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Blog post
Capturing the present with 20th century photographic equipment
In the 20th century, camera technology was very different to the digital cameras we use today. As part of the Scotland 365 Youth Project, Julie Gibb explains how a group of young people used this older photographic technology to capture objects in the collection with a connection to their local...Gibb, Julie
National Museums Collection Centre, Scotland 365, and Photography
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The many lives of the Traprain Treasure’s Roman silver
One of the greatest treasures of our museum is the late Roman silver hoard from Traprain Law in East Lothian, which fills three display cases in the Early People gallery. Found in excavations in 1919, it’s been on display pretty much constantly since 1920. Now, more than a century after...Hunter, Fraser
Traprain Treasure, Silver, and Roman
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Dressed to kill? A 16th century doublet in historical context
A dazzling Renaissance silk doublet is now on display in the Fashion and Style gallery at National Museums Scotland. In this blog Helen Wyld, Senior Curator of Historic Textiles, and Calum Robertson, Curator of Modern and Military History, take a deep dive into the history of the doublet, and its...Wyld, Helen ; Robertson, Calum
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Objects in Place: Kilmartin Glen, Argyll
Every part of Scotland is historic, with stories for the telling. Whether rural or urban, landscapes and communities are the ultimate source of the objects we collect and display. Yet, it is easy to be so preoccupied with the objects themselves that we lose sight of where those objects were...Weinczok, David C
Scottish History, Bronze Age, Archaeology , Early Medieval Scotland , and Prehistory
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Collecting Stories: How objects came into collections
Our new Collecting Stories gallery at the National Museum of Scotland looks the development of the National Collection and explores how and why we have acquired objects over two centuries and continue to do so today. John Giblin, Keeper of Global Arts, Cultures and Design, tells us more.Giblin, John
Black History Month , National Museum Of Scotland, Galleries , Colonial Histories And Legacies , and Collecting Stories
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Concepts have teeth Blackfoot objects at National Museums Scotland
A project exploring Blackfoot quillwork in Scottish museums recently led a remote visit to explore and scan Blackfoot collections held in our collections. Members of the project team tell us about this visit and how digital imaging techniques are allowing for closer engagements with cultural heritage.Minkin, Louisa ; Clark, Christine ; Shouting, Melissa ; Clark, Ali
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Object itineraries and tools of knowledge
One aspect of the data enhancement that forms part of the Tools of Knowledge project involves connecting the remodelled SIMON database with object data from partner institutions. Bringing in object data, as a first step, allows us to make more connections, undertake new kinds of analysis, and reveal new stories...Middle, Sarah
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Objects in Place: The Eildon Hills, Scottish Borders
The might of the Roman Empire is often likened to a shadow looming over the peoples along its ever-expanding frontiers. Yet, there is one place where this metaphor is inverted. As the winter sun sets behind the three peaks of the Eildon Hills in the Scottish Borders, it is the...Weinczok, David C
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First British record of the short-finned pilot whale
What is the difference between the long-finned and the short-finned pilot whale? Andrew Kitchener explains how the examination of the skull of a stranded whale revealed the true identity of the species and the most northerly stranding of a short-finned pilot whale in the northeast Atlantic.Kitchener, Andrew C
Britain , Stranding , Whales, Short-Finned Pilot Whale, Pilot Whale , and Whale
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Former Museum Staff: Finding List
Thomas Archer: Director of the Industrial Museum of Scotland and Edinburgh Museum of Science and Art from 1860-1885. A S Clarke: Keeper of the Royal Scottish Museum (RSM) (joined staff in 1954) Alexander Robert Hutchieson: Papers of Alexander Robert Hutchieson, Keeper of the Department of Technology, RSM, from 1934 to...National Museums Scotland
Library, Royals Scottish Museum, Edinburgh Museum of Science and Art, museum administration, Industrial Museum of Scotland , and Archives
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Visiting the ancient dead: Pictish reuse of a Bronze Age grave at Golspie, Highland
