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2022
Blog post
Dressed to kill? A 16th century doublet in historical context
A dazzling Renaissance silk doublet is now on display in the Fashion and Style gallery at National Museums Scotland. In this blog Helen Wyld, Senior Curator of Historic Textiles, and Calum Robertson, Curator of Modern and Military History, take a deep dive into the history of the doublet, and its...Wyld, Helen ; Robertson, Calum
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2022
Blog post
Embroidered crucifixion
Thanks to a generous donation from benefactor Leslie Durst, we have acquired an exquisite seventeenth-century embroidery with a surprising history of secret Catholic devotion. This small panel embodies entwined stories of religious faith, skilled workmanship, and the mythology of a doomed Queen. Senior Curator of Historic Textiles Helen Wyld reveals...Wyld, Helen
Embroidery , Global Arts Cultures And Design , New Acquisitions , and Textiles
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2022
Blog post
A stitch in time: 300 years of visible mending
Does your favourite jumper have a hole in it? Seems a shame to get rid of a lovely piece of clothing because of a little tear, right? How about mending it! Senior Curator of Historic Textiles Helen Wyld talks us through some of the historic repairs in our textiles collection....Wyld, Helen
Textiles, Art And Design , Sewing , and Embroidery
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2021
Journal article
An optimised small-scale sample preparation workflow for historical dye analysis using UHPLC-PDA applied to Scottish and English Renaissance embroidery
A sample preparation workflow for historical dye analysis based on 96 well plates and filtration by centrifugation was developed. It requires less sample and the introduced error is decreased, making it useful for culturally important objects. A sample preparation workflow for historical dye analysis requiring less sample has been developed....Sandström, Edith ; Wyld, Helen ; Mackay, C Logan ; Troalen, Lore G ; Hulme, Alison N
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Lecture
The Storrar Coverlet: a double weave tradition in Scotland and Scandinavia
Coverlet in red and yellow wool, woven in a double weave with a geometric design of birds, a chequered band and the date 1729 at each end. Formerly in the possession of the Storrar family of Nether Urquhart, Fife: probably made in Sweden.Wyld, Helen
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2020
Conference paper (unpublished)
The Storrar Coverlet: uncovering a story of Baltic trade
This beautiful double-weave coverlet, dated 1729, was recently acquired by National Museums Scotland from the collection of a family from Fife in the east of Scotland. In the family’s possession for generations, the coverlet has been passed down, tradition has it, from mother to daughter. The double-weave technique was used...Wyld, Helen
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2020
Book chapter
Jacob Christoff Le Blon's secret for weaving tapestry
An assessment of Jacob Christoff Le Blon's invention of a method of weaving tapestry (usually hand-woven) mechanically on a drawloom, patented in London in 1727. The article is the first detailed analysis of Le Blon's method.Wyld, Helen
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2020
Book chapter
Forward titled: The National Trust's Tapestry Collection
From the Middle Ages, tapestries with figurative or other ornament were used by royalty and aristocrats to furnish their palaces and houses. While often observed as two dimensional art, they are three dimensional structures requiring specialist skill to maintain and conserve them. Since the vast majority of tapestries are on...Wyld, Helen