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Lecture
David Ramsay, the King’s Chief Clockmaker
This lecture is presented by Dr Tacye Phillipson (National Museums Scotland) and Dr John C. Taylor OBE (horologist and inventor), and delivered in conjunction with the National Museums Scotland. Dr Phillipson provides an overview of the variety and development of clockwork during the 17th century. Dr Taylor uncovers the innovation...Phillipson, Tacye ; Taylor, John C
David Ramsay, c1585-1660, master, Worshipful Clockmakers Company, London , Chief Clockmaker, clockwork , Scottish watchmaker, and King James I and VI
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Abstract
Fractured mountains: quartz crystals and the Cairngorms
Dr Sarah Laurenson is Principal Curator of Modern and Contemporary History and Head of the Modern and Contemporary History Section. She is responsible for the Scottish collections representing cultural, social, political, military and domestic history from c.1750 to the present.Laurenson, Sarah
collections, Scottish material culture, mountains, fragmented objects , research, natural environment, and mineralogy
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Book
The material landscapes of Scotland’s jewellery craft, 1780-1914
During the long 19th century, Scotland was home to an established body of skilled jewellers who were able to access a range of materials from the country's varied natural landscape: precious gold and silver; sparkling crystals and colourful stones; freshwater pearls, shells and parts of rare animals. Following these materials...Laurenson, Sarah
contemporary collecting, crafts, precious metals, Scotland, jewellery, natural environment, and material culture
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Interactive resource
Scottish material culture in historical coronations
On 6 May Charles III’s coronation will take place in Westminster Abbey – where English monarchs have been crowned since at least the 11th century. But Charles is not just king of England, he is king of the United Kingdom of Great Britain and Northern Ireland, as well as fourteen...Wyld, Helen
Scottish Material Culture, Coronations, Politics and Society, Fashion And Textiles, and Kings and Queens
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Blog post
The Black Watch at National Museum of Scotland
Rosie Waine is the William Grant Foundation Research Fellow at the National Museum of Scotland. Here she writes how the Black Watch Museum & Castle collection contributed to the exhibition she has curated called Wild and Majestic: Romantic Visions of Scotland. -
Presentation
Scottish Weapons: crafting and collecting identity
Join our conversation on the issues of provenance, repatriation, collections, and collecting practices, explored through the lens of material culture. This roundtable brings together researchers to discuss these topics as they pertain to the theme of object biographies from the experience of their various professional backgroundsRobertson, Calum
arms and armour , Scottish Weapons, crafting and collecting identity, national collections, and National War Museum Scotland
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Lecture
Highland Style: Fashioning Highland Dress, c.1745-1845
he period c.1745-1845 was a revolutionary chapter in the history of Highland dress. With the advent of the European Romantic movement, this once regional costume was revived and reinvented to reflect the changing times and preoccupations of its wearers. Associated with the warrior culture of Gaelic society, by the close...Waine, Rosie
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Presentation
Details on the Textiles in St John's Collection
Taking inspiration from the college's unique gallery of stunning medieval vestments, this conference will feature two day's worth of speakers and presenters. These presentations will be enriched by displays from both the college and Bodleian Library archives as well as a dynamic exhibition of works created during the conference workshops.Wyld, Helen ; Brooks, Mary
textiles, medieval, and church vestments
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Lecture
The Art of Tapestry
On day 1 you will hear from experts in the field and find out more about the Burrell Collection tapestries and Medieval and Renaissance Tapestries in general. We will also document and discuss the artistic value, nature, and identity of 21st century tapestry as a distinctive Scottish art form with...Wyld, Helen
Renaissance , Medieval , and European Tapestries
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Magazine article
'Phoebe Anna Traquair' In: Herstory - women who changed the world
To mark Women's History Month, female curators at National Museums Scotland have each selected an inspiration woman represented in the collection. From entomologist to artist to queen, their legacy lives on.Blakey, Claire
Scottish Arts and Crafts movement, Women's History Month, and Phoebe Anna Traquair (1852-1936)
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Blog post
Inspiring Women: Helen Monro Turner
