Search Constraints
Search Results
-
Presentation
"Panel Chair" at: Weaving Waves, The History and Conservation of Maritime Tapestries symposium
Occasioned by the recent conservation of tapestries depicting the Battle of Solebay designed by the marine artists Willem van de Velde the Elder and Willem van de Velde the Younger, this symposium offers the first exploration of maritime tapestry as a genre. The programme includes sessions on both the history...Wyld, Helen
-
Book chapter
A slim sword in his hand for battle: Weapons for a Jacobite Prince
The history of the exiled Stuart dynasty and their supporters, known as Jacobites, has held an enduring and romantic fascination for generations. These newly commissioned essays from historians and curators from a variety of disciplines present the story of the Jacobites through the prism of the surviving material and visual...Wyld, Helen ; Dalgleish, George
-
Journal article
Embroidered stories
Helen Wyld introduces an extraordinary collection of Scottish needlework which records lives that would otherwise have been forgotten.Wyld, Helen
-
Book chapter
The Mortlake tapestries. Essay and catalogue entries
Edited by Desmond Shawe-Taylor and Per Rumberg, Charles I: King and Collector is the catalogue accompanying the Royal Academy exhibition set to tell the compelling story of the British monarch who created one of the most stupendous art collections in history. Including authoritative essays revealing the historical context behind the...Wyld, Helen
-
Book chapter
Catalogue entry: Mortlake Workshop, after Francis Cleyn (born in Rostock, 1582; died in London, 1658), designer, after Pieter Coecke van Aelst (1502-1550) and Bernard van Orley (c.1492-c.1541) The Return of Sarah by the Egyptians, c.1658-60
The Paston Treasure, a spectacular painting now held at Norwich Castle Museum, depicts objects from the collections of a local landed family. The Pastons established one of the most extensive cabinets of rarities and curiosities in seventeenth-century England—it boasted no fewer than six hundred decorative art objects, including shell cups,...Wyld, Helen
-
Book
Embroidered Stories: Scottish Samplers
Samplers were embroidered pictures made by girls, and occasionally boys, as part of their education. Scottish samplers are unique with regard to the amount of information that can be gathered from them. They often include the initials of extended family members as well as details of buildings, places and events,...Wyld, Helen
-
Book chapter
Forward titled: The National Trust's Tapestry Collection
From the Middle Ages, tapestries with figurative or other ornament were used by royalty and aristocrats to furnish their palaces and houses. While often observed as two dimensional art, they are three dimensional structures requiring specialist skill to maintain and conserve them. Since the vast majority of tapestries are on...Wyld, Helen
-
Book chapter
Jacob Christoff Le Blon's secret for weaving tapestry
An assessment of Jacob Christoff Le Blon's invention of a method of weaving tapestry (usually hand-woven) mechanically on a drawloom, patented in London in 1727. The article is the first detailed analysis of Le Blon's method.Wyld, Helen
-
Conference paper (unpublished)
The Storrar Coverlet: uncovering a story of Baltic trade
This beautiful double-weave coverlet, dated 1729, was recently acquired by National Museums Scotland from the collection of a family from Fife in the east of Scotland. In the family’s possession for generations, the coverlet has been passed down, tradition has it, from mother to daughter. The double-weave technique was used...Wyld, Helen
- « Previous
- Next »
- 1
- 2
- 3