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Conference paper (unpublished)
William Morris and La Vie Seigneuriale: New light on the revival of tapestry weaving in England
The artist and designer William Morris taught himself to weave in 1879 and went on to produce some of the most celebrated tapestries of the 19th century. But how far can Morris’s writings on the revival of Medieval craft be accepted as the ethos behind his tapestries? Previously overlooked evidence...Wyld, Helen
English tapestry, La Vie Seigneuriale , Tapestry, William Morris, Weaving, England, Medieval craft revival, European tapestry, 19th century , and Arts and crafts
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Conference paper (unpublished)
Late antique Scotland: The earliest Christians in Galloway
This paper will cover the evidence for the arrival of Christianity in south-west Scotland, in particular focusing on new research on Kirkmadrine and Whithorn. It is argued that the missionary model for conversion to Christianity is insufficient, and explores other archaeological evidence for contacts between this region and the late...Maldonado, Adrián
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Conference paper (unpublished)
Confronting colonial histories and legacies in Egyptian and Sudanese collections at National Museums Scotland
Maitland, Margaret
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Conference paper (unpublished)
Not So Hidden Messages – an Exploration of Contemporary Artist Jewellers Using Text as Persuasive Statement
Rothwell, Sarah
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Conference paper (unpublished)
The Body Beautiful: Addressing Cultural Diversity in Museum Fashion Collections
Collecting as a practice and the collections that result from this practice are crucial for museums. Collecting and collections embody power on many different levels – providing insights and basic knowledge, illustrating specific practices of our work to the widest audiences, and forming a basis for contextualizing our world. How...Ripley, Georgina
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Conference paper (unpublished)
The Galloway Hoard: entangled identities in the material culture of a unique Viking-age assemblage
Goldberg, D Martin
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Conference paper (unpublished)
The Caquetoire Legacy
Deriving from a sixteenth century French type, this distinctive form of Scottish chair flourished throughout the seventeenth century. It was revived in authentic facsimile during the nineteenth century and continued in form and spirit to shape a range of modern variants. The speakers will address national and regional identity as...Jackson, Stephen
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Conference paper (unpublished)
Roman silver transformed: Hacksilber, its nature, uses and effects
Of the various forms of precious metal in the Roman world, Hacksilber is perhaps the least glamorous. These cut and crushed fragments of silver have received much less attention than intact plate or coinage. Yet they can cast fresh light on the ways in which precious metal was used in...Hunter, Fraser
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Conference paper (unpublished)
Materialising Mary: challenging objects
ShBemss was established in 2020 as an opportunity for early modernists to share their research online during the challenging conditions of that year. This is an international seminar series, drawing speakers and participants from across the UK, Europe, North America, Australasia – and the network continues to grow! The series...Groundwater, Anna
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Conference paper (unpublished)
The ethics of collecting COVID-19
The health crisis of the years 2020 and 2021 will remain deeply engraved in everyone's memory. In France, the world of museums has been strongly impacted in its activities, its cultural programming and the reception by its audiences. However, direct employment in public sector museums has certainly been less affected...Goggins, Sophie
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Conference paper (unpublished)
Egyptian-Nubian Cultural Connections: Reconsidering the Qurna Burial Group at National Museums Scotland
Maitland, Margaret
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Conference paper (unpublished)
Material constructions: making, outré and taste in late 19th century dress
Late nineteenth-century Europe and North America experienced some of the most accelerated wealth gains the modern industrial age has known. Overtly and purposefully expressed through access to and making of material culture, this paper will consider how this wealth and the luxurious transience of fashionable dress expressed the leisure, social...Taylor, Emily
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Conference paper (unpublished)
Uncovering objects: the importance of context for the textiles of Tyninghame House, Scotland, circa 1700-1800
In 1977 the Earl of Haddington approached museums in Edinburgh, Scotland, with an offer of textiles and dress stored at Tyninghame House, East Lothian, south of the city. After consultation, the resulting sale saw a large collection of pieces split between the Royal Scottish Museum and the Museum of Antiquities....Taylor, Emily
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Conference paper (unpublished)
The Storrar Coverlet: uncovering a story of Baltic trade
This beautiful double-weave coverlet, dated 1729, was recently acquired by National Museums Scotland from the collection of a family from Fife in the east of Scotland. In the family’s possession for generations, the coverlet has been passed down, tradition has it, from mother to daughter. The double-weave technique was used...Wyld, Helen
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Conference paper (unpublished)
Yellow flag with dragon patterns – a Buddhist object with imperial associations in the National Museum of Scotland
Yuanmingyuan, also known as the Old Summer Palace, is infamous for its destruction by Anglo-French military forces in 1860. Numerous imperial objects were looted and subsequently dispersed throughout various public, private and royal collections outside China. These imperial Chinese collections had a significant impact on the perception of Chinese art...Cao, Qin
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Conference paper (unpublished)
Royal Jewels and Relics in the National Collections panel: Renaissance Jewels, a Scottish style?
McGill, Lyndsay
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Conference paper (unpublished)
Investigating textiles in metal corrosion products of the Galloway Hoard, c. AD 700-900
Harris, Susanna ; Davis, Mary