Helen Monro Turner (1901 – 1977) was a hugely influential Scottish glass engraver, designer, educator, and illustrator, as well as a highly respected role model for women pursuing careers as glass artists, designers, and makers. Her prominence in 20th century British glass made important inroads in a field which, until...Rothwell, Sarah
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Abstract
The long, strange journey of Viking-Age ringed pins
Ringed pins are the calling card of the Viking Age in Britain and Ireland: small, low-value metal cloak fasteners, found in dressed burials, and frequently encountered as stray finds. They have a complex trajectory, beginning as Irish dress items in the pre-Viking period. From the middle of the ninth century,...Maldonado, Adrián
Ireland, Scandinavia, burials, diaspora, Iceland, Newfoundland, Britain, Viking Age , Dublin, Ringed pins, and Irish Sea trading settlements
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Journal article
Experiment, Experience and Enchant: Knowledge sharing between museums and contemporary practitioners
Knowledge sharing between contemporary practitioners and museum professionals can be more than just investigating how something is made. It is also about working together to understand why an object was created, and by whom; how each artefact has a story to tell, of its journey through time and the places...Maldonado, Adrián ; Rothwell, Sarah
sculpture, knowledge sharing, The Glenmorangie Commission, contemporary practitioners, museums, and Simone ten Hompel
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Doctoral thesis
Understanding colour in Renaissance embroidery: new analytical approaches
Historical objects are often a reflection of the time they were created. Depending on the nature of the object, they can give insight into the necessities, fashion trends and mentality of the time they were used. To expand the information received from historic objects, scientific techniques can be applied, which... -
Learning object
Conserving a Blaschka model
Holly Daws is Assistant Artefact Conservator in the artefact conservation team at the National Museums Collection Centre. She was faced with the delicate task of mending a broken Blaschka model of a Thick Horned Anemone. Holly describes the step-by-step process of how the model was brought back to life.Daws, Holly
Invertebrates, Collections , Blaschka Glass Models , Art , Sea Creatures, Glass , Blaschka, and Conservation
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Journal article
Scottish heart brooches a re-evaluation of the luckenbooth
This article presents a study of Scottish heart brooches, primarily from the 18th century, using the collections of the National Museums Scotland, Inverness Museum and Art Gallery, the Highland Folk Museum and those reported to the Treasure Trove Unit. By researching over 350 heart brooches it has been possible to...McGill, Lyndsay
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Presentation
Guest Curator at Craft Scotland Conference 2022 - The Power of Glass Symposium at the National Museum of Scotland
Sarah Rothwell is the Senior Curator of Modern & Contemporary Design, in the Department of Global Arts, Cultures and Design at National Museums Scotland (NMS). Where she is responsible for the British, European and other 'Western' glass, ceramics, metalwork, jewellery and industrial design circa 1945-present collections. Her research focuses on...Rothwell, Sarah
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Exhibition-related event
Bernat Klein
Bernat Klein had a visionary career spanning four decades, from the 1950s until his retirement in 1992. Based in the Scottish Borders, his radical use of colour blending and texture – inspired by the Scottish Borders landscape – transformed haute couture, home-made fashions and interior design. Lisa Mason will discuss...Mason, Lisa
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Exhibition-related event
Spotlight On: Bernat Klein
Inspired by our exhibition, Bernat Klein: Design in Colour, curator Lisa Mason discusses Bernat Klein’s legacy and how his design philosophy can influence personal style, colour psychology and wellbeing today.Mason, Lisa
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Conference paper (unpublished)
Not So Hidden Messages – an Exploration of Contemporary Artist Jewellers Using Text as Persuasive Statement
Rothwell, Sarah
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Lecture
Insights into the Dan Klein Collection
The British Museums Object Conservator Stefka Bargazova and National Museums Scotland Senior Curator of Modern & Contemporary Design Sarah Rothwell join us to discuss the Dan Klein Conservation Project, a wonderful collaborative project that they initiated in 2017 that brought conservators, curators, and practitioners together to share their knowledge to...Bargazova, Stefka ; Rothwell, Sarah
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Journal article
An exhibition like no other
IN AUTUMN 1961, THE DOORS OF GOLDSMITHS’ HALL opened for an exhibition like no other. This, according to the late Graham Hughes, Art Director of the Goldsmiths’ Company and curator of the show, was to be ‘an art exhibition of a high order, intended to raise the standing of jewellery...Rothwell, Sarah
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Journal article
