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2008
Book chapter
The project
Around AD 800, a superbly carved cross-slab was erected at Hilton of Cadboll in north-east Scotland. The major part of the stone stand now in the National Museum of Scotland, and the story of what happened to it in the intervening centuries is told here.Clarke, David V ; Foster, Sally M
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2015
Book chapter
Japanese sculpture: a response
'Modern Japananese sculpture' is a topic that has been studied very little in the Western world, and works made in this period (1868-present) are rarely seen outside of their native country. One of our tasks at the Henry Moore Institute is to look at areas of sculpture studies that are...Buckland, Rosina
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2009
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2016
Book chapter
Gleaming eyes and the elaboration of Anglo-Saxon sculpture
This paper presents the results of the analysis of an Anglo-Saxon cross-shaft fragment from Aberlady, East Lothian that confirm the long-suspected belief that the drilled eye sockets found among Northumbrian and Mercian sculpture originally contained separate eye insets. A tin lining was positively identified in one of the drilled eye...Blackwell, Alice
polychromy, colour, iconography, Early Medieval, sculpture, Anglo-Saxon, and Insular
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2016
Book chapter
The jet-like material
Portmahomack on the Tarbat peninsula overlooking the Dornoch Firth is a fishing village with a 1,500-year-old history. In the sixth and seventh century it was a high-ranking centre with monumental cist burials and links to the equestrian class in England. In the eighth century it was a monastery, creating manuscripts...Hunter, Fraser
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2017
Book chapter
Revealing the archetype: the journey of a trecento Madonna and Child at the National Museum of Scotland
The National Museums Scotland Madonna and Child project sought to uncover and document the history of a fine polychrome wood carving attributed to The Master of the Gualino St Catherine and to prepare it for display. A new body of knowledge has been assembled by the interdisciplinary team. The conservation...de Bellaigue, Diana ; Troalen, Lore ; Richter, M ; Wong Rueda, M ; Palozzi, L …
polychromy, wood, Italy, Umbria, sculpture, Madonna, and 14th century
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Book chapter
West Highland Sculpture, Scotland – defining a Gaelic Lordship
The graveyards of the West Highland of Scotland contain many commemorative crosses and grave-slabs dating from the 14th to mid 16th century. They are carved in distinctive style from a variety of rock types. Their distribution largely coincides with the Lordship of the Isles, a powerful Gaelic Princedom, often in...Caldwell, David H ; Eremin, Katherine ; Miller, S ; Ruckley, N A
Lordship of the Isles, West Highland Sculpture, petrology, rock types, and magnetic susceptibility
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Book chapter
The Museum of Scotland and conservation issues of commissioned art
The Museum of Scotland is a new building in Edinburgh which opened in November 1998 to present the history of Scotland from its geological beginnings to the present day. This article considers conservation issues within three themes: the building itself as iconic modern architecture and its effect on the exhibition...Tate, Jim ; Clarke, David V ; Spencer, Helen ; Cobo del Arco, B
Scotland), exhibiting, Museum of Scotland (Edinburgh, museology, museums, and modern art
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Book chapter
Technical study' In: “Hatshepsut, from Queen to Pharaoh”
Cleopatra may be the most famous woman of ancient Egypt, but far more significant was Hatshepsut, a female pharaoh who reigned for nearly twenty years in the fifteenth century B.C., during the early period of the New Kingdom. After acting as regent for her young nephew-stepson Thutmose III, Hatshepsut assumed...Goring, Elizabeth ; Tate, Jim ; Eremin, Katherine ; Quye, Anita
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Book chapter
Early People
Eduardo Paolozzi (1924-2005) was one of the greatest Scottish and European artists of the 20th Century. He was a prolific sculptor and printmaker as well as an inspirational teacher. His was an exceptional talent, drawing on culture in all its forms, from Classical myths to comics and ephemera. Most would...Clarke, David V