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Abstract
Fractured mountains: quartz crystals and the Cairngorms
Dr Sarah Laurenson is Principal Curator of Modern and Contemporary History and Head of the Modern and Contemporary History Section. She is responsible for the Scottish collections representing cultural, social, political, military and domestic history from c.1750 to the present.Laurenson, Sarah
collections, Scottish material culture, mountains, fragmented objects , research, natural environment, and mineralogy
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Presentation
Respect! Caribbean life in Edinburgh – How a community project has changed our museum practice
In 2021 and 2022 Museums & Galleries Edinburgh worked with Edinburgh Caribbean Association (ECA) to develop the exhibition Respect! Caribbean Life in Edinburgh. ECA used the collections of the Museum of Childhood to explore Caribbean culture and childhoods, living in Scotland and Caribbean contributions to British society. The project was...Stevens, Lynn
Museology, Exchange, Caribbean diaspora heritage communities, Museums & Galleries Edinburgh, Colonial Histories And Legacies, and Edinburgh Caribbean Association
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Presentation
Scottish Weapons: crafting and collecting identity
Join our conversation on the issues of provenance, repatriation, collections, and collecting practices, explored through the lens of material culture. This roundtable brings together researchers to discuss these topics as they pertain to the theme of object biographies from the experience of their various professional backgroundsRobertson, Calum
arms and armour , Scottish Weapons, crafting and collecting identity, national collections, and National War Museum Scotland
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Lecture
Highland Style: Fashioning Highland Dress, c.1745-1845
he period c.1745-1845 was a revolutionary chapter in the history of Highland dress. With the advent of the European Romantic movement, this once regional costume was revived and reinvented to reflect the changing times and preoccupations of its wearers. Associated with the warrior culture of Gaelic society, by the close...Waine, Rosie
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Lecture
Metal Detecting and Treasure Trove in Scotland
Did you know that in Scotland, archaeological artefacts found by members of the public are considered 'Treasure Trove' and can be claimed to enable them to end up in museums. But what is Treasure Trove, and how do you make sure you're following the rules and metal detecting responsibly, in...Flynn, Sophie
Scotland, metal detecting, portable antiquities, recording and processing finds, and Treasure Trove Unit
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Conference paper (unpublished)
Opening up the Archive: An Approach to Volunteer-led Citizen Science in the Museum and Online
Through Communities and Crowds we aim to address two key challenges: how to open up the museum’s collection to citizen research; and how to make those objects that resonate most strongly with the everyday lives and experiences of our diverse communities easier to search for and discover.Belknap, Geoffrey ; Fitzpatrick, Alex
volunteers, discoverability, diverse communities, museum collections, and citizen research
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Lecture
The Art of Tapestry
On day 1 you will hear from experts in the field and find out more about the Burrell Collection tapestries and Medieval and Renaissance Tapestries in general. We will also document and discuss the artistic value, nature, and identity of 21st century tapestry as a distinctive Scottish art form with...Wyld, Helen
Renaissance , Medieval , and European Tapestries
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Abstract
The long, strange journey of Viking-Age ringed pins
Ringed pins are the calling card of the Viking Age in Britain and Ireland: small, low-value metal cloak fasteners, found in dressed burials, and frequently encountered as stray finds. They have a complex trajectory, beginning as Irish dress items in the pre-Viking period. From the middle of the ninth century,...Maldonado, Adrián
Ireland, Scandinavia, burials, diaspora, Iceland, Newfoundland, Britain, Viking Age , Dublin, Ringed pins, and Irish Sea trading settlements
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