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Blog postA project exploring Blackfoot quillwork in Scottish museums recently led a remote visit to explore and scan Blackfoot collections held in our collections. Members of the project team tell us about this visit and how digital imaging techniques are allowing for closer engagements with cultural heritage.
Minkin, Louisa ; Clark, Christine ; Shouting, Melissa ; Clark, Ali
Blog postHow might our design choices inform our values? A recent addition to our collections allows us to explore a group of radical ceramics for Women’s History Month. Claire Blakey, Curator Modern Decorative Arts, talks us through a tea set made to champion women’s suffrage.
Blog postThe symbolic nature of jewellery has allowed wearers to signal their beliefs, alliances and values for thousands of years. For Women’s History Month, our Senior Curator Modern & Contemporary Design Sarah Rothwell explores the recent acquisition of a brooch that tells the defiant story of women’s suffrage.
Blog postWhat does it mean for an object to be ‘of’ a place? Joan Fathfull’s pottery in Tormore, Mull, became a fixture for visitors to the Inner Hebrides in the mid-20th century. Ailsa Hutton, Assistant Curator of Modern and Contemporary History, discusses the recent gifting of Joan’s works by her sons,...
Blog postThe Galloway Hoard was in the ground for nearly 1,000 years. That brings all kinds of conservation challenges, as Galloway Hoard Project Artefact Conservator Mary Davis explains. Learn what it takes to preserve Viking-Age treasures, and what the conservation process tells us about the objects and people who used and...
Collecting contemporary Scottish whisky / A’ cruinneachadh uisge-bheatha Albannach an latha an-diughPlenty of people collect whisky, but how many can say that they collect whisky for a museum? PhD student Laura Scobie has the enviable job of expanding our whisky collections. In this blog post, Laura explores the ways that whisky brands adopt a sense of place and explains how collecting...
Blog postThis blog is from a series produced as part of the AHRC funded Boundary Objects Project , a partnership between Historic Environment Scotland , National Museums Scotland and the Universities of Manchester and Reading. We often think of the graves of the dead lying undisturbed and untouched until they are...
Knight, Matthew G ; Maldonado, Adrián
Blog postThanks to a generous donation from benefactor Leslie Durst, we have acquired an exquisite seventeenth-century embroidery with a surprising history of secret Catholic devotion. This small panel embodies entwined stories of religious faith, skilled workmanship, and the mythology of a doomed Queen. Senior Curator of Historic Textiles Helen Wyld reveals...
Blog postMuseums aren’t alone when it comes to collecting objects. Personal collecting, usually more rooted in identity or passion, can offer a glimpse into who people are and what makes them tick. Digital Media Content Manager Russell Dornan reflects on his brooch collection, what it says about his identity and shares...