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Abstract
Fractured mountains: quartz crystals and the Cairngorms
Dr Sarah Laurenson is Principal Curator of Modern and Contemporary History and Head of the Modern and Contemporary History Section. She is responsible for the Scottish collections representing cultural, social, political, military and domestic history from c.1750 to the present.Laurenson, Sarah
collections, Scottish material culture, mountains, fragmented objects , research, natural environment, and mineralogy
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Presentation
Respect! Caribbean life in Edinburgh – How a community project has changed our museum practice
In 2021 and 2022 Museums & Galleries Edinburgh worked with Edinburgh Caribbean Association (ECA) to develop the exhibition Respect! Caribbean Life in Edinburgh. ECA used the collections of the Museum of Childhood to explore Caribbean culture and childhoods, living in Scotland and Caribbean contributions to British society. The project was...Stevens, Lynn
Museology, Exchange, Caribbean diaspora heritage communities, Museums & Galleries Edinburgh, Colonial Histories And Legacies, and Edinburgh Caribbean Association
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Presentation
Scottish Weapons: crafting and collecting identity
Join our conversation on the issues of provenance, repatriation, collections, and collecting practices, explored through the lens of material culture. This roundtable brings together researchers to discuss these topics as they pertain to the theme of object biographies from the experience of their various professional backgroundsRobertson, Calum
arms and armour , Scottish Weapons, crafting and collecting identity, national collections, and National War Museum Scotland
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Lecture
Highland Style: Fashioning Highland Dress, c.1745-1845
he period c.1745-1845 was a revolutionary chapter in the history of Highland dress. With the advent of the European Romantic movement, this once regional costume was revived and reinvented to reflect the changing times and preoccupations of its wearers. Associated with the warrior culture of Gaelic society, by the close...Waine, Rosie
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Lecture
Metal Detecting and Treasure Trove in Scotland
Did you know that in Scotland, archaeological artefacts found by members of the public are considered 'Treasure Trove' and can be claimed to enable them to end up in museums. But what is Treasure Trove, and how do you make sure you're following the rules and metal detecting responsibly, in...Flynn, Sophie
Scotland, metal detecting, portable antiquities, recording and processing finds, and Treasure Trove Unit
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Conference paper (unpublished)
Opening up the Archive: An Approach to Volunteer-led Citizen Science in the Museum and Online
Through Communities and Crowds we aim to address two key challenges: how to open up the museum’s collection to citizen research; and how to make those objects that resonate most strongly with the everyday lives and experiences of our diverse communities easier to search for and discover.Belknap, Geoffrey ; Fitzpatrick, Alex
volunteers, discoverability, diverse communities, museum collections, and citizen research
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Lecture
The Art of Tapestry
On day 1 you will hear from experts in the field and find out more about the Burrell Collection tapestries and Medieval and Renaissance Tapestries in general. We will also document and discuss the artistic value, nature, and identity of 21st century tapestry as a distinctive Scottish art form with...Wyld, Helen
Renaissance , Medieval , and European Tapestries
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Abstract
The long, strange journey of Viking-Age ringed pins
Ringed pins are the calling card of the Viking Age in Britain and Ireland: small, low-value metal cloak fasteners, found in dressed burials, and frequently encountered as stray finds. They have a complex trajectory, beginning as Irish dress items in the pre-Viking period. From the middle of the ninth century,...Maldonado, Adrián
Ireland, Scandinavia, burials, diaspora, Iceland, Newfoundland, Britain, Viking Age , Dublin, Ringed pins, and Irish Sea trading settlements
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Lecture
Buying Power: Archaeologists as Dealers in Egypt and Sudan
Exhibitions and displays of Egyptian objects in museums across the world continue to inspire awe and fascination for millions of visitors. As museums tell the stories of the ancient world, they also tell their own collecting stories of how the objects came to be part of their collections. These narratives...Potter, Daniel
Dealers, Collections, Archaeology, Antiquities, Sudan, John Garstang, Edwin Ward, Charles Trick Currelly, Egypt, and William Matthew Flinders Petrie
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Presentation
Guest Curator at Craft Scotland Conference 2022 - The Power of Glass Symposium at the National Museum of Scotland
Sarah Rothwell is the Senior Curator of Modern & Contemporary Design, in the Department of Global Arts, Cultures and Design at National Museums Scotland (NMS). Where she is responsible for the British, European and other 'Western' glass, ceramics, metalwork, jewellery and industrial design circa 1945-present collections. Her research focuses on...Rothwell, Sarah
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Lecture
A shot in the arm for QR Codes in museums
QR codes in museums & galleries draw strong reactions from many in the GLAM community. The COVID pandemic has given these little black & white squares shot in the arm, but how can museums ensure they’re used considerately and enhance the visitor experience? Adam Coulson has been testing out how...Coulson, Adam
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Lecture
Place, from a distance: using digital media to go local
Objects in a museum’s collections are often a natural focus for digital media activities – but what about the places the objects come from?International audiences have long been fascinated with Scotland’s historic landscapes and communities. Domestic audiences, partly due to pandemic lockdowns making knowledge of ‘the local’ more integral to...Weinczok , David
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Lecture
Dressing the cultural imaginary: whose ‘gypsy’?