Northern Modernist Jewellery – a museum collecting project
In 2015 National Museums Scotland was awarded an Art Fund New Collecting Award to collect, research and disseminate jewellery designed and created in Britain and the Nordic States between 1945-1978. The project highlighted a legacy of transnational influences and traditions within Northern Europe, particularly shared cultural heritage, the influence of...Rothwell, Sarah
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Journal article
Noninvasive Characterization and Quantification of Anthraquinones in Dyed Woolen Threads by Visible Diffuse Reflectance Spectroscopy
The anthraquinone components of the roots of various species of madder (like Rubia tinctorum L. and Rubia peregrina L.) have been used for millennia as red colorants in textiles, carpets, tapestries, and other objects. To understand the selection and preparation of dyestuffs in various cultures and historical periods, these dyes...Chavanne, Clarisse ; Troalen, Lore G ; Fronty, Isabelle Bardies ; Buléon, Pascal ; Walter, Philippe
Dyes and pigments, Optical properties, Color, Extraction, and Liquid chromatography
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Blog post
‘Woman’s dress of dark blue cotton, Ukraine, c.1880’: the complex reality behind a simple description
Alongside the human cost of conflict, the nihilistic destruction of centuries of historic heritage in Ukraine has provoked alarm, outrage and offers of support across the international museum sector. At the outset of hostilities, we looked to provide practical support where we could. For example, in the supply of wooden...Breward, Christopher
Dress , Russia , Ukraine, Embroidery , and Textiles
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Book chapter
The hoard of gaming pieces from Lewis, Scotland: The context and meaning
The Lewis hoard of gaming pieces is possibly the most iconic find of medieval material culture discovered in the British Isles. They are more plentiful, more elaborate (combing both figurative and abstract pieces) and more opaque in their find circumstances than the pieces from Sandomierz, but like them appear to...Caldwell, David ; Hall, Mark A
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Blog post
Dressed to kill? A 16th century doublet in historical context
A dazzling Renaissance silk doublet is now on display in the Fashion and Style gallery at National Museums Scotland. In this blog Helen Wyld, Senior Curator of Historic Textiles, and Calum Robertson, Curator of Modern and Military History, take a deep dive into the history of the doublet, and its...Wyld, Helen ; Robertson, Calum
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Lecture
A trip to Edinburgh: transfer-printed ceramics in the collection of National Museums Scotland
This lecture will explore the collections of British transfer-printed ceramics in the collection of National Museums Scotland which include wares made for export across the globe, as well as pieces which can be used to illustrate the technical processes of transfer printing on pottery.Blakey, Claire
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Lecture
A passion for glass
In 2009 National Museums Scotland was generously donated over 300 pieces of art and studio glass by the passionate collector, supporter, and promoter of contemporary glass Dan Klein (1938 – 2009), which he had amassed both separately, and alongside his partner Alan J. Poole. Klein notably championed the work of...Rothwell, Sarah
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Blog post
Embroidered crucifixion
Thanks to a generous donation from benefactor Leslie Durst, we have acquired an exquisite seventeenth-century embroidery with a surprising history of secret Catholic devotion. This small panel embodies entwined stories of religious faith, skilled workmanship, and the mythology of a doomed Queen. Senior Curator of Historic Textiles Helen Wyld reveals...Wyld, Helen
Embroidery , Global Arts Cultures And Design , New Acquisitions , and Textiles
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Blog post
A stitch in time: 300 years of visible mending
Does your favourite jumper have a hole in it? Seems a shame to get rid of a lovely piece of clothing because of a little tear, right? How about mending it! Senior Curator of Historic Textiles Helen Wyld talks us through some of the historic repairs in our textiles collection....Wyld, Helen
Textiles, Art And Design , Sewing , and Embroidery
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Book
Highland Style: Fashioning Highland dress c.1745-1845
For many people across the world, Highland dress, bagpipes and Highland landscapes are the images of Scotland that first spring to mind. Ideas about the Scottish Highlands which took hold around the turn of the 19th century remain to the present day. National Museums Scotland holds a significant collection of...Waine, Rosie
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Blog post
Connecting collections through the congruence engine
Like all museums, what we have on display at any one time barely scratches the surface of the 12 million objects in our collection. We try to make these collections more accessible to as many people as possible. So we’re excited to be part of a newly launched partnership of...Taubman, Alison
