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Journal article
Experiment, Experience and Enchant: Knowledge sharing between museums and contemporary practitioners
Knowledge sharing between contemporary practitioners and museum professionals can be more than just investigating how something is made. It is also about working together to understand why an object was created, and by whom; how each artefact has a story to tell, of its journey through time and the places...Maldonado, Adrián ; Rothwell, Sarah
sculpture, knowledge sharing, The Glenmorangie Commission, contemporary practitioners, museums, and Simone ten Hompel
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Scottish heart brooches a re-evaluation of the luckenbooth
This article presents a study of Scottish heart brooches, primarily from the 18th century, using the collections of the National Museums Scotland, Inverness Museum and Art Gallery, the Highland Folk Museum and those reported to the Treasure Trove Unit. By researching over 350 heart brooches it has been possible to...McGill, Lyndsay
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An exhibition like no other
IN AUTUMN 1961, THE DOORS OF GOLDSMITHS’ HALL opened for an exhibition like no other. This, according to the late Graham Hughes, Art Director of the Goldsmiths’ Company and curator of the show, was to be ‘an art exhibition of a high order, intended to raise the standing of jewellery...Rothwell, Sarah
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Northern Modernist Jewellery – a museum collecting project
In 2015 National Museums Scotland was awarded an Art Fund New Collecting Award to collect, research and disseminate jewellery designed and created in Britain and the Nordic States between 1945-1978. The project highlighted a legacy of transnational influences and traditions within Northern Europe, particularly shared cultural heritage, the influence of...Rothwell, Sarah
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Noninvasive Characterization and Quantification of Anthraquinones in Dyed Woolen Threads by Visible Diffuse Reflectance Spectroscopy
The anthraquinone components of the roots of various species of madder (like Rubia tinctorum L. and Rubia peregrina L.) have been used for millennia as red colorants in textiles, carpets, tapestries, and other objects. To understand the selection and preparation of dyestuffs in various cultures and historical periods, these dyes...Chavanne, Clarisse ; Troalen, Lore G ; Fronty, Isabelle Bardies ; Buléon, Pascal ; Walter, Philippe
Dyes and pigments, Optical properties, Color, Extraction, and Liquid chromatography
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Journal article
‘Where is the Ship Which From the Ceiling Hung?’ Ghost Ships: The ship models missing from Scotland’s churches
A recent survey of the surviving ship models in Scottish churches has identified an interesting chronological gap, an absence which has created the impression that ship models in Scotland’s churches are a nineteenth-century phenomenon. Existing older models from the seventeenth century have been dismissed as anomalies harking back to pre-Reformation...Greiling, Meredith
Shipmaster , Seafarer societies, ship models, Scottish churches, votive ships, and model-makers
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The Caquetoire Chair in Scotland
Jackson, Stephen
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Journal article
Capturing decorative art - the work of Frances Priest
Within this article I hope to highlight and explore the progression of the practice of Edinburgh-based ceramic artist, Frances Priest, through works held by National Museums Scotland, and her most recent public commission for the city's Royal Edinburgh Hospital. I shall discuss her enduring passion for The Grammar of Ornament,...Rothwell, Sarah
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Exhibition Review: Mary Quant, Curated by Jenny Lister and Stephanie Wood for The Victoria and Albert Museum (V&A), London, England and V&A Dundee, Scotland, 27 August 2020–24 December 2020
Curated by Jenny Lister and Stephanie Wood for The Victoria and Albert Museum (V&A) London, England and Dundee, Scotland. Reviewed by Georgina RipleyRipley, Georgina
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The Graham Gadd collection of furniture ephemera
National Museums Scotland recently received a donation of furniture related items from RFS member Graham Gadd.Jackson, Stephen
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Journal article
A Scottish stoneware jug
In 2001 National Museums Scotland (NMS) acquired an elaborately decorated but unmarked stoneware jug, which was tentatively linked to Newbigging Pottery in Musselburgh. Over the last year exhibition research has shed light on documentary evidemce, linking the jug to the pottery at Newbigging.Hynes, Adrienne
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Journal article
Scottish East Coast Transfer Printed Wares
In this paper I will use both extant examples and shards recovered archaeologically to highlight what evidence we have, for production of transfer printed wares, by the potteries situated between Portobello and PrestonpansHaggarty, George R
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Life's rich tapestries
In its 400th anniversary year, Helen Wyld explores the short and turbulent history of the Mortlake tapestry works, arguably the greatest State-sponsored manufactory Britain has ever known.Wyld, Helen
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Rediscovering the Arisaid
The stereotype of 'traditional' Highland dress is the kilted male figure. The National Museums Scotland (NMS) and other museums have long included a category 'Arisaids' in their collections; research reveals that this was a female version of 'traditional' Highland dress, a finely-made and high status garment which was going out...Quye, Anita ; Cheape, Hugh
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Journal article
Material destinies: jewelry, authenticity and craft in the American Southwest
