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2013
Book
Paris Intense: Die Nabis - Von Bonnard bis Vallotton
In Paris formierte sich 1888 die Künstlergruppe der Nabis, der Propheten, wie sie sich selbst scherzhaft nannten. Zu ihren Mitgliedern zählten Pierre Bonnard, Édouard Vuillard, Félix Vallotton und Aristide Maillol. Auf der Suche nach neuen, »echten« Ausdrucksformen gestalteten sie intime Interieurs, Bühnenbilder, Theaterplakate, Zeitschriften, Bücher, Möbel oder Kunsthandwerk. Kunst und... -
2017
Book
Bonnie Prince Charlie and the Jacobites
The history of the exiled Stuart dynasty and their supporters, known as Jacobites, has held an enduring and romantic fascination for generations. These newly commissioned essays from historians and curators from a variety of disciplines present the story of the Jacobites through the prism of the surviving material and visual... -
2017
Book
The tomb: Ancient Egytian burial
The Tomb presents the story of an extraordinary ancient Egyptian tomb, built around 1290BC in the city of Thebes for a Chief of Police and his wife, and reused for over 1000 years. It was sealed shortly after the Roman conquest of Egypt with an intact family burial. When excavated...Maitland, Margaret
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2004
Book
Golden fantasies: Japanese screens from New York collections, exhibition catalogue
Folding screens are luxuriously beautiful and uniquely designed pictorial compositions that present the social and cultural ideals of their time. Golden Fantasies assembles superb examples of folding screens, many from private New York collections and previously unseen by the public. The works in this exhibition fall into three broad categories:...Buckland, Rosina
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2016
Book
Ancient lives: object, people and place in Early Scotland. Essays for David V Clarke on his 70th birthday
Ancient Lives provides new perspectives on object, people and place in early Scotland and beyond. The 19 papers cover topics ranging from the Neolithic to the Medieval period, and from modern museum practice to ancient craft skills. The material culture of ancient lives is centre stage – how it was... -
2016
Book
How scientific instruments have changed hands
This collection of essays discusses the marketing of scientific and medical instruments from the eighteenth century to the First World War. The evidence presented here is derived from sources as diverse as contemporary trade literature, through newspaper advertisements, to rarely-surviving inventories, and from the instruments themselves. The picture may not...Morrison-Low, A D
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2016
Book
Scotland to the world: treasures from the National Museum of Scotland
To celebrate the 150th anniversary of the National Museum of Scotland this book showcases over 100 of its treasures, from the departments of Scottish History and Archaeology, Art and Design, Science and Technology, Natural Sciences and World Cultures -
2002
Book
Qadscharische Bildfliesen im Ethnologischen Museum Berlin, exhibition catalogue
Das Ethnologische Museum besitzt 25 Fliesen, auf denen Szenen aus dem Alltag in Teheran um 1890 dargestellt sind: Läden im Basar, Handwerker, fliegende Händler und Garköche mit ihrer Kundschaft, Lastträger, Bettler und Derwische. In ihrer Art erinnern diese genrehaften Bilder an historische Fotografien. Unter Einbeziehung zahlreicher, bislang nicht gezeigter Objekte...Voigt, Friederike
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2009
Book
European collections of scientific instruments, 1550-1750
Collections of scientific instruments originated as part of Renaissance collections of 'naturalia' and 'artificialia'. Surveying and astronomical instruments were common in such collections, their role being to impress visitors by displaying the power that a ruler acquired through the control of nature. This book offers selected studies of notable European...scientific apparatus and instruments Europe renaissance collections science
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2015
Book
Photography: A Victorian sensation
The souvenir book of the exhibition Photography: A Victorian Sensation at National Museums Scotland June-November 2015. It highlights objects in National Museum Scotland's history of photography collections and describes the public excitement over early photography.Morrison-Low, A D