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2022
Journal article
Experiment, Experience and Enchant: Knowledge sharing between museums and contemporary practitioners
Knowledge sharing between contemporary practitioners and museum professionals can be more than just investigating how something is made. It is also about working together to understand why an object was created, and by whom; how each artefact has a story to tell, of its journey through time and the places...Maldonado, Adrián ; Rothwell, Sarah
sculpture, knowledge sharing, The Glenmorangie Commission, contemporary practitioners, museums, and Simone ten Hompel
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2022
Book chapter
The King and I: Commemorating the privilege of royal statue dedication in Ramesside Deir El-Medina
It is generally understood that in ancient Egyptian statuary, “a private person is never sculpted together with the king”. However, an unusual small limestone statue in the collections of National Museums Scotland contradicts this understanding, depicting a man kneeling to offer a statue of a king (NMS A.1956.139). Clearly Ramesside...Maitland, Margaret
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2020
Journal article
Iconic jewellery in space. Research on Modernist Nordic jewellery
Sarah Rothwell Curator of Modern & Contemporary Design, at the National Museums Scotland, Edinburgh has a special interest in Modernist Nordic jewellery, among other things. Her research included looking into the necklace and bracelet worn by Princess Leia in the 1977 film Star Wars: Episode IV – A New Hope,...Rothwell, Sarah
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2012
Journal article
Maximum Intervention: Renewal of a Māori Waka by George Nuku and National Museums Scotland
National Museums Scotland (NMS) has in its collections a Māori war canoe (A.UC.767) or Waka Taua from New Zealand. The Waka had been held in the Museum stores for many years and due to its incompleteness and poor state of repair had not been on public display. It was proposed...Stable, Charles
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Journal article
The development of the Pictish symbol system: inscribing identity beyond the edges of Empire
The date of unique symbolic carvings, from various contexts across north and east Scotland, has been debated for over a century. Excavations at key sites and direct dating of engraved bone artefacts have allowed for a more precise chronology, extending from the third/fourth centuries AD, broadly contemporaneous with other non-vernacular...Noble, Gordon ; Goldberg, D Martin ; Hamilton, Derek
language, Scotland, Pictish, writing, carving, and symbolism
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2017
Book chapter
Revealing the archetype: the journey of a trecento Madonna and Child at the National Museum of Scotland
The National Museums Scotland Madonna and Child project sought to uncover and document the history of a fine polychrome wood carving attributed to The Master of the Gualino St Catherine and to prepare it for display. A new body of knowledge has been assembled by the interdisciplinary team. The conservation...de Bellaigue, Diana ; Troalen, Lore ; Richter, M ; Wong Rueda, M ; Palozzi, L …
polychromy, wood, Italy, Umbria, sculpture, Madonna, and 14th century
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2008
Book chapter
The project
Around AD 800, a superbly carved cross-slab was erected at Hilton of Cadboll in north-east Scotland. The major part of the stone stand now in the National Museum of Scotland, and the story of what happened to it in the intervening centuries is told here.Clarke, David V ; Foster, Sally M