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Book chapter
‘Coal money’ from Portpatrick (south-west Scotland): reconstructing an Early Medieval craft centre from antiquarian finds
Late 19th and 20th-century finds of debris from shale bangle manufacture at Portpatrick in south-west Scotland occasioned considerable interest at the time. The early discoveries were found in grave-digging, giving rise to folk traditions of the material as ‘coal money’ placed with the departed, but these were soon dismissed by...Hunter, Fraser
bangles, antiquarian study, Early Medieval, Irish connections, Oil shale, and craft processes
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Book chapter
The Mortlake tapestries. Essay and catalogue entries
Edited by Desmond Shawe-Taylor and Per Rumberg, Charles I: King and Collector is the catalogue accompanying the Royal Academy exhibition set to tell the compelling story of the British monarch who created one of the most stupendous art collections in history. Including authoritative essays revealing the historical context behind the...Wyld, Helen
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Book chapter
Chairs of the Northern Isles
Jackson, Stephen
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Book chapter
Conservation and analysis of deteriorating nineteenth and twentieth-century British glass in the National Museums of Scotland
The National Museums of Scotland collections includes about 2000 19th and 20th-century British glass artefacts. An initial conservation survey in 1996 identified 153 artefacts as actively deteriorating (Cobo del Arco 1999). Examinations of additional artefacts is ongoing and 212, c.20% of those surveyed to date, are deteriorating. The visible signs...Eremin, Katherine ; Cobo del Arco, B ; Robinet, L ; Gibson, L T
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Book chapter
For close observation: Tilework imagery in the architecture of Qajar Iran
When we walk into a gallery, we have a fairly good idea where the building begins and ends; and inside, while observing a painting, we are equally confident in distinguishing between the painting-proper and its frame and borders. Yet things are often more complicated. A building defines an exterior space...Voigt, Friederike
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Book chapter
Excellent judgement: bark painting in National Museums Scotland
Museums across Great Britain and Ireland hold Aboriginal and Torres Strait Islander (collectively referred to as ‘Indigenous’) cultural heritage of exceptional value which is largely unknown, rarely seen and poorly understood. Gifted, sold, exchanged and bartered by Indigenous people, and accepted, bought, collected and taken by travellers, colonists, explorers, missionaries,...Morphy, Howard ; Denner, Antje ; Blakeman, Bree
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Book chapter
The Renaissance reimagined: Minton, Majolica, and Maiolica
From about 1850, the Renaissance Revival inspired the design of both architecture and the decorative arts in Britain, prompting Minton & Co. to bring the arts of the Renaissance to the Staffordshire potteries. Within the context of its ongoing use of historical examples, the firm successfully adopted and adapted Renaissance...Blakey, Claire
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Book chapter
Jacob Christoff Le Blon's secret for weaving tapestry
An assessment of Jacob Christoff Le Blon's invention of a method of weaving tapestry (usually hand-woven) mechanically on a drawloom, patented in London in 1727. The article is the first detailed analysis of Le Blon's method.Wyld, Helen