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Book chapter
Forward titled: The National Trust's Tapestry Collection
From the Middle Ages, tapestries with figurative or other ornament were used by royalty and aristocrats to furnish their palaces and houses. While often observed as two dimensional art, they are three dimensional structures requiring specialist skill to maintain and conserve them. Since the vast majority of tapestries are on...Wyld, Helen
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Book chapter
The Renaissance reimagined: Minton, Majolica, and Maiolica
From about 1850, the Renaissance Revival inspired the design of both architecture and the decorative arts in Britain, prompting Minton & Co. to bring the arts of the Renaissance to the Staffordshire potteries. Within the context of its ongoing use of historical examples, the firm successfully adopted and adapted Renaissance...Blakey, Claire
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Book chapter
The Dresden Acts of the Apostles and the fortunes of Raphael’s designs, c. 1623–1728
From 1515, Raphael was commissioned by Pope Leo X to create ten large-format cartoons, which were used as design to weave the tapestries for the Sistine Chapel. They show scenes from the lives of the Princes of the Apostles, Peter and Paul. In the 17th century, Raphael’s cartoons were used...Wyld, Helen
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Book chapter
Discussion
The Sculptor’s Cave is one of the most enigmatic prehistoric sites in Britain. Excavated in the 1920s and 1970s, new analysis of the archive has revealed a complex history of funerary and ritual activity from the Late Bronze Age to the Roman Iron Age. Using innovative methods and new techniques, this...Cruickshanks, Gemma ; Hunter, Fraser ; Armit, Ian ; Büster, Lindsey
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Book chapter
Later prehistoric pottery
The Sculptor’s Cave is one of the most enigmatic prehistoric sites in Britain. Excavated in the 1920s and 1970s, new analysis of the archive has revealed a complex history of funerary and ritual activity from the Late Bronze Age to the Roman Iron Age. Using innovative methods and new techniques, this...Cruickshanks, Gemma ; Sheridan, J A
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Book chapter
Indigenising folk art: eighteenth-century powder horns in British military collections
Engraved power horns are a well-known aspect of the material culture of the Seven Years’ War (1756–1763), also known in North America as the French and Indian War. In looking at collections in military museums across the UK it emerged that powder horns were a distinctive form of material culture...Lidchi, Henrietta ; Allan, Stuart
Post-Colonial Studies , War Studies, Museum & Gallery Studies , Cultural History, and Imperial/Colonial History
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Book chapter
The Industrial Pottery In: Cachart, Ray ‘A little earth above the stone’: Archaeological Investigations 2006–2012 for consolidation work at Moy Castle, Mull, Argyll and Bute
The fifteenth-century Moy Castle tower-house on Mull was altered in the sixteenth and seventeenth centuries, but was abandoned as a domestic residence in 1752. Conservation works between 2006 and 2012, showed the alterations to have been additional turrets, caphouses and a garderobe. The garret entrance was relocated and the second...Hall, Derek ; Haggarty, George