Listening otherwise: reactivating the Jean Jenkins' Ethiopian and Eritrean sound archive for inclusive futures

Baratti, Nina

Listening otherwise: reactivating the Jean Jenkins' Ethiopian and Eritrean sound archive for inclusive futures

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Abstract

Creator (person)

Baratti, Nina

ORCID

Abstract

In the 1960s, ethnomusicologist Jean Jenkins traveled multiple times to regions of present-day Ethiopia and Eritrea to document a variety of musical traditions. While some of her sound recordings were published, the majority have remained largely inaccessible to the custodial communities and the broader public for over 50 years. Today, these recordings are the focus of a reactivation project at the National Museum of Scotland. The project seeks to amplify Ethiopian and Eritrean voices through participatory initiatives, engaging both local communities and the diaspora in the UK. This paper explores the project's objectives and challenges, using it as a case study to examine how museums and archives can act as agents of unlearning imperialism. By challenging entrenched colonial perspectives and engaging the Ethiopian and Eritrean diaspora in the reinterpretation of cultural heritage, the project invites critical reflection on how these institutions can 'unwrite' dominant historical discourses and reshape narratives about Africa. Although Jenkins’ collection was not a direct product of colonialism, its location within a Western institution evokes dynamics similar to colonial archives, raising questions about the neutrality of archives. This project challenges these assumptions, emphasizing the importance of participatory approaches in the study and dissemination of African sound archives. By reinterpreting these recordings as creative resources rather than merely documentary ones, the project demonstrates their potential to foster cultural resilience and contribute to decolonizing heritage knowledge, while also opening a dialogue on the evolving role of museums and archives in shaping more inclusive and democratic futures.