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Journal article
Defining role
Geraldine Kendall Adams talks to Christopher Breward about the shift in priorities for National Museums Scotland. Photography by Philip SayerKendall Adams, Geraldine
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Blog post
Jurassic World Dominion: Bringing dinosaurs to life
Jurassic Park‘s impact is undeniable. And not just on pop culture: the ‘Jurassic Park effect’ inspired an increase in public interest in palaeontology, funding for research and the development of new technology. With Jurassic World Dominion arriving in cinemas, the long run of the iconic film series comes to an...Dornan, Russell ; Brusatte, Stephen
Prehistory, Palaeontology , Natural Sciences , Dinosaurs , Fossils , and Geology
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Journal article
Capturing decorative art - the work of Frances Priest
Within this article I hope to highlight and explore the progression of the practice of Edinburgh-based ceramic artist, Frances Priest, through works held by National Museums Scotland, and her most recent public commission for the city's Royal Edinburgh Hospital. I shall discuss her enduring passion for The Grammar of Ornament,...Rothwell, Sarah
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Conference paper (unpublished)
Our friends in the north: Stanwick, Traprain Law, and the encroaching Roman world
Over his career, Colin has worked on and around two of the major Iron Age centres of central Britain – Stanwick in North Yorkshire and Traprain Law in East Lothian. Both are unusual within their regional contexts in scale, activities, and their extensive contacts with the Roman world. In comparing...Hunter, Fraser
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Blog post
LGBTQIA+ hidden histories
LGBTQIA+ stories have often been left out of mainstream history and we are keen to make them more visible. Our new trail highlights unexplored stories from across our collections. Laura Bennison, our Community Engagement Officer, explores how our LGBTQIA+ Hidden Histories Trail came to be and how it was developed.Bennison, Laura
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Book
The pasts and presence of art in South Africa: Technologies, ontologies and agents
In 2015, #RhodesMustFall generated the largest student protests in South Africa since the end of apartheid, subsequently inspiring protests and acts of decolonial iconoclasm across the globe. The performances that emerged in, through and around #RhodesMustFall make it clear how analytically fruitful Alfred Gell’s notion that art is ‘a system...Wingfield, Chris ; Giblin, John ; King, Rachel
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Conference paper (unpublished)
Feasting with Latinus: Whithorn as the seat of a Late Antique regulus
The excavations led by the late Peter Hill at Whithorn, Dumfries and Galloway are widely understood as revealing one of the earliest monasteries in Britain. While the early Christian site is undoubtedly significant, new analysis and dating evidence is forcing a rethink of the earliest phases of the sequence. A...Maldonado, Adrián
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Conference paper (unpublished)
Collecting and displaying Buddhist objects from South Asia at National Museums Scotland
he multidisciplinary displays at Scotland’s national museum in Chambers Street feature a substantial number of Buddhist objects, and particularly, small and larger-scale images of the Buddha. Although in different thematic galleries, they are primarily presented as objects of art with a religious connotation, an interpretative approach that was established in...Voigt, Friederike
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Interactive resource
Fashioning the past in the present
Our panel explored how clothes tell stories on stage and screen. From how accurate costumes allow actors to connect with their characters to when it might be necessary to take liberties for entertainment.Wallis, Mark ; Romero, Stefan ; Taylor, Emily
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Interactive resource
What’s up with Bridgerton’s wardrobe?
Created by American costume designer Ellen Mirojnick, the costumes of Netflix hit series Bridgerton (of which there were some 7,500 pieces) unapologetically play with notions of historical accuracy. Utilising brash colours, almost absurdly high waistlines, zip fastenings, modern fabrics and machine embroidery, they also deviate from social norms and etiquette...Gernerd, Elisabeth ; Miranda, Cat ; McLeod, Miriam
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