This article considers the representation and interpretation of Native American jewelry of the American Southwest. It gives a broad history of silversmithing and lapidary traditions, in order to contextualize the tangible and intangible values bestowed on silver and stone as pure, worked, and combined materials. It suggests the benefit of...Lidchi, Henrietta
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Journal article
Katharine Coleman
Watban, Rose
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Journal article
Colouring the Nation: a new in-depth study of the Turkey Red Pattern Books in the National Museums Scotland
The production of Turkey red dyed and printed cottons was a major industry in the west of Scotland, particularly in the mid- to late nineteenth century. Although the extensive works were pulled down in the second half of the twentieth century, our knowledge of this industry is significantly aided by...Tuckett, Sally ; Nenadic, Stana
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Journal article
A New Kind of Menswear for a New Kind of Man: constructs of masculinity at JW Anderson and Loewe, 2008-2017
Once radically dividing critics with his lace shirts and knee-high boots for men. J W Anderson's conscious cross-pollination of menswearm and womenswear elements has earned his eponymous label a cult following, precipitating a dizzying ascent. In 2013, LVMH investment in his label coincided with his appointment as Creative Director of...Ripley, Georgina
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Twenty-first century sofa: conserving an eighteenth century object for modern museum display
This article describes the upholstery conservation treatment of a mid-eighteenth century sofa made for Spencer House, one of London's finest private houses. The sofa is now in the collection of National Museums Scotland. Details are given about the object's history, the approach taken to the complex treatment options, and the...McClean, Lynn ; Porter, Heather ; Jackson, Stephen
collaboration, conservation, sofa, Ethafoam™, upholstery, and digital
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Journal article
Illustrating the design process: the Bernat Klein Collection and Archive, National Museums Scotland
Serbian-born textile designer Bernat Klein (1922–2014) emigrated to the United Kingdom in 1945 and based his textile manufacturing business in the Scottish borders. From humble beginnings this young émigré designer went on to produce couture fabrics for the leading fashion houses of Europe. Klein also worked as a colour consultant...Mason, Lisa
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Recrafting traditions and materializing memories: a conversation with Keri Ataumbi
This Statement of Practice starts with a description of the inlay piece recently acquired by National Museums Scotland, Edinburgh. The ring—entitled Zemguani—invokes a Kiowa mythical being. Ataumbi discusses its place within her artistic trajectory and studio practice, especially as regards the use of Native and non-Native materials in jewelry. She...Lidchi, Henrietta ; Ataumbi, Keri
trading, materials, jewelry, Native America, sovereignty, memorial, and narrative
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Journal article
Insights into Portobello: its harbour and its industries
From the 18th century onwards, the town of Portobello was home to a number of thriving industries, including pottery, brick-making and tile-making, each of which have left their traces for archaeologists to investigate.Haggarty, George ; Roy, Mike
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The long march of the platform
Stacked soles have been around since the ancient Greeks now they’re stomping down the catwalks again. The fashion curator Georgina Ripley charts the history of the high-rise shoe.Ripley, Georgina
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Shipwreck ceramics: a major research resource
Haggarty, George
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Mending small butt joints
Wagner, Isabell ; Kotonski, Verena
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Reidentifying the wood of the Queen Mary and Lamont harps
Identifying the wood of the surviving historical wire-strung harps of Ireland and Highland Scotland has long been an important goal of researchers and instrument-builders. In 1969, microscopic examination of the anatomical features of the wood of two of the earliest surviving harps of this type, the Queen Mary and Lamont...Loomis, Karen ; Ogilvie, Ticca M A ; Troalen, Lore
X-ray computed tomography, Lamont harp, Queen Mary harp, Irish harp, wood identification, and scanning electron microscopy
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Journal article
Walter Newall of Dumfries
Jackson, Stephen ; Stewart, Marion
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Lamps for Robert Rowat 1902
The National Museum of Scotland reopened on the 29th July. Amongst the 832 objects featuring in Window on the World, a vast installation occupying the south wall of the Grand Gallery, are three lanterns designed by Mackintosh for 14 Kingsborough Gardens, Glasgow.Jackson, Stephen
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RE: Journal 85, page 23, Room de Luxe paint
Jackson, Stephen
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Edinburgh Cabinet Makers' wage agreements and wage disputes, 1805 to 1826
Printed price books, recording piece rate agreements between masters and journeymen in the cabinet making trade, have been overlooked in historical accounts of early nineteenth-century industrial relations. Art historians have used the price books to document the development of furniture styles but have not recognised the labour militancy which gave...Jackson, Stephen
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Journal article
Crafting music through technology and design: a conversation with Victor Gama
This Statement of Practice unfolds in three parts and reflects an ongoing conversation between curator Henrietta Lidchi at National Museums Scotland (NMS) and the Portuguese-Angolan musical instrument artist Victor Gama about the nature and form of Gama's work. The Statement explores the genesis of a commissioning project which was developed...Lidchi, Henrietta ; Gama, Victor
MUSICAL INSTRUMENTS, DIGITAL FABRICATION, COMMISSIONING, SOUND, and MUSEUM DISPLAY