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Journal article
Scleromochlus and the early evolution of Pterosauromorpha
Pterosaurs, the first vertebrates to evolve powered flight, were key components of Mesozoic terrestrial ecosystems from their sudden appearance in the Late Triassic until their demise at the end of the Cretaceous1,2,3,4,5,6. However, the origin and early evolution of pterosaurs are poorly understood owing to a substantial stratigraphic and morphological...Foffa, Davide ; Dunne, Emma M ; Nesbitt, Sterling J ; Butler, Richard J ; Fraser, Nicholas C …
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Journal article
The tale of a Mesolithic harpoon head from Arisaig
This is a remarkable tale about a remarkable artifact that would have been lost to Scottish archaeology had it not been for a brave decision by a schoolgirl to disregard the views of her teachers over 50 years ago!Sheridan, J A
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Newspaper article
Taking another look at the past
There are over 12 million objects in Scotland’s National Collection, ranging across natural sciences, Scottish history and archaeology, art, design, science, technology and ancient and living cultures from around the world.Giblin, John
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Journal article
Early Eocene fossil illuminates the ancestral (diurnal) ecomorphology of owls and documents a mosaic evolution of the strigiform body plan
We describe a partial skeleton of a fossil owl (Strigiformes) from the early Eocene London Clay of Walton-on-the-Naze (Essex, UK). The holotype of Ypresiglaux michaeldanielsi, gen. et sp. nov. is one of the most complete specimens of a Palaeogene owl and elucidates the poorly known ecomorphology of stem group Strigiformes....Mayr, Gerald ; Kitchener, Andrew C
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Journal article
Nouveaux départs ? Écrire l’histoire de l’art par ses déplacements
Depuis une dizaine d’années, on observe un glissement dans l’historiographie française des institutions culturelles et dans les études sur la vie sociale et culturelle des œuvres. Dans le cadre d’une histoire classique des collections, qui perçoit l’artefact surtout à travers la formation des collections privées et publiques, des logiques de... -
Journal article
An exhibition like no other
IN AUTUMN 1961, THE DOORS OF GOLDSMITHS’ HALL opened for an exhibition like no other. This, according to the late Graham Hughes, Art Director of the Goldsmiths’ Company and curator of the show, was to be ‘an art exhibition of a high order, intended to raise the standing of jewellery...Rothwell, Sarah
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Journal article
Northern Modernist Jewellery – a museum collecting project
In 2015 National Museums Scotland was awarded an Art Fund New Collecting Award to collect, research and disseminate jewellery designed and created in Britain and the Nordic States between 1945-1978. The project highlighted a legacy of transnational influences and traditions within Northern Europe, particularly shared cultural heritage, the influence of...Rothwell, Sarah