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  5. Cold War through the looking glass: Espionage objects, authenticity and multiperspectivity

Cold War through the looking glass: Espionage objects, authenticity and multiperspectivity

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Resource type
Book chapter
Creator (person)
Gledhill, Jim
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Date published
2024
Abstract
This essay examines three museums interpreting the material culture of Cold War espionage in Berlin, a city synonymous with spies in fact and fiction: the Allied Museum, the Stasi Museum and the German Spy Museum. The Allied Museum displays an internationally significant artefact of western intelligence in a section of the secret tunnel built by the CIA and MI6 to tap Soviet military telephone lines in East Berlin. By contrast, the Stasi Museum in the organisation’s former headquarters in East Berlin exhibits original objects and interiors, reputedly as they were left in 1990. On the site of the Berlin Wall’s “death strip” at Leipziger Platz, the German Spy Museum contains the material culture of both sides, but also features former spies talking openly about their experiences. Each case study will consider the museological issues of authenticity and multiperspectivity when representing spies as controversial figures in Cold War history.
Project(s)
Materialising the Cold War
Funder
Funder nameAwards
Arts and Humanities Research Council
AH/V001078/1
Book title
Cold War Museology
Editor
Nehring, Holger
Douthwaite, Jessica
Alberti, S J M M
Pagination
95-110
Publisher
Routledge
Official URL
https://doi.org/10.4324/9781032690414-8
Related URL
https://www.nms.ac.uk/collections/departments/science-technology/projects/materialising-the-cold-war
Rights statement
In Copyright
Licence
https://creativecommons.org/licenses/by/4.0/
DOI
10.4324/9781032690414-8
Keywords
material culture
Cold War Museology
museum interpretations
Additional information
Full text available via the official URL
Collection
Materialising the Cold War
Managed by the British Library and supported by the AHRC

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