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2017
Book chapter
A slim sword in his hand for battle: Weapons for a Jacobite Prince
The history of the exiled Stuart dynasty and their supporters, known as Jacobites, has held an enduring and romantic fascination for generations. These newly commissioned essays from historians and curators from a variety of disciplines present the story of the Jacobites through the prism of the surviving material and visual...Wyld, Helen ; Dalgleish, George
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2018
Book chapter
The Mortlake tapestries. Essay and catalogue entries
Edited by Desmond Shawe-Taylor and Per Rumberg, Charles I: King and Collector is the catalogue accompanying the Royal Academy exhibition set to tell the compelling story of the British monarch who created one of the most stupendous art collections in history. Including authoritative essays revealing the historical context behind the...Wyld, Helen
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2018
Book chapter
Catalogue entry: Mortlake Workshop, after Francis Cleyn (born in Rostock, 1582; died in London, 1658), designer, after Pieter Coecke van Aelst (1502-1550) and Bernard van Orley (c.1492-c.1541) The Return of Sarah by the Egyptians, c.1658-60
The Paston Treasure, a spectacular painting now held at Norwich Castle Museum, depicts objects from the collections of a local landed family. The Pastons established one of the most extensive cabinets of rarities and curiosities in seventeenth-century England—it boasted no fewer than six hundred decorative art objects, including shell cups,...Wyld, Helen
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2020
Book chapter
The Dresden Acts of the Apostles and the fortunes of Raphael’s designs, c. 1623–1728
From 1515, Raphael was commissioned by Pope Leo X to create ten large-format cartoons, which were used as design to weave the tapestries for the Sistine Chapel. They show scenes from the lives of the Princes of the Apostles, Peter and Paul. In the 17th century, Raphael’s cartoons were used...Wyld, Helen
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2020
Book chapter
Forward titled: The National Trust's Tapestry Collection
From the Middle Ages, tapestries with figurative or other ornament were used by royalty and aristocrats to furnish their palaces and houses. While often observed as two dimensional art, they are three dimensional structures requiring specialist skill to maintain and conserve them. Since the vast majority of tapestries are on...Wyld, Helen
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2020
Book chapter
Jacob Christoff Le Blon's secret for weaving tapestry
An assessment of Jacob Christoff Le Blon's invention of a method of weaving tapestry (usually hand-woven) mechanically on a drawloom, patented in London in 1727. The article is the first detailed analysis of Le Blon's method.Wyld, Helen
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2024
Book chapter
The Mystery of the Fettercairn Jewel
When the Fettercairn Jewel was discovered wrapped in paper at the back of a drawer at Fettercairn House, Aberdeenshire, in 2017. It was quickly recognised as an astounding piece of late sixteenth-century jewellery. But with little recorded provenance, and no obvious clues to its early history, it posed many questions.Wyld, Helen
Renaissance, material culture, Scottish history, art history, and jewellery history