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‘Woman’s dress of dark blue cotton, Ukraine, c.1880’: the complex reality behind a simple description
Alongside the human cost of conflict, the nihilistic destruction of centuries of historic heritage in Ukraine has provoked alarm, outrage and offers of support across the international museum sector. At the outset of hostilities, we looked to provide practical support where we could. For example, in the supply of wooden...Breward, Christopher
Dress , Russia , Ukraine, Embroidery , and Textiles
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Visiting the ancient dead: Pictish reuse of a Bronze Age grave at Golspie, Highland
This blog is from a series produced as part of the AHRC funded Boundary Objects Project , a partnership between Historic Environment Scotland , National Museums Scotland and the Universities of Manchester and Reading. We often think of the graves of the dead lying undisturbed and untouched until they are...Knight, Matthew G ; Maldonado, Adrián
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The Majestic and the Mundane the material culture of coronations
With the approaching coronation of King Charles III, Georgia Vullinghs, Assistant Curator of Modern and Contemporary History, has been looking at our collections of coronation material. From batons of ceremony and containers for holy oils, to souvenir cups, handkerchiefs, and biscuit tins, this range of material performs an important function...Vullinghs, Georgia
Coronation, Royal History , Scottish History, Politics, and Collections
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The Black Watch at National Museum of Scotland
Rosie Waine is the William Grant Foundation Research Fellow at the National Museum of Scotland. Here she writes how the Black Watch Museum & Castle collection contributed to the exhibition she has curated called Wild and Majestic: Romantic Visions of Scotland. -
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Objects in Place: the Eynhallow Sound, Orkney
Stone steps washed with waves and selkie songs glitter in the late summer gloaming. Roaring tides sweep in from all sides to batter the shore with ageless determination, steadily devouring the remnants of cairn-raisers, Picts, Norse, and crofters with equal indifference. The west wind catches a string of hanging seashells...Weinczok, David C
Orkney , Vikings, Objects In Place , Neolithic , Iron Age , and Archaeology
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I don't do things by halves - The incredible conservation of the James Bruce drinking horn (Part 1)
Last year I encountered the most challenging object in my career as conservator so far – the James Bruce drinking horn. Dirty, cracked and broken into two distinct parts it was a long way from its original condition over 250 years ago. This is the story of the horn’s incredible...Messerschmidt, Lydia
Legacies Of Empire, Ethiopia, Conservation , and War
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I don't do things by halves - The incredible conservation of the James Bruce drinking horn (Part 2)
Nearly a metre in length, 250 years old and broken into two shattered halves, the James Bruce drinking horn represented an epic challenge in my conservation career. This is the conclusion of the horn’s incredible conservation journey.Messerschmidt, Lydia
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Collecting Stories: How objects came into collections
Our new Collecting Stories gallery at the National Museum of Scotland looks the development of the National Collection and explores how and why we have acquired objects over two centuries and continue to do so today. John Giblin, Keeper of Global Arts, Cultures and Design, tells us more.Giblin, John
Black History Month , National Museum Of Scotland, Galleries , Colonial Histories And Legacies , and Collecting Stories
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Dressed to kill? A 16th century doublet in historical context
A dazzling Renaissance silk doublet is now on display in the Fashion and Style gallery at National Museums Scotland. In this blog Helen Wyld, Senior Curator of Historic Textiles, and Calum Robertson, Curator of Modern and Military History, take a deep dive into the history of the doublet, and its...Wyld, Helen ; Robertson, Calum
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Unwrapping stories revisiting the costume at Paxton House
Nestled on the bank of the River Tweed in the Scottish Borders, Paxton House is an eighteenth-century home and museum with exceptional collections. The Chippendale and Trotter furniture is recognised as being of international importance, and the building itself is Grade A listed. But what else lies hidden in storage?Tayor, Emily ; Murrell, Fiona Salvesen