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Blog post
The Majestic and the Mundane the material culture of coronations
With the approaching coronation of King Charles III, Georgia Vullinghs, Assistant Curator of Modern and Contemporary History, has been looking at our collections of coronation material. From batons of ceremony and containers for holy oils, to souvenir cups, handkerchiefs, and biscuit tins, this range of material performs an important function...Vullinghs, Georgia
Coronation, Royal History , Scottish History, Politics, and Collections
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The Black Watch at National Museum of Scotland
Rosie Waine is the William Grant Foundation Research Fellow at the National Museum of Scotland. Here she writes how the Black Watch Museum & Castle collection contributed to the exhibition she has curated called Wild and Majestic: Romantic Visions of Scotland. -
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Inspiring Women: Helen Monro Turner
Helen Monro Turner (1901 – 1977) was a hugely influential Scottish glass engraver, designer, educator, and illustrator, as well as a highly respected role model for women pursuing careers as glass artists, designers, and makers. Her prominence in 20th century British glass made important inroads in a field which, until...Rothwell, Sarah
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Objects in Place: The Eildon Hills, Scottish Borders
The might of the Roman Empire is often likened to a shadow looming over the peoples along its ever-expanding frontiers. Yet, there is one place where this metaphor is inverted. As the winter sun sets behind the three peaks of the Eildon Hills in the Scottish Borders, it is the...Weinczok, David C
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An Edinburgh institution: Jenners in our collections and archives
With the approach of Christmas and festive shopping reaching a frenzy, this is the perfect time to revisit the history of an Edinburgh icon – Jenners department store. At National Museums Scotland we hold the Jenners Archive along with several objects from Jenners that have entered the museum’s collection. Join...Holder, Julie
Fashion, British, Retail history, Womenswear, Shopping history, Department stores, 20th century, Jenners, Edinburgh, Women's, Christmas, 21st century, 19th century, and Department store
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The Jenners Archive: your ultimate guide to unrationed chic
The Second World War was a time of clothes rationing. We hold the Jenners Archive in the museum’s library which documents the clothes that were available. Library Assistant Linden Williamson delves into the archive to guide us through the fashion trends of the day through the eyes of a housewife... -
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The many lives of the Traprain Treasure’s Roman silver
One of the greatest treasures of our museum is the late Roman silver hoard from Traprain Law in East Lothian, which fills three display cases in the Early People gallery. Found in excavations in 1919, it’s been on display pretty much constantly since 1920. Now, more than a century after...Hunter, Fraser
Traprain Treasure, Silver, and Roman
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Unwrapping stories revisiting the costume at Paxton House
Nestled on the bank of the River Tweed in the Scottish Borders, Paxton House is an eighteenth-century home and museum with exceptional collections. The Chippendale and Trotter furniture is recognised as being of international importance, and the building itself is Grade A listed. But what else lies hidden in storage?Tayor, Emily ; Murrell, Fiona Salvesen
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Collecting Scottish constitutional politics: 5 representative objects
Scottish politics is currently undergoing one of the most consequential and controversial periods in its modern history. Recently, important questions about the status of Scotland within a political union, the United Kingdom, have been posed. These politics are not only played out in formal debates and institutions, but in the...Vullinghs, Georgia
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‘Woman’s dress of dark blue cotton, Ukraine, c.1880’: the complex reality behind a simple description
Alongside the human cost of conflict, the nihilistic destruction of centuries of historic heritage in Ukraine has provoked alarm, outrage and offers of support across the international museum sector. At the outset of hostilities, we looked to provide practical support where we could. For example, in the supply of wooden...Breward, Christopher
Dress , Russia , Ukraine, Embroidery , and Textiles
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QR codes in museums – worth the effort?
