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Journal article
John Muir Wood: Calotypist
The Scottish Society of Photography has been publishing writing on photography for over thirty years. During this time we have built up a substantial archive of articles and reviews. This feature, the first in a series that looks to give a new lease of life to many of those articles,...Morrison-Low, A D
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Journal article
Perceptions of Scottish pottery: Nineteenth-century collecting in National Museums Scotland
The manufacture of domestic pottery in Scotland was an important industry producing vast quantities of wares for both the home and export markets. The industry reached its height in the nineteenth century, the era that saw the inception of international exhibitions and the establishment of industrial museums. Over recent decades...Hynes, Adrienne
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Journal article
iCollections methodology: workflow, results and lessons learned
The Natural History Museum, London (NHMUK) has embarked on an ambitious programme to digitise its collections. The first phase of this programme was to undertake a series of pilot projects to develop the workflows and infrastructure needed to support mass digitisation of very large scientific collections. This paper presents the...Blagoderov, Vladimir ; Penn, Malcolm ; Sadka, Mike ; Hine, Adrian ; Brooks, Stephen …
workflow, database, georeferencing, Digitisation, collection, museum, and sites
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Journal article
Making sense of the senses across species boundaries: designing the Animal Senses gallery at National Museums Scotland
As one of a suite of natural science galleries in the National Museum of Scotland, Animal Senses presents a comprehensive overview of how animals have evolved senses as they have adapted to different ecological niches in order to find food or avoid predation. Using different sensory channels, they also have...Kitchener, Andrew C
animals, Senses, interpretation, exhibition, and communication
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Book chapter
Scottish Neolithic pottery in 2016: the big picture and some details of the narrative
This contribution summarises our present state of knowledge about Scottish Neolithic pottery, emphasising its dual origins in the Continental Middle Neolithic ceramic traditions of Brittany and the northernmost part of France, and tracing the subsequent expansion in its use within Scotland and some of the complexities of its developmental trajectories....Sheridan, J A
Scotland, ceramic traditions, Grooved Ware, pottery terminology, Castellic, Carinated Bowl, Impressed Wares, Neolithic, and pottery
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Book chapter
The colour purple: lithomarge artefacts in northern Britain
This paper revisits an artefact type, lithomarge beads, last studied 40 years ago by Stevenson and Collins (1976). The rare purple colour produced by the naturally occurring mixture of haematite and kaolinite is the key characteristic and made this material desirable. Lithomarge beads are widely distributed across Northern Britain, but...Goldberg, D Martin
colour, lithomarge, purple, Iron Age, jewellery, Early Medieval, and Roman
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Book chapter
Mary Boyle (1881-1974): the Abbé Breuil’s faithful fellow-worker
This paper looks at the life and work of Mary Elizabeth Boyle, a Scotswoman and poet who by chance found her way into archaeology, firstly through meeting and working with Miles Burkitt and then, most importantly, by her encounter in 1920 with the Abbé Henri Breuil, the famous French prehistorian,...Saville, Alan
Henri Breuil, history of archaeology, Miles Burkitt, Scottish poetry, prehistoric art, and Mary Boyle
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Book chapter
‘Coal money’ from Portpatrick (south-west Scotland): reconstructing an Early Medieval craft centre from antiquarian finds
Late 19th and 20th-century finds of debris from shale bangle manufacture at Portpatrick in south-west Scotland occasioned considerable interest at the time. The early discoveries were found in grave-digging, giving rise to folk traditions of the material as ‘coal money’ placed with the departed, but these were soon dismissed by...Hunter, Fraser
bangles, antiquarian study, Early Medieval, Irish connections, Oil shale, and craft processes
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Book chapter
Gleaming eyes and the elaboration of Anglo-Saxon sculpture
This paper presents the results of the analysis of an Anglo-Saxon cross-shaft fragment from Aberlady, East Lothian that confirm the long-suspected belief that the drilled eye sockets found among Northumbrian and Mercian sculpture originally contained separate eye insets. A tin lining was positively identified in one of the drilled eye...Blackwell, Alice
polychromy, colour, iconography, Early Medieval, sculpture, Anglo-Saxon, and Insular