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Presentation
Egypt’s Dispersed Heritage
Join us to hear about the project ‘Egypt’s Dispersed Heritage: Views from Egypt’ from our visiting Egyptian collaborators, researcher Heba Abd el Gawad and webcomic artist Mohammed Nasser, in conversation with curator Margaret Maitland.Maitland, Margaret
museum, storytelling, Egyptian archaeology, Egyptian heritage, comics, and Decolonization
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Journal article
Not so hidden messages
The written word is a powerful and persuasive tool that can inspire and revolt in equal measure. Equally, jewellery has the power to spread messages and has been used for generations to declare an individual’s position of allegiance or defiance. By incorporating a message, slogan or symbol, a jewel becomes...Rothwell, Sarah
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Exhibition-related event
The Declaration of Arbroath: Insights from the Archives
Inspired by a rare chance to see The Declaration of Arbroath, curator Dr Alice Blackwell and National Records Scotland conservator, Hazel de Vere, discuss its historical significance and material fragility.Blackwell, Alice ; de Vere, Hazel
Pope John XXII, Robert the Bruce, conservation, preservation, The Declaration of Arbroath letter , barons and freeholders of the Kingdom of Scotland, and seals
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Blog post
The Black Watch at National Museum of Scotland
Rosie Waine is the William Grant Foundation Research Fellow at the National Museum of Scotland. Here she writes how the Black Watch Museum & Castle collection contributed to the exhibition she has curated called Wild and Majestic: Romantic Visions of Scotland. -
Other
The Daniel Wilson Scrapbook Listing
Sir Daniel Wilson (1816-1892) was an archaeologist, author, antiquarian and Secretary of the Society of Antiquaries of Scotland from 1845 - 1853). Wilson donated his scrapbook (which he referred to as his "Memorials of Auld Reekie") to the Society. It contains illustrations of Edinburgh and other material, some of which...National Museums Scotland
Archives, Leith, Edinburgh, Library, Memorials of Edinburgh in the olden time , Sir Daniel Wilson FSA (Scot) (January 5, 1816 – August 6, 1892), engravings, and Index
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Video
Book of Hours inscribed by Mary, Queen of Scots
Delve into the pages of an exquisitely illuminated Book of Hours in which Mary, Queen of Scots, inscribed an affectionate verse in French to her great-aunt, Louise de Bourbon. Presented by Dr Anna Groundwater, Principal Curator of Renaissance and Early Modern History. The verse sits within a manuscript 'Book of...Groundwater, Anna
Mary, Queen of Scots, prayers and psalms, vellum, Book of Hours, and Louise de Bourbon
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Doctoral thesis
The typewriter trade in Scotland, from the 1870s to 1920s
This thesis explores the typewriter trade in Scotland from the 1870s to the 1920s. It analyses the businesses and individuals involved in the marketing, sale and use of writing machines, revealing the processes by which typewriters went from little known novelties in the mid-1870s to essential technologies for commercial and...Inglis, James
Typewriter , Scotland, Office, Commercial education, Technology, Shorthand, Women's employment, 19th century, Exhibitions, 20th century, Retail, and Typing
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Journal article
‘Is Radioactive Iodine Present Equally in the Cream on Milk as in the Milk Itself?’: Lonely Sources and the Gendered history of Cold War Britain
This article argues that one way to foreground and privilege women's perspectives on the Cold War is by re-interpreting their historical experiences of food and drink. The article develops this argument by analysing one letter, from an unknown woman to the BBC, in the context of nuclear health concerns in...Douthwaite, Jessica
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Blog post
A great slaughter: The extinction of the Carolina parakeet
The Carolina parakeet is the poster bird for our Audubon’s Birds of America exhibition. Assistant Curator of Vertebrate Biology, Zena Timmons, explores the decline of this bird species, information revealed by our specimens and how an extinct species can be recreated through taxidermy.Timmons, Zena
Taxidermy, Natural Sciences, Exhibitions, Birds, Conservation, and Audubon
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Lecture
The making of the Typewriter Revolution: a new exhibition on typewriters at the National Museum of Scotland.
