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Journal article
Two Sculptures, One Master? A Technical Study of Two Rare Examples of Polychrome Sculptures Associated with “the Master of Saint Catherine of Gualino”, Italy, Fourteenth Century
Between the 1960s and 1990s art historian Giovanni Previtali identified a group of polychrome wood trecento sculptures from the Umbrian-Abruzzo region of Italy as the work of one hand. He named his artist the Maestro della Santa Caterina Gualino after one of the pieces considered to epitomize the style he...