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Interactive resource
What’s up with Bridgerton’s wardrobe?
Created by American costume designer Ellen Mirojnick, the costumes of Netflix hit series Bridgerton (of which there were some 7,500 pieces) unapologetically play with notions of historical accuracy. Utilising brash colours, almost absurdly high waistlines, zip fastenings, modern fabrics and machine embroidery, they also deviate from social norms and etiquette...Gernerd, Elisabeth ; Miranda, Cat ; McLeod, Miriam
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Interactive resource
Fashioning the past in the present
Our panel explored how clothes tell stories on stage and screen. From how accurate costumes allow actors to connect with their characters to when it might be necessary to take liberties for entertainment.Wallis, Mark ; Romero, Stefan ; Taylor, Emily
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Conference paper (unpublished)
Material constructions: making, outré and taste in late 19th century dress
Late nineteenth-century Europe and North America experienced some of the most accelerated wealth gains the modern industrial age has known. Overtly and purposefully expressed through access to and making of material culture, this paper will consider how this wealth and the luxurious transience of fashionable dress expressed the leisure, social...Taylor, Emily
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Lecture
The Storrar Coverlet: a double weave tradition in Scotland and Scandinavia
Coverlet in red and yellow wool, woven in a double weave with a geometric design of birds, a chequered band and the date 1729 at each end. Formerly in the possession of the Storrar family of Nether Urquhart, Fife: probably made in Sweden.Wyld, Helen
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Lecture
Celebrating Black Fashion
How are progressive changes within the fashion industry being documented through exhibitions and contemporary collecting? Join model and broadcaster Eunice Olumide as she shares her experience of a transforming industry with museum curator Georgina Ripley. Eunice and Georgina will also discuss Eunice’s recent book How To Get Into Fashion, focussing...Olumide , Eunice ; Ripley, Georgina ; Burkinshaw, Mal
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Journal article
Capturing decorative art - the work of Frances Priest
Within this article I hope to highlight and explore the progression of the practice of Edinburgh-based ceramic artist, Frances Priest, through works held by National Museums Scotland, and her most recent public commission for the city's Royal Edinburgh Hospital. I shall discuss her enduring passion for The Grammar of Ornament,...Rothwell, Sarah
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Blog post
Artistic expressions of today: Sustainability and consumption
Over the last year, we have acquired several artefacts that discuss how the impact of the pandemic and wider socio-political subjects have inspired the creation of some remarkable works of art, craft and design that reflect these times. Sarah Rothwell, Senior Curator of Modern & Contemporary Design, concludes our mini-series...Rothwell, Sara
Jewellery , Sustainability, Contemporary Collecting, Contemporary Jewellery, and Climate
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Doctoral thesis
Organology of the Queen Mary and Lamont harps Volume 1
The metal strung harp indigenous to Ireland and Scotland from the Medieval period to the end of the 18th century was widely admired throughout its time period, and is now an important part of the cultural and musical heritage of both of these countries. This type of harp, known as...Loomis, Karen Ann
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Doctoral thesis
Face to face with the Lewis Chessmen: an exploration of children's engagement with material heritage at the National Museum of Scotland
Museums can be productive sites for the study of society, because they are spaces where the constitution of knowledge about the past is made visible through public display. Playing an important role in the performance and legitimisation of national culture, museums in Scotland pay particular attention to the education of...Bull, Nicola Lucy
museums , children , National Museum of Scotland , Lewis chessmen, heritage education , and material culture
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Master's dissertation
After-hours events: a product for attracting, engaging and retaining new musum audiences? A case study of National Museums Scotland
Cultural heritage is recognised as one of the major contributors to the economy. As a result, museums have moved away from their traditional role as collectors and conservators of artefacts of historical importance, to become more audience focused. The recognition by museums of an obligation to meet the needs and...Easson, Hilary