This blog is from a series produced as part of the AHRC funded Boundary Objects Project , a partnership between Historic Environment Scotland , National Museums Scotland and the Universities of Manchester and Reading. We often think of the graves of the dead lying undisturbed and untouched until they are...Knight, Matthew G ; Maldonado, Adrián
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Collecting contemporary Scottish whisky / A’ cruinneachadh uisge-bheatha Albannach an latha an-diugh
Plenty of people collect whisky, but how many can say that they collect whisky for a museum? PhD student Laura Scobie has the enviable job of expanding our whisky collections. In this blog post, Laura explores the ways that whisky brands adopt a sense of place and explains how collecting...Scobie, Laura
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‘Woman’s dress of dark blue cotton, Ukraine, c.1880’: the complex reality behind a simple description
Alongside the human cost of conflict, the nihilistic destruction of centuries of historic heritage in Ukraine has provoked alarm, outrage and offers of support across the international museum sector. At the outset of hostilities, we looked to provide practical support where we could. For example, in the supply of wooden...Breward, Christopher
Dress , Russia , Ukraine, Embroidery , and Textiles
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Collecting a New Past
Museums have long been interested in collecting material culture of the present. Objects that demonstrate the design, technological, natural, and social stories and changes of today. More recently, ‘contemporary collecting’ has been given renewed attention as a specific approach to building museum collections. Georgia Vullinghs, Curator of Modern and Contemporary...Vullinghs, Georgia
Collections , Community Engagement, Contemporary Collecting, and Conservation
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Library Special Collections: Papers of Margaret Swain
Margaret Helen Swain (1909-2002) was a historian of embroidery and textiles. The author of several books and numerous articles, she also lectured widely, and her papers reflect these activities. Her early publications were on Ayrshire needlework but she became an expert on embroidery in general and Scottish work in particular....National Museums Scotland
tapestries, Palace of Holyroodhouse, Margaret Helen Swain, 1909-2002, National Trust for Scotland, Archives, and embroidery and textiles
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Blog post
Orientations: Queer imaginings and the Caithness doublet
In our Orientations series, members of the LGBTQIA+ community explore an object that resonates with their identity. We know our collections are filled with queer stories but often they can be hard to find (and even harder to prove). In looking for representation in museums, Joe Setch explores how the...Setch, Joe
Collections , Scottish History, Orientations , and LGBTQIA+
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A little cup of happiness in search of a coco chocolatero
There’s nothing quite like a cup of hot chocolate. But have you ever had one from a coconut cup? Assistant Curator Dr Emily Taylor and Professor Kathleen Kennedy explore the origins and cultural background behind a ‘little cup of happiness’ in our collections – a coconut shell made into a...Taylor, Emily ; Kennedy, Kathleen
Collections, silver, Colonial Histories And Legacies , and coconut cup
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Robert Riddell manuscripts: A Collection of Scottish Antiquities Selected by R.R. Vol 11 1791
Ballads, with notes: Jock o’ Milk (p.1); Archie of Capeld (p.14); Lord Maxwell’s Goodnight (p.18); Sir Andrew Barton (p.20); Fair Helen of Kirkconnel (pp.29, 46); Lads of Wamphray (p.34); Lochmaben Harper (pp.39, 42); Fray of Soupart (p.55); Border Lament of the Union (p.59); Outlaw Murray (p.61); Laidley Worm (p.71); McNaughton...National Museums Scotland
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Library Special Collections: Robert Riddell Manuscript Collection Volume 8 (SAS 586). A journal of a tour in Scotland in 1789, made by Captain Grose and Captain Riddell.
Transcription of Robert Riddell Manuscript Collection Volume 8 (SAS 586). A journal of a tour in Scotland in 1789, made by Captain Grose and Captain Riddell.National Museums Scotland
Special Collections, journal transcription , exploration, and Archives
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Robert Riddell manuscripts A Collection of Scottish Antiquities, selected by R.R. Vol 2 1786
‘A collection of Scottish antiquities, selected by R.R. Vol.2d., 1786’: accounts of Border and other Scottish families (pp.1, 22, 25). ‘Scottish antiquities, historical and genealogical, collected by Capt. Robert Riddell....1786’ (p.69): genealogies and antiquities of various parts of Scotland; copies of early documents; account of raids on the Western Border...National Museums Scotland
journal transcription , exploration, Archives, and Special Collections