Digital , Technology , Congruence Engine , Energy , Textiles, Science And Technology , and Communications
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Blog post
Cups saucers and women's right to vote
How might our design choices inform our values? A recent addition to our collections allows us to explore a group of radical ceramics for Women’s History Month. Claire Blakey, Curator Modern Decorative Arts, talks us through a tea set made to champion women’s suffrage.Blakey, Claire
Suffragette , Women , Ceramics, and WSPU
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Conference paper (unpublished)
The Caquetoire Legacy
Deriving from a sixteenth century French type, this distinctive form of Scottish chair flourished throughout the seventeenth century. It was revived in authentic facsimile during the nineteenth century and continued in form and spirit to shape a range of modern variants. The speakers will address national and regional identity as...Jackson, Stephen
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Blog post
Trade, taste and tea bowls: uncovering Chinese ceramics in our collections
Ceramic objects are useful in day-to-day life and may also be put on display, for example in people’s homes, yet they are more than just functional or decorative. They can also tell stories of manufacturing, taste and international trade. National Museums Scotland has a large and important but little-known Chinese...Cao, Qin
World Cultures, Ceramics , and China
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Blog post
Joan Faithfull’s Mull pottery
What does it mean for an object to be ‘of’ a place? Joan Fathfull’s pottery in Tormore, Mull, became a fixture for visitors to the Inner Hebrides in the mid-20th century. Ailsa Hutton, Assistant Curator of Modern and Contemporary History, discusses the recent gifting of Joan’s works by her sons,...Hutton, Ailsa
Scottish History, Contemporary Collecting , Mull , and Pottery
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Journal article
‘Where is the Ship Which From the Ceiling Hung?’ Ghost Ships: The ship models missing from Scotland’s churches
A recent survey of the surviving ship models in Scottish churches has identified an interesting chronological gap, an absence which has created the impression that ship models in Scotland’s churches are a nineteenth-century phenomenon. Existing older models from the seventeenth century have been dismissed as anomalies harking back to pre-Reformation...Greiling, Meredith
Shipmaster , Seafarer societies, ship models, Scottish churches, votive ships, and model-makers
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Journal article
The Caquetoire Chair in Scotland
Jackson, Stephen
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Blog post
Reduce, Reuse, Recycle: repurposing plastic waste
Where does our plastic go? Dr Ali Clark considers how artworks by Oceanic artists made from recycled plastics present local solutions to a global problem.Clark, Ali
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Lecture
The Renaissance Reimagined: Minton, Majolica and Maiolica
From about 1850 the Renaissance Revival inspired the design of both architecture and the decorative arts in Britain, prompting Minton & Co. to bring the arts of the period to the Staffordshire potteries. The lecture will focus on a subgroup of revivalist ware inspired by Italian Renaissance maiolica through the...Blakey, Claire
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Interactive resource
Fashioning the past in the present
Our panel explored how clothes tell stories on stage and screen. From how accurate costumes allow actors to connect with their characters to when it might be necessary to take liberties for entertainment.Wallis, Mark ; Romero, Stefan ; Taylor, Emily
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Conference paper (unpublished)
Material constructions: making, outré and taste in late 19th century dress
Late nineteenth-century Europe and North America experienced some of the most accelerated wealth gains the modern industrial age has known. Overtly and purposefully expressed through access to and making of material culture, this paper will consider how this wealth and the luxurious transience of fashionable dress expressed the leisure, social...Taylor, Emily
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Lecture
The Storrar Coverlet: a double weave tradition in Scotland and Scandinavia
Coverlet in red and yellow wool, woven in a double weave with a geometric design of birds, a chequered band and the date 1729 at each end. Formerly in the possession of the Storrar family of Nether Urquhart, Fife: probably made in Sweden.Wyld, Helen
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Book chapter
The Importance of Place
The fourth edition of European Glass Context presents 62 glass artists from 31 European countries whose works of art are craft masterpieces, site-specific or politically charged. This exhibition catalogue is a hybrid where print on paper and augmented reality converge: the artists are presented through images, texts and films about...Rothwell, Sarah
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Journal article
