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Book chapter
In the shadow of Jacques-Louis David’s Napoleon: the 10th Duke of Hamilton and Raeburn
‘Indiscriminate praise is little better than censure’: critical contexts for understanding Raeburn’s portraitureEvans, Godfrey
taste, Raeburn, Scotland, collecting, Enlightenment, patronage, art, and portraiture
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Book chapter
'Vaulting ambition, which o’erleaps itself': The Dukes of Hamilton and Titian
This volume comprises sixteen essays on the reception of Titian by British painters, collectors and critics in the long nineteenth century. The main focus falls on the first three decades of the century, in the aftermath of the exhibition of the celebrated Orléans collection in London in 1798-99. But the...Evans, Godfrey
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Book
Painting nature for the nation: Taki Katei and the challenges to Sinophile culture in Meiji Japan
In Painting Nature for the Nation: Taki Katei and the Challenges to Sinophile Culture in Meiji Japan, Rosina Buckland offers an account of the career of the painter Taki Katei (1830–1901). Drawing on a large body of previously unpublished paintings, collaborative works and book illustrations by this highly successful, yet...Buckland, Rosina
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Journal article
Unknown Japanese paintings in Scotland
There is a considerable number of interesting Japanese paintings in public collections across Scotland. For the large part they were acquired at the end of the 19th century by individuals interested in East Asian art, and were subsequently donated to public collections. The future holds the possibility that the owning...Buckland, Rosina
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Book chapter
Catalogue entry: Mortlake Workshop, after Francis Cleyn (born in Rostock, 1582; died in London, 1658), designer, after Pieter Coecke van Aelst (1502-1550) and Bernard van Orley (c.1492-c.1541) The Return of Sarah by the Egyptians, c.1658-60
The Paston Treasure, a spectacular painting now held at Norwich Castle Museum, depicts objects from the collections of a local landed family. The Pastons established one of the most extensive cabinets of rarities and curiosities in seventeenth-century England—it boasted no fewer than six hundred decorative art objects, including shell cups,...Wyld, Helen
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