Emily Taylor and Benjamin Wild discuss the collector Charles W. Stewart.Tayor, Emily ; Wild, Benjamin Linley
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Conference paper (unpublished)
Confronting colonial histories and legacies in Egyptian and Sudanese collections at National Museums Scotland
Maitland, Margaret
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Conference paper (unpublished)
The Body Beautiful: Addressing Cultural Diversity in Museum Fashion Collections
Collecting as a practice and the collections that result from this practice are crucial for museums. Collecting and collections embody power on many different levels – providing insights and basic knowledge, illustrating specific practices of our work to the widest audiences, and forming a basis for contextualizing our world. How...Ripley, Georgina
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Lecture
Insights into the Dan Klein Collection
The British Museums Object Conservator Stefka Bargazova and National Museums Scotland Senior Curator of Modern & Contemporary Design Sarah Rothwell join us to discuss the Dan Klein Conservation Project, a wonderful collaborative project that they initiated in 2017 that brought conservators, curators, and practitioners together to share their knowledge to...Bargazova, Stefka ; Rothwell, Sarah
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Lecture
Beyond Treasure: new findings from fieldwork on Scotland’s prehistoric hoards
Hoards evoke stories and generate questions: Why do people collect things, both now and in the past? How do ordinary things become treasured objects? And why do we find these discoveries so fascinating? Hoards help us imagine particular events – the moment of burial, the moment of discovery – but...Freeman, Emily ; Knight, Matthew
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Lecture
Scotland and the Cold War
For three decades, Scotland was on the frontline in a potential Third World War with the Soviet Union. From the 1960s the west of Scotland was home to Britain’s nuclear deterrent and a key strategic American submarine base. In this talk, Dr Jim Gledhill will examine the Cold War from...Gledhill, Jim
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Conference paper (unpublished)
The Caquetoire Legacy
Deriving from a sixteenth century French type, this distinctive form of Scottish chair flourished throughout the seventeenth century. It was revived in authentic facsimile during the nineteenth century and continued in form and spirit to shape a range of modern variants. The speakers will address national and regional identity as...Jackson, Stephen
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Lecture
Conservation: behind the scenes
Join Dr Mary Davis as she gives us behind the scenes access to the conservation process of the Galloway Hoard. Join Dr Mary Davis as she calls in to Kirkcudbright Galleries to tell us all about the fascinating discoveries from the Galloway Hoard. Buried at the beginning of the 10th...Davis, Mary
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Lecture
Textiles of the Galloway Hoard
Join Dr Susanna Harris and Dr Alexandra Makin, as they call in to Kirkcudbright Galleries to tell us all about the new, fascinating discoveries from the Galloway Hoard. Buried at the beginning of the 10th century in Dumfries and Galloway, the Hoard lay undisturbed for a thousand years before being...Harris, Susanna ; Makin, Alexandra
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Conference paper (unpublished)
Material constructions: making, outré and taste in late 19th century dress
Late nineteenth-century Europe and North America experienced some of the most accelerated wealth gains the modern industrial age has known. Overtly and purposefully expressed through access to and making of material culture, this paper will consider how this wealth and the luxurious transience of fashionable dress expressed the leisure, social...Taylor, Emily
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Lecture
The Storrar Coverlet: a double weave tradition in Scotland and Scandinavia
Coverlet in red and yellow wool, woven in a double weave with a geometric design of birds, a chequered band and the date 1729 at each end. Formerly in the possession of the Storrar family of Nether Urquhart, Fife: probably made in Sweden.Wyld, Helen
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Lecture
Celebrating Black Fashion
How are progressive changes within the fashion industry being documented through exhibitions and contemporary collecting? Join model and broadcaster Eunice Olumide as she shares her experience of a transforming industry with museum curator Georgina Ripley. Eunice and Georgina will also discuss Eunice’s recent book How To Get Into Fashion, focussing...Olumide , Eunice ; Ripley, Georgina ; Burkinshaw, Mal
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Lecture
National Museums Scotland Roundtable: “Images of the Buddha: Collecting Histories and the Displays of Buddhist Material in Public Museums”
Research into the nature and the building of public and private collections has been an area of study for scholars and museum professionals for several decades. More recently, the collecting of objects from non-European and indigenous cultures in the context of national imperial histories has come to the front of...Martin, Emma ; Voigt, Friederike ; De Raat, Marjolein ; Cheung, Karwin
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Conference paper (unpublished)
Our friends in the north: Stanwick, Traprain Law, and the encroaching Roman world
Over his career, Colin has worked on and around two of the major Iron Age centres of central Britain – Stanwick in North Yorkshire and Traprain Law in East Lothian. Both are unusual within their regional contexts in scale, activities, and their extensive contacts with the Roman world. In comparing...Hunter, Fraser
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Conference paper (unpublished)
Royal Jewels and Relics in the National Collections panel: Renaissance Jewels, a Scottish style?
McGill, Lyndsay
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Lecture
What’s Next for Period Drama?
This virtual conference will take place on 9th July 2021 and is organised by Anthony Delaney (History, University of Exeter) and Dr Madeleine Pelling (Centre for Eighteenth-Century Studies, University of York). Hosted via Zoom, the day will bring together academics, journalists and professionals from the TV industry to ask ‘What’s...Montgomery, Grant ; Waine, Rosie
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Conference paper (unpublished)
Uncovering objects: the importance of context for the textiles of Tyninghame House, Scotland, circa 1700-1800
In 1977 the Earl of Haddington approached museums in Edinburgh, Scotland, with an offer of textiles and dress stored at Tyninghame House, East Lothian, south of the city. After consultation, the resulting sale saw a large collection of pieces split between the Royal Scottish Museum and the Museum of Antiquities....Taylor, Emily
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Lecture
Costume Society of America Roundtable: Tackling Tokenism and Diversity in our Museum Collections
Collecting and exhibiting fashion in Western museums has traditionally centered around wealthy, able-bodied, mainstream, Eurocentric ideals. Likewise, those working with costume collections have often fit this same mold. As we know, this is not representative of the diverse communities and cultures that these museums serve. The panelists spoke about how...Sklar, Monica ; Way, Elizabeth ; Lisby, Darnell-Jamal ; Neill, Susan ; Ripley, Georgina …