Capturing decorative art - the work of Frances Priest
Within this article I hope to highlight and explore the progression of the practice of Edinburgh-based ceramic artist, Frances Priest, through works held by National Museums Scotland, and her most recent public commission for the city's Royal Edinburgh Hospital. I shall discuss her enduring passion for The Grammar of Ornament,...Rothwell, Sarah
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Blog post
Artistic expressions of today: Sustainability and consumption
Over the last year, we have acquired several artefacts that discuss how the impact of the pandemic and wider socio-political subjects have inspired the creation of some remarkable works of art, craft and design that reflect these times. Sarah Rothwell, Senior Curator of Modern & Contemporary Design, concludes our mini-series...Rothwell, Sara
Jewellery , Sustainability, Contemporary Collecting, Contemporary Jewellery, and Climate
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Blog post
Artistic expressions of today: Climate change
Over the last year, we have acquired several artefacts that discuss how the impact of the pandemic and wider socio-political subjects have inspired the creation of some remarkable works of art, craft and design that reflect these times. Sarah Rothwell, Senior Curator of Modern & Contemporary Design, kicks off our...Rothwell, Sarah
Art & Design, Climate , Contemporary Collecting , COVID-19, and Climate Change
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Book chapter
Excellent judgement: bark painting in National Museums Scotland
Museums across Great Britain and Ireland hold Aboriginal and Torres Strait Islander (collectively referred to as ‘Indigenous’) cultural heritage of exceptional value which is largely unknown, rarely seen and poorly understood. Gifted, sold, exchanged and bartered by Indigenous people, and accepted, bought, collected and taken by travellers, colonists, explorers, missionaries,...Morphy, Howard ; Denner, Antje ; Blakeman, Bree
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Book chapter
For close observation: Tilework imagery in the architecture of Qajar Iran
When we walk into a gallery, we have a fairly good idea where the building begins and ends; and inside, while observing a painting, we are equally confident in distinguishing between the painting-proper and its frame and borders. Yet things are often more complicated. A building defines an exterior space...Voigt, Friederike
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Conference paper (unpublished)
Royal Jewels and Relics in the National Collections panel: Renaissance Jewels, a Scottish style?
McGill, Lyndsay
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Lecture
What’s Next for Period Drama?
This virtual conference will take place on 9th July 2021 and is organised by Anthony Delaney (History, University of Exeter) and Dr Madeleine Pelling (Centre for Eighteenth-Century Studies, University of York). Hosted via Zoom, the day will bring together academics, journalists and professionals from the TV industry to ask ‘What’s...Montgomery, Grant ; Waine, Rosie
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Blog post
Women identity textiles and heritage in Mozambique
A project exploring the relationship between tradition and change in the lives of women in Mozambique recently resulted in an exhibition in Maputo. Principal Investigator Sarah Worden tells us about the latest activity in this collaborative project and how focusing on the cotton printed capulana encouraged discussions around identity and...Worden, Sarah
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Lecture
Archie Brennan, Tapestry Goes Pop!
Join Lisa Mason, National Museums Scotland’s Assistant Curator in Modern and Contemporary Fashion and Textiles, and Kate Grenyer, Exhibitions Curator at Dovecot Studios, for a behind the scenes look at Dovecot’s upcoming exhibition co-curated by National Museums Scotland, Archie Brennan: Tapestry Goes Pop! Enjoy an exclusive preview into the world...Mason, Lisa ; Grenyer, Kate
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Journal article
Exhibition Review: Mary Quant, Curated by Jenny Lister and Stephanie Wood for The Victoria and Albert Museum (V&A), London, England and V&A Dundee, Scotland, 27 August 2020–24 December 2020
Curated by Jenny Lister and Stephanie Wood for The Victoria and Albert Museum (V&A) London, England and Dundee, Scotland. Reviewed by Georgina RipleyRipley, Georgina
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Conference paper (unpublished)
Uncovering objects: the importance of context for the textiles of Tyninghame House, Scotland, circa 1700-1800
In 1977 the Earl of Haddington approached museums in Edinburgh, Scotland, with an offer of textiles and dress stored at Tyninghame House, East Lothian, south of the city. After consultation, the resulting sale saw a large collection of pieces split between the Royal Scottish Museum and the Museum of Antiquities....Taylor, Emily
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Conference paper (unpublished)
The Storrar Coverlet: uncovering a story of Baltic trade
