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2022
Journal article
Experiment, Experience and Enchant: Knowledge sharing between museums and contemporary practitioners
Knowledge sharing between contemporary practitioners and museum professionals can be more than just investigating how something is made. It is also about working together to understand why an object was created, and by whom; how each artefact has a story to tell, of its journey through time and the places...Maldonado, Adrián ; Rothwell, Sarah
sculpture, knowledge sharing, The Glenmorangie Commission, contemporary practitioners, museums, and Simone ten Hompel
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2022
Journal article
Scottish heart brooches a re-evaluation of the luckenbooth
This article presents a study of Scottish heart brooches, primarily from the 18th century, using the collections of the National Museums Scotland, Inverness Museum and Art Gallery, the Highland Folk Museum and those reported to the Treasure Trove Unit. By researching over 350 heart brooches it has been possible to...McGill, Lyndsay
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2022
Journal article
An exhibition like no other
IN AUTUMN 1961, THE DOORS OF GOLDSMITHS’ HALL opened for an exhibition like no other. This, according to the late Graham Hughes, Art Director of the Goldsmiths’ Company and curator of the show, was to be ‘an art exhibition of a high order, intended to raise the standing of jewellery...Rothwell, Sarah
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Journal article
Northern Modernist Jewellery – a museum collecting project
In 2015 National Museums Scotland was awarded an Art Fund New Collecting Award to collect, research and disseminate jewellery designed and created in Britain and the Nordic States between 1945-1978. The project highlighted a legacy of transnational influences and traditions within Northern Europe, particularly shared cultural heritage, the influence of...Rothwell, Sarah
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2022
Journal article
Noninvasive Characterization and Quantification of Anthraquinones in Dyed Woolen Threads by Visible Diffuse Reflectance Spectroscopy
The anthraquinone components of the roots of various species of madder (like Rubia tinctorum L. and Rubia peregrina L.) have been used for millennia as red colorants in textiles, carpets, tapestries, and other objects. To understand the selection and preparation of dyestuffs in various cultures and historical periods, these dyes...Chavanne, Clarisse ; Troalen, Lore G ; Fronty, Isabelle Bardies ; Buléon, Pascal ; Walter, Philippe
Dyes and pigments, Optical properties, Color, Extraction, and Liquid chromatography
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2022
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2022
Journal article
‘Where is the Ship Which From the Ceiling Hung?’ Ghost Ships: The ship models missing from Scotland’s churches
A recent survey of the surviving ship models in Scottish churches has identified an interesting chronological gap, an absence which has created the impression that ship models in Scotland’s churches are a nineteenth-century phenomenon. Existing older models from the seventeenth century have been dismissed as anomalies harking back to pre-Reformation...Greiling, Meredith
Shipmaster , Seafarer societies, ship models, Scottish churches, votive ships, and model-makers
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2021
Journal article
The Caquetoire Chair in Scotland
Jackson, Stephen
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2021
Journal article
Capturing decorative art - the work of Frances Priest
Within this article I hope to highlight and explore the progression of the practice of Edinburgh-based ceramic artist, Frances Priest, through works held by National Museums Scotland, and her most recent public commission for the city's Royal Edinburgh Hospital. I shall discuss her enduring passion for The Grammar of Ornament,...Rothwell, Sarah
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2021
Journal article
Exhibition Review: Mary Quant, Curated by Jenny Lister and Stephanie Wood for The Victoria and Albert Museum (V&A), London, England and V&A Dundee, Scotland, 27 August 2020–24 December 2020
Curated by Jenny Lister and Stephanie Wood for The Victoria and Albert Museum (V&A) London, England and Dundee, Scotland. Reviewed by Georgina RipleyRipley, Georgina