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Book chapter
Burnt stone pendant
Many years ago ‘henge monuments' were identified as a distinctive kind of prehistoric monument but their interpretation still poses problems. When were they first built and how long did they remain important? How were they used and did their roles change during the course of their history? Recent work has...Sheridan, J A
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Book chapter
Bone pin fragment
Many years ago ‘henge monuments' were identified as a distinctive kind of prehistoric monument but their interpretation still poses problems. When were they first built and how long did they remain important? How were they used and did their roles change during the course of their history? Recent work has...Sheridan, J A
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Book chapter
Celtic art in Roman Britain
Hunter, Fraser
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Book chapter
Please touch
The 4th EC Conference on "Research for protection, conservation an enhancement of cultural heritage, opportunities for European enterprises" was held in Strasbourg o 22-24/11/2000. The conference was organised under the 5th Framework Programme, Key Action 'City of Tomorrow and Cultural Heritage' (1999-2002). It was organised by the French Presidency of...Tate, Jim
cultural cooperation, technology, small and medium-sized enterprises, heritage protection, research and development, European undertaking, and cultural heritage
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Book chapter
Some Early Bronze Age stone moulds from Scotland
This paper presents details of a number of previously unpublished or relatively inaccessibly published Early Bronze Age stone moulds from Scotland. Viewed in the wider context of Early Bronze Age metalworking in Britain, they are important additions to the inventory of finds, for as well as augmenting the concentration of...Cowie, Trevor ; O'Connor, Brendan
Bronze, Scotland, Mould, and Metallurgy
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Book chapter
Whistler’s Peacock Room and the artist as Magus
This paper is a reassessment of the much-discussed topic of Whistler’s aestheticist interior Harmony in Blue and Gold: The Peacock Room. Drawing upon Whistler’s correspondence, papers, lectures and writings—including his 1885 Ten O’Clock Lecture and his subsequent dialogue with Oscar Wilde about the nature and function of art, which was...Huxtable, Sally-Anne