This beautiful double-weave coverlet, dated 1729, was recently acquired by National Museums Scotland from the collection of a family from Fife in the east of Scotland. In the family’s possession for generations, the coverlet has been passed down, tradition has it, from mother to daughter. The double-weave technique was used...Wyld, Helen
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Book chapter
Jacob Christoff Le Blon's secret for weaving tapestry
An assessment of Jacob Christoff Le Blon's invention of a method of weaving tapestry (usually hand-woven) mechanically on a drawloom, patented in London in 1727. The article is the first detailed analysis of Le Blon's method.Wyld, Helen
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Book chapter
The Renaissance reimagined: Minton, Majolica, and Maiolica
From about 1850, the Renaissance Revival inspired the design of both architecture and the decorative arts in Britain, prompting Minton & Co. to bring the arts of the Renaissance to the Staffordshire potteries. Within the context of its ongoing use of historical examples, the firm successfully adopted and adapted Renaissance...Blakey, Claire
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Journal article
The Graham Gadd collection of furniture ephemera
National Museums Scotland recently received a donation of furniture related items from RFS member Graham Gadd.Jackson, Stephen
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Journal article
A Scottish stoneware jug
In 2001 National Museums Scotland (NMS) acquired an elaborately decorated but unmarked stoneware jug, which was tentatively linked to Newbigging Pottery in Musselburgh. Over the last year exhibition research has shed light on documentary evidemce, linking the jug to the pottery at Newbigging.Hynes, Adrienne
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Journal article
Scottish East Coast Transfer Printed Wares
In this paper I will use both extant examples and shards recovered archaeologically to highlight what evidence we have, for production of transfer printed wares, by the potteries situated between Portobello and PrestonpansHaggarty, George R
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Journal article
Life's rich tapestries
In its 400th anniversary year, Helen Wyld explores the short and turbulent history of the Mortlake tapestry works, arguably the greatest State-sponsored manufactory Britain has ever known.Wyld, Helen
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Book chapter
Conservation and analysis of deteriorating nineteenth and twentieth-century British glass in the National Museums of Scotland
The National Museums of Scotland collections includes about 2000 19th and 20th-century British glass artefacts. An initial conservation survey in 1996 identified 153 artefacts as actively deteriorating (Cobo del Arco 1999). Examinations of additional artefacts is ongoing and 212, c.20% of those surveyed to date, are deteriorating. The visible signs...Eremin, Katherine ; Cobo del Arco, B ; Robinet, L ; Gibson, L T
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Journal article
Rediscovering the Arisaid
The stereotype of 'traditional' Highland dress is the kilted male figure. The National Museums Scotland (NMS) and other museums have long included a category 'Arisaids' in their collections; research reveals that this was a female version of 'traditional' Highland dress, a finely-made and high status garment which was going out...Quye, Anita ; Cheape, Hugh
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Journal article
Material destinies: jewelry, authenticity and craft in the American Southwest
This article considers the representation and interpretation of Native American jewelry of the American Southwest. It gives a broad history of silversmithing and lapidary traditions, in order to contextualize the tangible and intangible values bestowed on silver and stone as pure, worked, and combined materials. It suggests the benefit of...Lidchi, Henrietta
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Journal article
Katharine Coleman
Watban, Rose
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Book
Embroidered Stories: Scottish Samplers
Samplers were embroidered pictures made by girls, and occasionally boys, as part of their education. Scottish samplers are unique with regard to the amount of information that can be gathered from them. They often include the initials of extended family members as well as details of buildings, places and events,...Wyld, Helen
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Journal article
Colouring the Nation: a new in-depth study of the Turkey Red Pattern Books in the National Museums Scotland
The production of Turkey red dyed and printed cottons was a major industry in the west of Scotland, particularly in the mid- to late nineteenth century. Although the extensive works were pulled down in the second half of the twentieth century, our knowledge of this industry is significantly aided by...Tuckett, Sally ; Nenadic, Stana
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Journal article
A New Kind of Menswear for a New Kind of Man: constructs of masculinity at JW Anderson and Loewe, 2008-2017
