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Journal article
A Note on Modern (Fake) Shabtis as Tourist Art
This brief communication is a discussion of several styles of shabti figures identified during the National Museums Scotland review of Egyptian material in Scottish collections. The shabtis’ combination of historical styles, nonsensical inscriptions and material composition clearly characterize them as modern productions, despite several recent publications identifying them as Roman...Potter, Daniel M
modern, tourist art, pseudo-shabti, and Shabti
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Blog post
QR codes in museums – worth the effort?
If you’ve visited the National Museum of Scotland in the last year, you probably saw a QR code in one of our exhibitions. There’s a good chance you even used one! Did you get your phone out and scan it? Or walk on by? Adam Coulson looks into changes in...Coulson, Adam
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Book chapter
Introduction
The period c.1745-1845 was a revolutionary chapter in the history of Highland dress. With the advent of the European Romantic movement, this once regional costume was revived and reinvented to reflect the changing times and preoccupations of its wearers. Associated with the warrior culture of Gaelic society, by the close...Waine, Rosie
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Book
Highland Style: Fashioning Highland dress c.1745-1845
For many people across the world, Highland dress, bagpipes and Highland landscapes are the images of Scotland that first spring to mind. Ideas about the Scottish Highlands which took hold around the turn of the 19th century remain to the present day. National Museums Scotland holds a significant collection of...Waine, Rosie
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Blog post
Unwrapping stories revisiting the costume at Paxton House
Nestled on the bank of the River Tweed in the Scottish Borders, Paxton House is an eighteenth-century home and museum with exceptional collections. The Chippendale and Trotter furniture is recognised as being of international importance, and the building itself is Grade A listed. But what else lies hidden in storage?Tayor, Emily ; Murrell, Fiona Salvesen
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Lecture
The Gold Cups of Eternal Stability and the Celebration of the Chinese New Year
The Gold Cups of Eternal Stability are among the most extraordinary objects in the Wallace Collection. The Qianlong Emperor ordered them especially for the First Stroke Ceremony, performed on the New Year’s Day in the Forbidden City in Beijing. Their surface is covered with kingfisher feathers, a technique also used...Cao, Qin ; de Wit, Ada
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Blog post
Joan Faithfull’s Mull pottery
What does it mean for an object to be ‘of’ a place? Joan Fathfull’s pottery in Tormore, Mull, became a fixture for visitors to the Inner Hebrides in the mid-20th century. Ailsa Hutton, Assistant Curator of Modern and Contemporary History, discusses the recent gifting of Joan’s works by her sons,...Hutton, Ailsa
Scottish History, Contemporary Collecting , Mull , and Pottery
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Blog post
Trade, taste and tea bowls: uncovering Chinese ceramics in our collections
Ceramic objects are useful in day-to-day life and may also be put on display, for example in people’s homes, yet they are more than just functional or decorative. They can also tell stories of manufacturing, taste and international trade. National Museums Scotland has a large and important but little-known Chinese...Cao, Qin
World Cultures, Ceramics , and China
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Blog post
Conserving the Galloway Hoard: a silver brooch goes under the microscope
The Galloway Hoard was in the ground for nearly 1,000 years. That brings all kinds of conservation challenges, as Galloway Hoard Project Artefact Conservator Mary Davis explains. Learn what it takes to preserve Viking-Age treasures, and what the conservation process tells us about the objects and people who used and...Davis, Mary