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Conference paper (unpublished)
Uncovering objects: the importance of context for the textiles of Tyninghame House, Scotland, circa 1700-1800
In 1977 the Earl of Haddington approached museums in Edinburgh, Scotland, with an offer of textiles and dress stored at Tyninghame House, East Lothian, south of the city. After consultation, the resulting sale saw a large collection of pieces split between the Royal Scottish Museum and the Museum of Antiquities....Taylor, Emily
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Book chapter
Forward titled: The National Trust's Tapestry Collection
From the Middle Ages, tapestries with figurative or other ornament were used by royalty and aristocrats to furnish their palaces and houses. While often observed as two dimensional art, they are three dimensional structures requiring specialist skill to maintain and conserve them. Since the vast majority of tapestries are on...Wyld, Helen
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Book chapter
The Renaissance reimagined: Minton, Majolica, and Maiolica
From about 1850, the Renaissance Revival inspired the design of both architecture and the decorative arts in Britain, prompting Minton & Co. to bring the arts of the Renaissance to the Staffordshire potteries. Within the context of its ongoing use of historical examples, the firm successfully adopted and adapted Renaissance...Blakey, Claire
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Book chapter
The Dresden Acts of the Apostles and the fortunes of Raphael’s designs, c. 1623–1728
From 1515, Raphael was commissioned by Pope Leo X to create ten large-format cartoons, which were used as design to weave the tapestries for the Sistine Chapel. They show scenes from the lives of the Princes of the Apostles, Peter and Paul. In the 17th century, Raphael’s cartoons were used...Wyld, Helen
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Journal article
Conserving 18th-century shoes National Museums Scotland
A pair of women's shoes dated c.1730-1760, was recently conserved for display in the Fashion and Style gallery at National musuems ScotlandConnolly, Danielle
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Journal article
The Graham Gadd collection of furniture ephemera
National Museums Scotland recently received a donation of furniture related items from RFS member Graham Gadd.Jackson, Stephen
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Lecture
Costume Society of America Roundtable: Tackling Tokenism and Diversity in our Museum Collections
Collecting and exhibiting fashion in Western museums has traditionally centered around wealthy, able-bodied, mainstream, Eurocentric ideals. Likewise, those working with costume collections have often fit this same mold. As we know, this is not representative of the diverse communities and cultures that these museums serve. The panelists spoke about how...Sklar, Monica ; Way, Elizabeth ; Lisby, Darnell-Jamal ; Neill, Susan ; Ripley, Georgina …
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Journal article
Tongland works in Galloway and the women engineers
In 1916, a factory was established by William Beardmore and Thomas Pullinger at Tongland in south-west Scotland that was for much of the time that it was in operation staffed by women. Initially manufacturing aero engines, the women were being trained for a career in engineering, not simply as war...Innes, Louise
Women engineers, Pullinger, aero engines, Tongland, Galloway cars, and factory
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Doctoral thesis
Organology of the Queen Mary and Lamont harps Volume 1
The metal strung harp indigenous to Ireland and Scotland from the Medieval period to the end of the 18th century was widely admired throughout its time period, and is now an important part of the cultural and musical heritage of both of these countries. This type of harp, known as...Loomis, Karen Ann
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Doctoral thesis
Face to face with the Lewis Chessmen: an exploration of children's engagement with material heritage at the National Museum of Scotland
Museums can be productive sites for the study of society, because they are spaces where the constitution of knowledge about the past is made visible through public display. Playing an important role in the performance and legitimisation of national culture, museums in Scotland pay particular attention to the education of...Bull, Nicola Lucy
museums , children , National Museum of Scotland , Lewis chessmen, heritage education , and material culture