Once radically dividing critics with his lace shirts and knee-high boots for men. J W Anderson's conscious cross-pollination of menswearm and womenswear elements has earned his eponymous label a cult following, precipitating a dizzying ascent. In 2013, LVMH investment in his label coincided with his appointment as Creative Director of...Ripley, Georgina
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Journal article
Twenty-first century sofa: conserving an eighteenth century object for modern museum display
This article describes the upholstery conservation treatment of a mid-eighteenth century sofa made for Spencer House, one of London's finest private houses. The sofa is now in the collection of National Museums Scotland. Details are given about the object's history, the approach taken to the complex treatment options, and the...McClean, Lynn ; Porter, Heather ; Jackson, Stephen
collaboration, conservation, sofa, Ethafoam™, upholstery, and digital
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Journal article
Illustrating the design process: the Bernat Klein Collection and Archive, National Museums Scotland
Serbian-born textile designer Bernat Klein (1922–2014) emigrated to the United Kingdom in 1945 and based his textile manufacturing business in the Scottish borders. From humble beginnings this young émigré designer went on to produce couture fabrics for the leading fashion houses of Europe. Klein also worked as a colour consultant...Mason, Lisa
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Book chapter
The Mortlake tapestries. Essay and catalogue entries
Edited by Desmond Shawe-Taylor and Per Rumberg, Charles I: King and Collector is the catalogue accompanying the Royal Academy exhibition set to tell the compelling story of the British monarch who created one of the most stupendous art collections in history. Including authoritative essays revealing the historical context behind the...Wyld, Helen
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Conference paper (published)
Tradition and Transition: The changing fortunes of barkcloth in Uganda. In Society of America Symposium Proceedings. 1012.
In the late 19th and early 20th centuries Scottish travellers, missionaries and colonial officials were among the first Europeans to visit east and central Africa. The objects they collected whilst living amongst those whose customs and traditions were so unfamiliar, form the backbone of the National Museum of Scotland’s early...Worden, Sarah
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Journal article
Recrafting traditions and materializing memories: a conversation with Keri Ataumbi
This Statement of Practice starts with a description of the inlay piece recently acquired by National Museums Scotland, Edinburgh. The ring—entitled Zemguani—invokes a Kiowa mythical being. Ataumbi discusses its place within her artistic trajectory and studio practice, especially as regards the use of Native and non-Native materials in jewelry. She...Lidchi, Henrietta ; Ataumbi, Keri
trading, materials, jewelry, Native America, sovereignty, memorial, and narrative
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Journal article
Insights into Portobello: its harbour and its industries
From the 18th century onwards, the town of Portobello was home to a number of thriving industries, including pottery, brick-making and tile-making, each of which have left their traces for archaeologists to investigate.Haggarty, George ; Roy, Mike
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Book chapter
‘Coal money’ from Portpatrick (south-west Scotland): reconstructing an Early Medieval craft centre from antiquarian finds
Late 19th and 20th-century finds of debris from shale bangle manufacture at Portpatrick in south-west Scotland occasioned considerable interest at the time. The early discoveries were found in grave-digging, giving rise to folk traditions of the material as ‘coal money’ placed with the departed, but these were soon dismissed by...Hunter, Fraser
bangles, antiquarian study, Early Medieval, Irish connections, Oil shale, and craft processes
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Journal article
The long march of the platform
Stacked soles have been around since the ancient Greeks now they’re stomping down the catwalks again. The fashion curator Georgina Ripley charts the history of the high-rise shoe.Ripley, Georgina
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Journal article
Shipwreck ceramics: a major research resource
Haggarty, George
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Journal article
Mending small butt joints
Wagner, Isabell ; Kotonski, Verena
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Journal article
Reidentifying the wood of the Queen Mary and Lamont harps
Identifying the wood of the surviving historical wire-strung harps of Ireland and Highland Scotland has long been an important goal of researchers and instrument-builders. In 1969, microscopic examination of the anatomical features of the wood of two of the earliest surviving harps of this type, the Queen Mary and Lamont...Loomis, Karen ; Ogilvie, Ticca M A ; Troalen, Lore
X-ray computed tomography, Lamont harp, Queen Mary harp, Irish harp, wood identification, and scanning electron microscopy
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Journal article
Walter Newall of Dumfries
Jackson, Stephen ; Stewart, Marion