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Blog post
Cups saucers and women's right to vote
How might our design choices inform our values? A recent addition to our collections allows us to explore a group of radical ceramics for Women’s History Month. Claire Blakey, Curator Modern Decorative Arts, talks us through a tea set made to champion women’s suffrage.Blakey, Claire
Suffragette , Women , Ceramics, and WSPU
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Blog post
A badge of honour
The symbolic nature of jewellery has allowed wearers to signal their beliefs, alliances and values for thousands of years. For Women’s History Month, our Senior Curator Modern & Contemporary Design Sarah Rothwell explores the recent acquisition of a brooch that tells the defiant story of women’s suffrage.Rothwell, Sarah
Suffragette , Women , Women Designers, and WSPU
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Book chapter
The goldworking of Riqqa, Egypt: Analysis and comparison between the 12th and 18th dynasties, in Quiles
The first Science for Ancient Egyptian Materials and Technologies conference was held under the auspices of His Excellency Pr. Khaled el-Enany at the Manial Palace Museum in Cairo, from 4 to 6 November 2017. Its aim was to provide a venue at which specialists in the application of physical and...Troalen, Lore ; Guerra, Maria Filomena ; Maitland, Margaret ; Ponting, Matthew ; Price, Campbell
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Book chapter
From colour to nanolayers: corrosion in Egyptian goldwork
The first Science for Ancient Egyptian Materials and Technologies conference was held under the auspices of His Excellency Pr. Khaled el-Enany at the Manial Palace Museum in Cairo, from 4 to 6 November 2017. Its aim was to provide a venue at which specialists in the application of physical and...Tissot, Isabel ; Troalen, Lore ; Guerra, Maria Filomena
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Book chapter
The burial of the “Qurna Queen”
The personal adornments and objects from the burial of Queen Ahhotep belong to one of the most spectacular finds from Ancient Egypt. The history of their discovery is still a mystery. Even the identity of the queen is not fully solved. The twelve essays in this volume tackle different problems...Maitland, Margaret ; Potter, Daniel M ; Troalen, Lore
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Journal article
A Note on Modern (Fake) Shabtis as Tourist Art
This brief communication is a discussion of several styles of shabti figures identified during the National Museums Scotland review of Egyptian material in Scottish collections. The shabtis’ combination of historical styles, nonsensical inscriptions and material composition clearly characterize them as modern productions, despite several recent publications identifying them as Roman...Potter, Daniel M
modern, tourist art, pseudo-shabti, and Shabti
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Blog post
QR codes in museums – worth the effort?
If you’ve visited the National Museum of Scotland in the last year, you probably saw a QR code in one of our exhibitions. There’s a good chance you even used one! Did you get your phone out and scan it? Or walk on by? Adam Coulson looks into changes in...Coulson, Adam
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Book chapter
Introduction
The period c.1745-1845 was a revolutionary chapter in the history of Highland dress. With the advent of the European Romantic movement, this once regional costume was revived and reinvented to reflect the changing times and preoccupations of its wearers. Associated with the warrior culture of Gaelic society, by the close...Waine, Rosie
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Book
Highland Style: Fashioning Highland dress c.1745-1845
For many people across the world, Highland dress, bagpipes and Highland landscapes are the images of Scotland that first spring to mind. Ideas about the Scottish Highlands which took hold around the turn of the 19th century remain to the present day. National Museums Scotland holds a significant collection of...Waine, Rosie
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Blog post
Unwrapping stories revisiting the costume at Paxton House
Nestled on the bank of the River Tweed in the Scottish Borders, Paxton House is an eighteenth-century home and museum with exceptional collections. The Chippendale and Trotter furniture is recognised as being of international importance, and the building itself is Grade A listed. But what else lies hidden in storage?Tayor, Emily ; Murrell, Fiona Salvesen