If you’ve visited the National Museum of Scotland in the last year, you probably saw a QR code in one of our exhibitions. There’s a good chance you even used one! Did you get your phone out and scan it? Or walk on by? Adam Coulson looks into changes in...Coulson, Adam
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Collecting Collections: Brooches
Museums aren’t alone when it comes to collecting objects. Personal collecting, usually more rooted in identity or passion, can offer a glimpse into who people are and what makes them tick. Digital Media Content Manager Russell Dornan reflects on his brooch collection, what it says about his identity and shares...Dornan, Duncan
Collecting , LGBTQIA+, Collections , Jewellery , Brooch , LGBT History Month , and Global Arts Cultures And Design
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Dressed to kill? A 16th century doublet in historical context
A dazzling Renaissance silk doublet is now on display in the Fashion and Style gallery at National Museums Scotland. In this blog Helen Wyld, Senior Curator of Historic Textiles, and Calum Robertson, Curator of Modern and Military History, take a deep dive into the history of the doublet, and its...Wyld, Helen ; Robertson, Calum
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Park Life
Carys Wilkins, assistant curator in Modern & Contemporary Design at the National Museums Scotland, explores how the pandemic has influenced furniture design, in particular the park bench & in turn the museum’s acquisitions programme.Wilkins, Carys
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Embroidered crucifixion
Thanks to a generous donation from benefactor Leslie Durst, we have acquired an exquisite seventeenth-century embroidery with a surprising history of secret Catholic devotion. This small panel embodies entwined stories of religious faith, skilled workmanship, and the mythology of a doomed Queen. Senior Curator of Historic Textiles Helen Wyld reveals...Wyld, Helen
Embroidery , Global Arts Cultures And Design , New Acquisitions , and Textiles
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Collecting contemporary Scottish whisky / A’ cruinneachadh uisge-bheatha Albannach an latha an-diugh
Plenty of people collect whisky, but how many can say that they collect whisky for a museum? PhD student Laura Scobie has the enviable job of expanding our whisky collections. In this blog post, Laura explores the ways that whisky brands adopt a sense of place and explains how collecting...Scobie, Laura
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Conserving the Galloway Hoard: a silver brooch goes under the microscope
The Galloway Hoard was in the ground for nearly 1,000 years. That brings all kinds of conservation challenges, as Galloway Hoard Project Artefact Conservator Mary Davis explains. Learn what it takes to preserve Viking-Age treasures, and what the conservation process tells us about the objects and people who used and...Davis, Mary
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A stitch in time: 300 years of visible mending
Does your favourite jumper have a hole in it? Seems a shame to get rid of a lovely piece of clothing because of a little tear, right? How about mending it! Senior Curator of Historic Textiles Helen Wyld talks us through some of the historic repairs in our textiles collection....Wyld, Helen
Textiles, Art And Design , Sewing , and Embroidery
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A badge of honour
The symbolic nature of jewellery has allowed wearers to signal their beliefs, alliances and values for thousands of years. For Women’s History Month, our Senior Curator Modern & Contemporary Design Sarah Rothwell explores the recent acquisition of a brooch that tells the defiant story of women’s suffrage.Rothwell, Sarah
Suffragette , Women , Women Designers, and WSPU
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Cups saucers and women's right to vote
How might our design choices inform our values? A recent addition to our collections allows us to explore a group of radical ceramics for Women’s History Month. Claire Blakey, Curator Modern Decorative Arts, talks us through a tea set made to champion women’s suffrage.Blakey, Claire
Suffragette , Women , Ceramics, and WSPU
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Trade, taste and tea bowls: uncovering Chinese ceramics in our collections
Ceramic objects are useful in day-to-day life and may also be put on display, for example in people’s homes, yet they are more than just functional or decorative. They can also tell stories of manufacturing, taste and international trade. National Museums Scotland has a large and important but little-known Chinese...Cao, Qin
World Cultures, Ceramics , and China
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Joan Faithfull’s Mull pottery
What does it mean for an object to be ‘of’ a place? Joan Fathfull’s pottery in Tormore, Mull, became a fixture for visitors to the Inner Hebrides in the mid-20th century. Ailsa Hutton, Assistant Curator of Modern and Contemporary History, discusses the recent gifting of Joan’s works by her sons,...Hutton, Ailsa
Scottish History, Contemporary Collecting , Mull , and Pottery
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Concepts have teeth Blackfoot objects at National Museums Scotland
A project exploring Blackfoot quillwork in Scottish museums recently led a remote visit to explore and scan Blackfoot collections held in our collections. Members of the project team tell us about this visit and how digital imaging techniques are allowing for closer engagements with cultural heritage.Minkin, Louisa ; Clark, Christine ; Shouting, Melissa ; Clark, Ali
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Reduce, Reuse, Recycle: repurposing plastic waste
Where does our plastic go? Dr Ali Clark considers how artworks by Oceanic artists made from recycled plastics present local solutions to a global problem.Clark, Ali
