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Book chapter
Tracing royal Stewart jewels in the archives
Imagine the impact of Mary Queen of Scots walking into the room. At nearly six feet tall, and dressed into the finest jewels, fashion and fabrics available, she will have impressed. That, after all, was the intended effect: Mary used the way she appeared to command respect, denote her regal...Groundwater, Anna
Renaissance , material culture , Scottish history , jewellery history , Mary Queen of Scots , art history, objects, and Stuarts
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Book chapter
Introduction: decoding jewels in Renaissance Scotland
The classic Roman god Mercury strides purposefully from left to right across a gold locket, but his specific intention is not immediately clear (fig.1). However, to the sixteenth-century maker, buyer and recipient of this locket, now known as the Fettercairn jewel, the significance of Mercury's journey will have been understood....Groundwater, Anna
Renaissance , Mary Queen of Scots, material culture , Scottish history , jewellery history , Stuarts, art history, and objects
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Journal article
Making places: Scotland's jewellery craft in the age of industry
Sarah Laurenson shares examples of beautiful jewellery created during the 'age of industry' and invites us to imagine the lives of the craftspeople behinf these exquisite pieces, using their skills and ingenuity in the age of growing mechanisation and standardisationLaurenson, Sarah
geology, Scotland, crafts, jewellery , natural environment , mineralogy, precious metals , material culture , lapidaries, and contemporary collecting
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Abstract
Readiness for Red Alert: Engaging with the Royal Observer Corps Material Culture
The Royal Observer Corps (ROC) were a uniformed civilian organisation tasked with preparing for nuclear disaster and would have stepped up to maintain control of Britain had an attack happened during the Cold War. Although stood down in 1991, the legacy of the ROC lives on through the remaining underground...Harper, Sarah
Royal Observer Corps, aviation , exhibitions , museums, Cold War , and material culture
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The Vulcan’s Voice: multiple meanings of a Cold War artefact
On 12 April 1984, a massive delta-winged nuclear bomber landed at an airfield in south-east Scotland. Vulcan XM597 was not on a routine journey, but its final flight; for East Fortune was not an active airport, but rather housed an aviation museum, the aircraft’s destination. This moment of transfer was...Alberti, S J M M
Cold War, exhibitions, museums, aviation, and material culture
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Conference paper (unpublished)
Through the Looking Glass War: Museums and exposing Cold War espionage in contemporary Berlin
Gledhill, Jim
material culture , Cold War , museums, exhibitions, and espionage
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Book chapter
'Iron artefacts' In: Hatherley, Catherine & Murray, Ross 'Culduthel: an Iron Age craftworking centre in North-East Scotland'
The Iron Age settlement at Culduthel is one of the most significant later prehistoric sites identified in mainland Scotland. Archaeological excavation in 2005 revealed a craftworking centre which had specialised in the production of iron, bronze and glass objects between the late 1st Millennium BC and early 1st Millennium AD....Hunter, Fraser
prehistory, Highlands & Islands, Prehistoric archaeology, material culture , and northern Scotland
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Doctoral thesis
Face to face with the Lewis Chessmen: an exploration of children's engagement with material heritage at the National Museum of Scotland
Museums can be productive sites for the study of society, because they are spaces where the constitution of knowledge about the past is made visible through public display. Playing an important role in the performance and legitimisation of national culture, museums in Scotland pay particular attention to the education of...Bull, Nicola Lucy
museums , children , National Museum of Scotland , Lewis chessmen, heritage education , and material culture