulana encouraged discussions around identity and...Worden, Sarah
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2010
Book chapter
Clothing and identity: how can museum collections of Hausa textiles contribute to understanding the notion of Hausa identity ?
Hausa society in West Africa has attracted researchers’ attention for decades, and has featured in the historical record for at least 500 years. Yet, no clear picture is available of the historical trajectories that underpin Hausa ethnogenesis. This book addresses this gap, deploying interdisciplinary approaches to revisit questions to which...Worden, Sarah
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2014
Conference paper (published)
Chitenje: the production and use of printed cotton cloth in Malawi. In Textile Society of America Symposium Proceedings. Paper 888
‘To wear a commemorative cloth is to visually communicate that one has either a relationship with the person or event or identifies with the subject of the cloth’s design’ (Perani and Wolff 1999: 30) Historic links between Scotland and Malawi date back to the mid-1800s when Scottish missionary explorer David...Worden, Sarah
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2013
Journal article
Exhibiting Livingstone: A life and legacy on display
The paper combines a biographical and a geographical perspective to construct an auto-critique of a commemorative exhibition as a museological event. Taking as its primary focus the bicentenary exhibition staged in the National Museum of Scotland in Edinburgh in 2012–2013, it situates an autobiographical exploration of the process of collaboration...Worden, Sarah ; Swinney, Geoffrey N
Malawi, Scotland, curation, museology, commemoration, and visitor experience