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The Traprain Treasure silver replicas
Every so often an archaeological discovery comes along that grips the imagination of the public. This fascination with the past has driven a production line of replicas, making ‘ancient’ artefacts available for those that wish to own a piece of history. The replicas of the remarkable Roman silver hoard from...McGill, Lyndsay
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The Roaring Twenties 2.0
The 1920s in the West is perceived as a decade of economic prosperity following the impact of the First World War and the Spanish flu. Remembered for social, artistic and cultural dynamism, the 1920s ushered in modernity via new technology and trends: from cars to cinema, fashion to music, and...Ripley, Georgina
COVID-19 , Art And Design , 1920s, and Jazz Age
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Artistic expressions of today: Communication
Over the last year, we have acquired several artefacts that discuss how the impact of the pandemic and wider socio-political subjects have inspired the creation of some remarkable works of art, craft and design that reflect these times. Sarah Rothwell, Senior Curator of Modern & Contemporary Design, continues our mini-series...Rothwell, Sarah
Contemporary Art , COVID-19, Contemporary Collecting, and Ceramics
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Artistic expressions of today: Sustainability and consumption
Over the last year, we have acquired several artefacts that discuss how the impact of the pandemic and wider socio-political subjects have inspired the creation of some remarkable works of art, craft and design that reflect these times. Sarah Rothwell, Senior Curator of Modern & Contemporary Design, concludes our mini-series...Rothwell, Sara
Jewellery , Sustainability, Contemporary Collecting, Contemporary Jewellery, and Climate
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Artistic expressions of today: Climate change
Over the last year, we have acquired several artefacts that discuss how the impact of the pandemic and wider socio-political subjects have inspired the creation of some remarkable works of art, craft and design that reflect these times. Sarah Rothwell, Senior Curator of Modern & Contemporary Design, kicks off our...Rothwell, Sarah
Art & Design, Climate , Contemporary Collecting , COVID-19, and Climate Change
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Women identity textiles and heritage in Mozambique
A project exploring the relationship between tradition and change in the lives of women in Mozambique recently resulted in an exhibition in Maputo. Principal Investigator Sarah Worden tells us about the latest activity in this collaborative project and how focusing on the cotton printed capulana encouraged discussions around identity and...Worden, Sarah
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Geometric Variations . . Paolozzi the designer
Paolozzi is celebrated for his robust larger-than-life sculptures but as Sarah Rothwell, curator at National Museums Scotland points out, Paolozzi worked extensively & brilliantly as a designer on the smaller-scale.Rothwell, Sarah
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National Museums Scotland supporting emerging silversmiths: Hamish Dobbie
In the first of our guest blogs, Sarah Rothwell, Curator of Modern & Contemporary Design at National Museums Scotland, shares the story of the relationship between National Museums Scotland and the P&O Makower Trust.Rothwell, Sarah
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Stories from small things – a remarkable Roman brooch
Fraser Hunter is the principal curator of Iron Age and Roman collections at National Museums Scotland. His primary research interests are understanding Iron Age decorative metalwork (“Celtic art”) in its European context, understanding the impact of the Roman world on the peoples of Scotland in its Empire-wide context and making...Hunter, Fraser
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Looting Scotland in the Viking Age
In 795 AD one of the first recorded Viking raids in Britain took place at the monastery of Iona in what is now Scotland. Dozens of raids and battles would follow, leading to the plunder of people, cattle, and, of course, portable wealth by Vikings.Maldonado, Adrián
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These are not Viking swords
Swords of the Viking Age are some of the most iconic objects of the early medieval period. The very word ‘Viking’ conjures images of warriors, at least judging by the covers of books on Viking-age history and archaeology.Maldonado, Adrián
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Exhibiting Mary: challenges and opportunities
Today’s blog by David Forsyth (Principal Curator, Modern and Contemporary Scottish History, National Museums Scotland) was part of the project’s virtual workshop on ‘Re-presenting Mary: challenges and opportunities’, held on 7 August 2020. David discusses his experience of curating the last major Mary exhibit in Scotland, which also launched the...Forsyth, David
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Materialising Mary Queen of Scots at National Museums Scotland: A Renaissance Queen
In today’s blog, Dr Anna Groundwater (Principal Curator, Renaissance and Early Modern History, National Museums Scotland) walks us virtually through the Renaissance Gallery, at the National Museums Scotland in Chambers Street, Edinburgh, and reflects on the various Maries we create from objects.Groundwater, Anna
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National Museums Scotland supporting emerging Silversmiths: Jessica Jue & Hazel Thorn
In the second of our guest blogs, Sarah Rothwell, Curator of Modern and Contemporary Design at National Museums Scotland, shares the story of the continued relationship between National Museums Scotland and the P&O Makower Trust.Rothwell, Sarah