The Typewriter Revolution exhibition, which opened at the National Museum of Scotland, Edinburgh in July 2021, examines the social and technological impact of typewriters from the mid-nineteenth century to their continued use and popularity in the twenty-first century. James Inglis, whose PhD research has made up a large part of...Inglis, James
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Journal article
Hugh’s printing protégé becomes his publisher. The story of Alexander Strachan or Strahan, publisher of The Life and Letters of Hugh Miller
I am researching Hugh Miller’s unusual publishing arrangements, including the frequency with which his firm, Miller & Fairly, printed his books for their Edinburgh publishers before and after his death. The obvious exception is Peter Bayne’s family-approved The Life and Letters of Hugh Miller (1871), printed in London for Strahan...Taylor, Michael A
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Book
Nature's Palette: A colour reference system from the natural world
The first-ever visual expansion of Werner’s Nomenclature of Colours, featuring over 800 illustration references from the natural worldBaty, Patrick ; Davidson, Peter ; Charwat, Elaine ; Simonini, Giulia ; Karliczek, André
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Exhibition-related event
Spotlight On: Audubon’s Birds of America
Discover how Birds of America, one of the world’s rarest and most coveted books, was made, and learn about the ongoing conservation work to preserve these life-size, hand-coloured prints for future generations. Exhibition Curator Mark Glancy will discuss the journey of bringing the stories behind the Birds of America publication...Glancy, Mark ; Cumming, Lisa
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Journal article
The unusual printing and publishing arrangements of Hugh Miller (1802–1856)
John Johnstone was an Edinburgh printer and publisher, from 1849 in partnership with Robert Hunter. In 1839, Johnstone and the printer Robert Fairly established a separate firm, Johnstone & Fairly, to publish the Witness, a newspaper edited by the geologist Hugh Miller. The firm became Miller & Fairly in 1844...Taylor, Michael A
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Democratising knowlege and visualising progress: illustrations from Chambers's Encylopaedia, 1859-1892
In the 19th century, the Scottish firm of W. & R. Chambers transformed the publishing model of encyclopaedias from a book aimed at the elite to a tool for mass education. This multidisciplinary study examines the design of the first two editions of Chambers's Encyclopaedia, focusing on their illustrations and...Roberto, Rose
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Journal article
Democratising 19th-century Science and Technology
Rose Roberto discusses the impact of a Special Projects Grant awarded by the BSHSRoberto, Rose
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Book chapter
Hugh Miller’s Palace of Printing
The writer, self-taught geologist and stonemason Hugh Miller (1802-1856) was one of Scotland’s finest nature writers. Born in Cromarty, his works made him a household name, and to this day his lyrical style transports readers to stand beside him at the rock-face. Celebrating his legacy, this anthology brings together prose...Taylor, Michael A
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Journal article
Illustrating animals and visualizing Natural History in Chambers’s Encyclopaedias
In the 19th century, there was wide-spread public interest in natural history, as reflected in the high attendance at zoos and travelling menageries, in the market for popular field guides, in fashions for orchid collecting, fossil hunting and aquarium building, and in well-attended popular science lectures. More than 10 years...Roberto, Rose
wood-engraving, natural history illustrations, reference books, Chambers’s Encyclopaedia, Victorian book illustration, and Encyclopaedia Britannica
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Book chapter
Sex, art and museums: on the changing institutional censorship of Shunga
rt is continuously subjected to insidious forms of censorship. This may be by the Church to guard against moral degeneration, by the State to promote a specific political agenda or by the art market, to elevate one artist above another. Now, and in the last century, artwork that touches on...Boyd, Louise
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Journal article
Shunga in the Meiji era: the end of a tradition
This article examines the final period of shunga, customarily defined as erotic imagery produced by the woodblock-printing technique. It takes up artists who continued the earliest traditions of shunga (such as Kawanabe Kyosai and Tsukioka Yoshitishi) and those who developed new modes (among them, Tomioka Eisen). The new Meiji administration...Buckland, Rosina
shunga, the nude, Sino-Japanese War, woodblock print, censorship, Tomioka Eisen, Russo_Japanese War, erotica, and Kawanabe Kyosai