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Blog post
The Majestic and the Mundane the material culture of coronations
With the approaching coronation of King Charles III, Georgia Vullinghs, Assistant Curator of Modern and Contemporary History, has been looking at our collections of coronation material. From batons of ceremony and containers for holy oils, to souvenir cups, handkerchiefs, and biscuit tins, this range of material performs an important function...Vullinghs, Georgia
Coronation, Royal History , Scottish History, Politics, and Collections
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The Black Watch at National Museum of Scotland
Rosie Waine is the William Grant Foundation Research Fellow at the National Museum of Scotland. Here she writes how the Black Watch Museum & Castle collection contributed to the exhibition she has curated called Wild and Majestic: Romantic Visions of Scotland. -
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Objects in Place: the Eynhallow Sound, Orkney
Stone steps washed with waves and selkie songs glitter in the late summer gloaming. Roaring tides sweep in from all sides to batter the shore with ageless determination, steadily devouring the remnants of cairn-raisers, Picts, Norse, and crofters with equal indifference. The west wind catches a string of hanging seashells...Weinczok, David C
Orkney , Vikings, Objects In Place , Neolithic , Iron Age , and Archaeology
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Collecting Stories: How objects came into collections
Our new Collecting Stories gallery at the National Museum of Scotland looks the development of the National Collection and explores how and why we have acquired objects over two centuries and continue to do so today. John Giblin, Keeper of Global Arts, Cultures and Design, tells us more.Giblin, John
Black History Month , National Museum Of Scotland, Galleries , Colonial Histories And Legacies , and Collecting Stories
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Unwrapping stories revisiting the costume at Paxton House
Nestled on the bank of the River Tweed in the Scottish Borders, Paxton House is an eighteenth-century home and museum with exceptional collections. The Chippendale and Trotter furniture is recognised as being of international importance, and the building itself is Grade A listed. But what else lies hidden in storage?Tayor, Emily ; Murrell, Fiona Salvesen
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‘Woman’s dress of dark blue cotton, Ukraine, c.1880’: the complex reality behind a simple description
Alongside the human cost of conflict, the nihilistic destruction of centuries of historic heritage in Ukraine has provoked alarm, outrage and offers of support across the international museum sector. At the outset of hostilities, we looked to provide practical support where we could. For example, in the supply of wooden...Breward, Christopher
Dress , Russia , Ukraine, Embroidery , and Textiles
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QR codes in museums – worth the effort?
If you’ve visited the National Museum of Scotland in the last year, you probably saw a QR code in one of our exhibitions. There’s a good chance you even used one! Did you get your phone out and scan it? Or walk on by? Adam Coulson looks into changes in...Coulson, Adam
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The value of broken things: fragments from the Bronze Age
The value of an object is often framed in terms of its completeness. As individuals and as a museum, we like pristine things and try to keep them that way. If something breaks, we repair it. If it is broken beyond repair, we may replace it. And yet, sometimes it...Knight, Matthew
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Dressed to kill? A 16th century doublet in historical context
A dazzling Renaissance silk doublet is now on display in the Fashion and Style gallery at National Museums Scotland. In this blog Helen Wyld, Senior Curator of Historic Textiles, and Calum Robertson, Curator of Modern and Military History, take a deep dive into the history of the doublet, and its...Wyld, Helen ; Robertson, Calum
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An elite education: discovery of an ancient Athenian ephebic list
A stone monument with an ancient Greek inscription in the collections of National Museums Scotland was recently discovered to be a previously unknown, unpublished Athenian ephebic list. Principal Curator Margaret Maitland and the Attic Inscriptions in UK Collections project team explain the significance of this find, and what it tells...Maitland, Margaret
World Cultures, Archaeology , Ancient Greece , and Research
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Embroidered crucifixion
Thanks to a generous donation from benefactor Leslie Durst, we have acquired an exquisite seventeenth-century embroidery with a surprising history of secret Catholic devotion. This small panel embodies entwined stories of religious faith, skilled workmanship, and the mythology of a doomed Queen. Senior Curator of Historic Textiles Helen Wyld reveals...Wyld, Helen
Embroidery , Global Arts Cultures And Design , New Acquisitions , and Textiles
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Visiting the ancient dead: Pictish reuse of a Bronze Age grave at Golspie, Highland
This blog is from a series produced as part of the AHRC funded Boundary Objects Project , a partnership between Historic Environment Scotland , National Museums Scotland and the Universities of Manchester and Reading. We often think of the graves of the dead lying undisturbed and untouched until they are...Knight, Matthew G ; Maldonado, Adrián
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Collecting contemporary Scottish whisky / A’ cruinneachadh uisge-bheatha Albannach an latha an-diugh
Plenty of people collect whisky, but how many can say that they collect whisky for a museum? PhD student Laura Scobie has the enviable job of expanding our whisky collections. In this blog post, Laura explores the ways that whisky brands adopt a sense of place and explains how collecting...Scobie, Laura
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Conserving the Galloway Hoard: a silver brooch goes under the microscope
The Galloway Hoard was in the ground for nearly 1,000 years. That brings all kinds of conservation challenges, as Galloway Hoard Project Artefact Conservator Mary Davis explains. Learn what it takes to preserve Viking-Age treasures, and what the conservation process tells us about the objects and people who used and...Davis, Mary
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A stitch in time: 300 years of visible mending
Does your favourite jumper have a hole in it? Seems a shame to get rid of a lovely piece of clothing because of a little tear, right? How about mending it! Senior Curator of Historic Textiles Helen Wyld talks us through some of the historic repairs in our textiles collection....Wyld, Helen
Textiles, Art And Design , Sewing , and Embroidery
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A badge of honour
The symbolic nature of jewellery has allowed wearers to signal their beliefs, alliances and values for thousands of years. For Women’s History Month, our Senior Curator Modern & Contemporary Design Sarah Rothwell explores the recent acquisition of a brooch that tells the defiant story of women’s suffrage.Rothwell, Sarah
Suffragette , Women , Women Designers, and WSPU
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Cups saucers and women's right to vote
How might our design choices inform our values? A recent addition to our collections allows us to explore a group of radical ceramics for Women’s History Month. Claire Blakey, Curator Modern Decorative Arts, talks us through a tea set made to champion women’s suffrage.Blakey, Claire
Suffragette , Women , Ceramics, and WSPU
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Trade, taste and tea bowls: uncovering Chinese ceramics in our collections
Ceramic objects are useful in day-to-day life and may also be put on display, for example in people’s homes, yet they are more than just functional or decorative. They can also tell stories of manufacturing, taste and international trade. National Museums Scotland has a large and important but little-known Chinese...Cao, Qin
World Cultures, Ceramics , and China
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Joan Faithfull’s Mull pottery
What does it mean for an object to be ‘of’ a place? Joan Fathfull’s pottery in Tormore, Mull, became a fixture for visitors to the Inner Hebrides in the mid-20th century. Ailsa Hutton, Assistant Curator of Modern and Contemporary History, discusses the recent gifting of Joan’s works by her sons,...Hutton, Ailsa
Scottish History, Contemporary Collecting , Mull , and Pottery
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Concepts have teeth Blackfoot objects at National Museums Scotland
A project exploring Blackfoot quillwork in Scottish museums recently led a remote visit to explore and scan Blackfoot collections held in our collections. Members of the project team tell us about this visit and how digital imaging techniques are allowing for closer engagements with cultural heritage.Minkin, Louisa ; Clark, Christine ; Shouting, Melissa ; Clark, Ali